Dealing in fine Japanese prints, paintings and books since 1968
Dealing in fine Japanese prints, paintings and books since 1968
An amorous couple beside a screen decorated with a large chrysanthemum. From a set of twelve prints Keisei higo, “Secret Words of a Courtesan” published c 1822-25. Although coming under the heading of shunga, each print is an abuna-e design, without any graphic detail. Shows a courtesan with her client. She turns to tie the iwata-sash which indicates she is pregnant. Fine impression. Very fine colour. Fine condition. Status: Available Price: £1,500
A triptych showing Prince Genji in a boat with attendant page and a lady watching female awabi (abalone) divers called ama. These women were a great curiosity for the public and seen as rather risqué characters. Prince Genji was the protagonist of Murasaki Shikibu’s Heian-era novel The Tale of Genji. He was the second son of the emperor, and relegated to civilian life. Published 1865 by Maruya Kyushiro. Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Kunisada hitsu. Status: Available Price: £1,280
Click here to view image full size. Two beauties getting ready for bed. One is seen behind a bamboo screen while the other approaches holding a bunch of tapers, one of which is lit. From a set: Mutamagawa tsuki mayuzumi, “Six Jewel Rivers: Blackened Eyebrows.” This refers to the practice of geisha to shave their eyebrows and paint new ones higher up on the forehead. This contrasted with the traditional white face makeup they wore. Published by Izumiya Ichibei (Kansendo), c 1810s. Probably Utamaro II’s best set. Very good impression. Slight fading and minor soil and creasing, otherwise good condition. Full size. Signed Utamaro hitsu. Status: Available Price: £3,500
Click here to view image full size. A beauty from a set Bijin gosekku, “Fashionable Beauties Associated with the Five Festivals.” This being the Chrysanthemum Festival on the 9th September. Unidentified publisher, c late 1820s. Fine impression. Very good colour. Slight creasing and signs of mounting au verso, otherwise good condition. Signed Eizan hitsu. Status: Available Price: £1,480
Click here to view image full size. A winter scene with a young courtesan on an engawa gazing at an upturned ladle resting in a water basin formed from a hollow tree trunk. Behind her a young beauty peers out through the shoji. The scene calls to mind the Bell of Damnation (Muken no kane) act in the play Hiragana Seisuiki where Umegae strikes the water basin with a ladle to produce gold coins. Harushige was the ukiyo-e go of Shiba Kokan, the first artist to try copper plate engraving and who studied oil painting and etching from books he saw in Nagasaki. For a time a pupil of Harunobu whose style his prints resemble. Extremely rare: I cannot, at the moment, locate another impression. Published c early 1770s. Fine impression. Extremely good colour, the orange pigment partly oxidised. Possibly slightly trimmed left and bottom, otherwise very good condition. Status: Available Price: £12,000
Click here to view image full size. An early complete 5-sheet (pentaptych) design being a mitate-e of a daimyo’s procession along Kugenuma beach with Enoshima island and Mt. Fuji in the background. Harugasumi hana iki retsu, “Journey in the Spring Mist.” The regional feudal lords (daimyo) were required every alternative year to travel to the capital of Edo. This was a deliberately costly affair and secured their loyalty as they had to leave their families in Edo. In this design young women replace the daimyo’s retinue. Published by Kawaguchiya Uhei, 1811-14. Its rare to find 5 or 6-sheet prints complete. Fine impression and colour. Light album backing, otherwise very good condition. Signed Kikugawa Eizan hitsu. Status: Available Price: £8,000
Click here to view image full size. A beauty with a child on her back. Amagoi Komachi from a set Furyu nana Komachi, “Fashionable Seven Komachi.” Events from the life of Ono no Komachi, one of the six best waka poets of the Heian period. Published by Iseya Soemon, c. 1805. Very good impression. Fine colour. Slight trimming, otherwise very good condition. Signed Utamaro hitsu. Status: Available Price: £3,200
Click here to view image full size. The ill-fated couple Ianoya Hanbei and Ochiya: the subjects of a famous double suicide in 1722 in Osaka. From a set Jitsu kurabe iro no minakami, “An Array of Passionate Lovers.” Ochiya was banished from the family home by Hanbei’s stepmother, Okuma. However, not able to live apart, they decide on their fate. Edoites were fascinated by these true-life dramas which were transformed into novels, Kabuki plays and, of course, ukiyo-e. Pubished by Nishimuraya Yohachi, c 1798. Provenance: Ex collection Walter Amstutz, sold Sotheby’s 15/4/1991, lot 137, page 240 of the sale catalogue. Rare: not listed in Yoshida, Shibui or the British Museum exhibition catalogue The Passionate Art of Kitagawa Utamaro, BM and Chiba City Museum, 1995. Fine impression. Very good colour. Slightly trimmed around, otherwise very good condition. Signed Utamaro hitsu. Status: Available Price: £7500
Click here to view image full size. An amorous couple from an unsigned abuna-e (from abunai, risqué) set of twelve prints Keisai higo, “Secret Words of a Courtesan” published c. 1822-25. Although coming under the heading of shunga, each print is without any graphic details. She adjusts his hair with her hairpin while he smokes a pipe. Fine impression, colour and condition. (Without centre fold, which is often encountered on this set. Status: Available Price: £1,800
Click here to view image full size. A beauty standing beside a stream where wild chrysanthemums grow. A mitate-e (parody) of Kikujido, the Chrysanthemum Boy, who was the favourite of the Chinese Emperor Mu (c. 950 B.C.). However, because of court jealousy, he was banished but had his exile eased by the Emperor who gifted him the ability to read sacred Buddhist texts. He became an immortal, spending his days surrounded by chrysanthemums and inscribing words of peace on the flowers’ petals. This is the second state: The first (private edition) is a calendar print with a signature (of an amateur) Kinga Ko and seal and has the year and its cyclical signs for 1766. These Harunobu calendar prints, printed in small numbers, were commissioned by wealthy individuals between c. 1764 and 1766 and so popular that they were published commercially. Rare. Very good impression and colour Very minor edge soil, otherwise very good condition. Signed Suzuki Harunobu ga. Status: Available Price: £8,000
Click here to view image full size. Two beauties examining tanzaku poetry cards from a set Ukiyo Genji hakkei, “Eight Views of Genji in the Floating World.” The designs stand alone but also form diptychs. This series compares scenes from the famous Tale of Genji novel written by the Lady Murasaki in the early 11th century with the Eight Views of Omi [Lake Biwa]. In the present case, Maboroshi rakugan (viz Katata rakugan, “Descending Geese at Katata”) is compared to chapter 41, Spirit Summoner, of the Tale of Genji where a poem composed by the Akashi Lady is in response to the grieving Genji’s poem after the nocturnal encounter with Murasaki which refers to the wild goose (aka Genji) having flown away. Published by Eijudo c 1797-99. Another impression is in the B.M., reg. no. 1931, 0427,0.8 and an impression is illustrated in Klaus J. Brandt, Hosoda Eishi, 1977, 119, no. 301. Provenance: Sold Sothebys, New York, 28/10/1980, lot 866. Fine impression. Very good colour with yellow ground. Slight centre fold and very slight trimming, otherwise very good condition. Signed Eishi zu. Status: Available Price: £6,500
Click here to view image full size. A fine okubi-e (“large head”) portrait of the courtesan Shizuka of the Tama-ya House. Eisui, like the other main pupils of Eishi, produced some of the finest bust-portraits in Ukiyo-e. Published by Maruya Bunemon c late 1790’s. Other impressions illustrated in Klaus J. Brandt, Hosoda Eishi, page 72, 524, no. C35, catalogued p. 231, and the Library of Congress, FP2-JPD, no. 1912. Extremely Rare. Very good impression. Good colour. Slight soil, otherwise good condition. Full sze. Signed Ichirakutei Eisui ga. Status: Available Price: £22,000
Click here to view image full size. A design from a set of six prints Furyu ko-dakara awase, “Elegant Comparisons of Little Treasures.” About to breastfeed (chichi). Published by Izumiya Ichibei, c 1802. Fine impression. Extremely well preserved colour. Very good condition. Signed Utamaro hitsu. Status: Available Price: £5,500
Click here to view image full size. A beauty, Ureshi so, “The Contented Type” from a set Imayo bijin junikei, “Twelve Views of Modern Beauties.” Above on a handscroll is a view of Fuji from Takanawa. She bites onto a tissue which has erotic connotations. Published c 1822-25 by Izumiya Ichibei. Fine impression and colour. Very good condition. Signed Keisai Eisen ga. Status: Available Price: £2,800
Click here to view image full size. A beauty washing in a large tub of water. Kiku,”Chrysanthemum” from a set Tosei hana kurabe, “Contest of Modern Flowers.”Beauties compared to flowers. Published by Omiya Heihachi, c 1820. This appears to be the earliest state with the beauty’s undergarment printed red which is lacking in other impressions. Very good impression. Fine colour. Very good condition. Signed Gototei Kunisada ga. Status: Available Print: £1,400
Click here to view image full size. A vertical double oban showing a woman holding a ruler and offering a small bolt of cloth with the other hand. From a set Atsurae ori jisei konomi, “Fabrics to Order in Current Taste.” Published by Yamashiroya Jinbei, c 1843-7. A rare design from a rare set, and even rarer to find in this condition as most examples have been mounted and consequently damaged from being hung. Very fine impression. Fine colour and condition. Signed Oju Kunisada aratame Nidai Toyokuni ga. Status: Available Price: £2,800
Click here to view image full size. A cho-oban (20 x 6.75 inches) print showing beauties fishing. The top figure has caught a crayfish. Each design interprets a haiku poem in red, top right. A set of 6 prints published by Matsui Eikichi, 1893. Rare. Fine impression and colour. Slight creasing, otherwise fine condition. Signed Toyohara Kunichika hitsu. Status: Available Price: £1,900
Click here to view image full size. An untitled triptych showing two beauties and a maidservant lighting their way with a lantern and carrying a shamisen box. The beam of light from the lantern illuminates the foreground figures and a leaping dog but leaves the background figures in silhouette. Published by Mikawaya Seimon, c. mid 1820s. A fine design. Fine impression and colour. Imperceptible fold, otherwise very good condition. Signed Gototei Kunisada ga. Status: Available Price: £3,800
Click here to view image full size. An aizuri-e (blue print) showing the courtesan Utagawa of Tamaya admiring a bowl of carnations. From a set Bijin awase published by Shimizu, c. late 1820s. These blue prints using the imported bero, Berlin blue (what we called Prussian blue), became popular during the 1820s to 1840s as the cost came down. Fine impression and colour. Trimmed slightly, otherwise very good condition. Signed Toyokuni ga. Status: Available Price: £2,200
Click here to view image full size. A courtesan and her Shinzo from a set Edo murasaki edoru hinagata, “Models Designed in the Purple of Edo.” A bluish purple as opposed to the more reddish purple from Kyoto. A pigment that had been extremely expensive and reserved for the elite few, but became cheaper and more accessible during the Edo period, fuelled by leading actors – such as Danjuro – wearing an Edo murasaki headband. Published 11 Publisher unread. Very good impression, colour and condition. Signed Utamaro hitsu. Status: Available Price: £2,800
Click here to view image full size. A courtesan biting on a tissue about to write a love letter from the set Ukiyoe jinsei tengankyo, “Types of the Floating World Seen Through a Physiognomist’s Glass.” The glass top right. These professionals who purported to look at people’s features and give counsel based on their countenance were called Ninsomi or simply Somi. This set of ten prints showing different female personalities have their characteristics written up above. Utamaro produced two fine sets based on this theme in 1792-4 and c 1802: Fuji ninso jupon and Bijin gomenso. The clenching of the tissue is always an indication of arousal. Published c 1830 by Moriya Jihei (Kinshindo). Fine impression with blind-printing. Fine colour. Small repaired binding holes and very slight trimming, otherwise very good condition. Signed Gototei Kunisada ga. Status: Available Price: £1,800
Torii KIYOHIRO Click here to view image full size. A large oban, 17.25 x 12.25 in; 44 x 35.2 cms, sumizuri-e with hand-applied colour. Shows two ama, abalone divers, on the seashore with nets in the background , abalone shells at their feet and an octopus in the waves below them. The poem above speaks of the salty sea breeze wafting across the shore. Published by Maruya Kuzaemon (Gyokeido) c late 1730s. Extremely rare: Another impression is in the Ritsumeikan University, Very good impression. Light soil, and lightly laid down. Faint fold marks, but generally good condition for its size and date. Signed Torii Kiyohiro hitsu. Status: Available Price: £12,800
Click here to view image full size. Okigatsuki-so: Meiji nenken saikyo nakai no fuzoku, “Looking Capable: The Appearance of a Kyoto Waitress in the Meiji Era [1867-1912].” Shows the waitress of a Kyoto geisha house whose job was to act as a go-between for customer and geisha. From a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. Very fine impression of the true first edition. Fine colour and condition. Signed Yoshitoshi ga. Status: Available Price: £1,650
Omota-so: Tempo nenkan Fukagawa karuko no fuzoku, “Looking Weighed-Down: The Appearance of a Waitress at Fukagawa in the Tempo Era [1830-1844].” Shows the waitress carrying a portable wooden table with food to a geisha party from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. Very fine impression of the true first edition. Fine colour and condition. Signed Yoshitoshi ga. Status: Available Price: £2,200
Click here to view image full size. One of a set: Edo Murasaki meisho Genji, “Murasaki’s Genji in Famous Places of Edo.” Mitate Ukifune Sumidagawa no watashi, “A Parody of Ukifune Crossing the Sumida River.” Shows a beauty on a ferry crossing the Sumida River in heavy snow, representing Ukifune, one of the court ladies of the Genji Monogatari. Stylised clouds above and below copying the traditional kiri-gane gold found on Yamato-e scrolls. These Genji pictures were popular at this time to circumvent the reforms of 1842. Published by Kinseido (his seal also appearing on the umbrella bottom right). Rare. Fine impression. Very good colour. Lower margin trimmed close, otherwise very good condition. Signed Hiroshige ga. Status: Available Price: £3,200
Click here to view image full size. Samu-so: Tempo nenkan Fukagawa Nakamachi geisha fuzoku, “Looking Frozen: The Appearance of a Fukagawa Nakamachi Geisha in the Tempo Era [1830-1844].” Shows a beauty caught in a snowstorm, her umbrella laden with snow from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. Very fine impression of the true first edition. Fine colour and condition. Signed Yoshitoshi ga. Status: Available Price: £2,200
Click here to view image full size. Jiki-tsuki-so: Kaei nenkan anego no fuzoku, “Looking as if Somebody is About to Arrive: The Appearance of a Fireman’s Wife in the Kaei Era [1848-1854].” A fireman’s wife waits for the return of the head of the household. From a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. Very fine impression of the true first edition. Fine colour and condition. Signed Yoshitoshi ga. Status: Available Price: £1,800
Click here to view image full size. A woman peering through a gap in a shoji from a set Arigataki miyo no kage e “Shadow Pictures for Our Blessed Times.” Published by Maruya Seijiro c. 1845-6 and is based on strong light sources shining on beauties. This chiaroscuro technique was pioneered by Shumman and used by Utamaro and Toyokuni I. Fine impression, colour and condition. Signed Ichiyosai Toyokuni ga. Status: Available Price: £2,200
Click here to view image full size. A geisha partly illuminated by a lantern on a boat from a set Tsuki no kage shinobiau yo, “Secret Meetings by Moonlight.” Published jointly by Izumiya ichibei (as here) and Yamamoto Kyubei, c. 1836-38. Very good impression and colour. Minor creasing, otherwise very good condition. Signed Kochoro Kunisada ga. Status: Available Price: £1,600
Click here to view image full size. Looking Itchy: the appearance of a kept woman of the Kaei era [1848-1854]. Shows a beauty emerging from a mosquito net that has apparently not been entirely successful. From a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. Very fine impression with strong blind-printing on the fall. Fine colour and condition. Full size. Signed Hiroshige ga. Status: Available Price: £2,800