Richard Kruml

Richard Kruml

Utagawa KUNIYOSHI (1797-1861)

 Click here to view image full size. The samurai Yamamoto Kansuke from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon (this design) or Enshuya Matabei 1845. Robinson S35.16. One…

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. Miyamoto Musashi fencing with Tsukahara Bokuden from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon (this design) or Enshuya Matabei 1845. Robinson…

Utagawa KUNIYOSHI (1797-1861)

 Click here to view image full size. The priest Mongaku Shonin doing thirty-seven days’penance under the freezing Nachi waterfall near Kyoto. He is helped by Fudo Myo-o’s two attendants Seitaki and Kongara seen here top right. This act of self-mortification…

Utagawa KUNINAO (1793-1854)

Click here to view image full size. A surimono with series title Bijin awase, “Beautiful Women.” Shows a scantily clad diver emerging from waves holding an abalone shell and clinging to a rock. There are obvious erotic overtones to this…

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Tsuchiyama, haru no ame, “Tsuchiyama, Spring Rain.” Number 49 from the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the length of…

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Ishiyakushi, number 44 from the Tokaido showing figures entering the village with others working in the fields. Ishiyakushi-ji Temple was seen on entering the village. From the famous Tokaido gojusan tsugi no uchi,…

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Okabe, Utsu no yama, “Okabe, Utsu Mountain.” Number 21 from the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the length of…

Utagawa HIROSHIGE (1797-1858)

Yoshiwara, hidari Fuji, “Yoshiwara, Mount Fuji on the left.” Number 14 from the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the length of the Tokaido as part of…

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Miya, Atsuta shinji, “Miya, Festival of the Atsuta Shrine.” Number 41 from the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the…

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Mii no bansho, “Evening Bell at Miidera Temple” from an early set Omi hakkei no uchi, “Eight Views in Omi Province.” Shows the temple hidden amongst hills on the southern side of Lake…

Utagawa HIROSHIGE II (1829-1869)

Click here to view image full size. Sesshu Nunobiki no taki, “The Nunobiki Waterfall in Settsu Province,” from a set Shokoku meisho hyakkei, “One Hundred Famous Views in the Various Provinces.” The set published by Uoya Eikichi between 1859 and…

Katsushika HOKUSAI (1760-1849)

Click here to view image full size. Totomi sanchu, “In the Totomi Mountains” from Hokusai’s most famous set Fugaku sanju-rokkei, “Thirty-six Views of Fuji.” The set published by Nishimuraya Yohachi c. 1830-33. Originally planned as a set of 36 prints,…

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. A surimono from a series: Fuzoku onna Suikoden hyakuhachiban no uchi, “Modern Women as the One Hundred and Eight Heroes of the Suikoden.” Shows a beauty leaning on a fulling block beside a…

Ryuryukyo SHINSAI (1764[?]-1823)

Click here to view image full size. An early pupil of Hokusai who is best known for his fine surimono, but also produced a series of semi-western style landscapes and some paintings. A still life showing a group of pouches,…

Utagawa KUNINAO (1793-1854)

 Click here to view image full size. An original painting showing a sumptuously attired parading courtesan. Kuninao was a pupil of Toyokuni, then a follower of Hokusai. Above is a lengthy inscription on the Yoshiwara by Shikitei Sanba ( 1776-1822…

Totoya HOKKEI (1780-1850)

Click here to view image full size. A surimono showing an unidentified fish – possibly a flying fish and carnations. An apparently unrecorded surimono. A pupil of Hokusai, Hokkei’s oeuvre was almost entirely in this genre, apart from illustrating ehon.…

Totoya HOKKEI (1780-1850)

 Click here to view image full size. An uncut large surimono with the poems attached showing a rustic bridge in a country setting. Geese flying above. Published c 1810s. Provenance: Ex Samuel Tuke collection, seal centre left. Tuke was a…