Dealing in fine Japanese prints, paintings and books since 1968
Dealing in fine Japanese prints, paintings and books since 1968
Click here to view image full size. A shijo brush drawing of a gurnard and a snapper (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 17.75 in; 26.7 x 45.1 cms. In good condition. Signed and sealed Keibun. Status: Available Price: £390
Click here to view image full size. An original painting by this artist who was the pupil and then son-in-law of Hokusai. He was given the name Yanagawa (from his residence in the Honjo district of Edo) to distinguish him from other Shigenobu artists. A good book illustrator and surimono designer. He designed the first square surimono in Osaka in 1822, inspiring others to follow. His paintings are rare. Shows a portrait of the Japanese scholar and writer Ishikawa Masamochi (1754-1830). The fifth son of Ishikawa Toyonobu, he was a renowned kyoka poet and Gesaku writer (playful, mocking works), including The Magical Carpenter of Japan. An important figure in kyoka/surimono circles. Known as Rokujuen (Yadao no Meshimori). His family crest is seen on his kimono and he sits before a low desk ready to write. A high quality painting, sumi and colour on silk, 29 x 12.5 in.; 73.6 x 31.8 cms. Several small backed wormholes at bottom, otherwise very good condition. Would benefit from being remounted. Signed Shigenobu with seal Yanagawa. Status: Available Price: £1,800 Click here to view image full size. <!– Click here to view image full size. –> Click here to view image full size.
Click here to view image full size. An Uki-e, “floating picture” painting showing an interior with a puppet performance taking place. A puppeteer manipulates a female puppet in the centre, behind him two gidayu narrators and a shamisen player. A male puppet is being held behind a screen. Ladies behind a screen at right enjoy the drama. In fact, a male individual at the back seems overcome by emotion with a hanky to his face. The architecture is represented using one-point perspective, a style which made its way to Japan in the 1740’s from the West via China. (Interestingly the artist has got the perspective wrong on the screen at right.) This genre of painting – invariably unsigned – always shows interior or semi-interior views with banquets or, as here, puppet performances. Full colour on paper, 17 x 23 in; 43.2 x 58.5 cms. Minor marks, although good condition for this kind of painting. Status: Available Price: £1,900 Click here to view image full size.
Click here to view image full size. An original painting showing a cat cleaning itself on a precarious tea-house roof. A charming study and typical of his work which often depicted the commonplace and comical sides to life. Itcho first studied the Kano tradition, perhaps under Kano Yasunobu ( 1618-1685 ). He was also known in poetry circles. However, like a lot of other artists of the time, he ran foul of the authorities and was exiled for 12 years in Miyakejima. On his return in 1709 he adopted the name Hanabusa Itcho and focused on ukiyo-e painting following in the footsteps of Moronobu but with more of a common touch. Ink and colour on silk. Image size 40.5 x 9.25 in; 113 x 23.5 cms. Signed Hanabusa Itcho with seal Nobuka no in. Box inscription Hanabusa Itcho Okujo no neko. Painted c 1710-20. In very good condition. Copies of Itcho paintings and drawings abound, partly because of his popularity and importance, but also because his staccato-like style and often simple subjects lend themselves to plagiarism. This lovely and unusual composition shows Itcho at his best. See also: Hanabusa Itcho ten ( exhibition catalogue ), Itabashi Museum of Art, 1984 ( see pl. 20 for the identical seal and very similar signature ); M. Murase, Japanese Art: Selections from the Mary and Jackson Burke Collection, Metropolitan Museum of Art, 1975, cat. No. 89; and for a description of his life: T. Koyasahi, Life of Hanabusa Itcho, Kokka, vol. 920, 1968, 00. 5-10. Status: Available Price: £3,800 Click here to view image full size. Click here to view image full size. Click here to view image full size.
Click here to view image full size. A seated cat with butterflies above. Tetsuzan, the adopted son of Mori Sosen, was known for his animal paintings and was one of the ten best pupils of Okyo. Good condition. Sumi and colour on beige silk. Image size 38.25 x 14.5 inches. Mounted on brown damask with ivory rollers. Signed Tetsuzan with seal Shushin. Status: Available Price: £2,200 Click here to view image full size. Click here to view image full size.
Click here to view image full size. A Maruyama school artist and “One of the ten most notable pupils of Okyo.” A contributor to the anthology Keijo gaen of 1814. Shows a strolling courtesan composed of almost limpid brush strokes creating an ethereal image of the floating world. Sumi and light brown-red on paper, 41.25 x 11.75 in; 104.75 x 29.75 cms. Mount and painting in very good condition. Signed Bummei and undecipherable seal. Status: Available Price: £1,500 Click here to view image full size. Click here to view image full size. Click here to view image full size.
Click here to view image full size. A fine work of the artist, c 1850s. The pupil and son-in-law of Kunisada. A beauty promenading. Sumi and full colour on silk. Image size 34 x 11.75 in; 86.5 x 29.5 cms. Fine condition. New mount and box. Signed Kunihisa ga. Seals unread. Status: Available Price: £1,900 Click here to view image full size. Click here to view image full size. Click here to view image full size.
Click here to view image full size. An interesting folding map showing Edo Tokyo. Sumidagawa in the East and Shinagawa in the West, all dominated by the Tokugawa Shogun’s residence at the centre, with civic information and measurements from Nihonbashi, and annual events. Dated Ox 8 (1853). Good condition. Status: Available
Click here to view image full size. An original painting, light colour on paper, 13 x 16.5 in; 33 x 42 cms. Shows a sparrow flying over a flowering plum tree. Light soil and creasing, but in generally good condition. Signed Hokusai suichu hitsu, “Hokusai painted while drunk.” Sealed Katsushika. (One of his better-known seals. He used different versions of it throughout his career.) Status: Sold Click here to view image full size.
Click here to view image full size. Meisho hakkei: Oyama yau, “Eight Celebrated Views: Night Rain at Oyama” in the oblong title cartouche and written below it: Juzan Fudo yori chojo no zu, “View of the Peak from Fudo.” Shows Mount Oyama in heavy rain with the Oyama-dera Temple dedicated to the Buddhist deity Fudo Myoo. Mount Fuji is seen in the distance. The “Eight Views” theme originates from 11th century China and the scenery of the Xiao and Xiang Rivers made famous by the scholar-painter Song Di. Here Toyokuni sets the views in Kanagawa. Published by Iseya Rihei (Kinjudo) c early 1830s. There are two editions of this set: one with regular block script in title cartouche, the other with cursive script (as here). Is in unclear which is the earliest. Cursive script is extremely difficult to read now but in 1830 it was no problem; certainly, with this design, the cursive script edition has superior gradation. However, comparison between editions on some other designs in the set show them to be almost identical, consequently it seems that the two states are almost contemporaneous and which is earlier is a moot point. One of the great 19th century landscapes.Fine impression. Fine colour with the title cartouche still retaining some purple which is famous for fading to a puce colour. Slight centre fold, otherwise very good condition. Signed Toyokuni hitsu. Status: Sold
Click here to view image full size. A triptych showing the night attack in pouring rain by the brothers Juro Soga and Goro Soga on their father’s murderer Kudo Suketsune. They had waited 18 years for the opportunity which came in 1193 when there was a hunting party held at the base of Mount Fuji by the Shogun Minamoto no Yoritomo. Soga kyodai chichi no ada-uchi no zu. In the centre is Goro and on the left Juro. Above, the cloth panels with the paulownia crest of the Minamoto clan. Published by Sanoya Kihei, 1851-3. Fine impression and colour. Slight trimming at top and residual glue at edge of centre sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga. Status: Available
Click here to view image full size. A diptych showing Musashi-bo Benkei, renowned for his herculean strength, battling with the young Onzoshi Ushiwaka Maru (Yoshitsune) on Gojo Bridge. The story relates how Benkei (1155-1189) wandered around Kyoto with the intention of relieving 1000 samurai of their swords. One night with one more sword to go he saw Yoshitsune playing a flute and wearing a golden sword at the Gojotenjin Shrine. They agreed to fight on Gojo Bridge in southern Kyoto. However, Yoshitsune was too agile for Benkei and had been educated in the secrets of fighting by the mountain tengu. Following Yoshitsune’s victory Benkei became Yoshitsune’s retainer. Published by Hei, c. early 1830s. (This publisher produced many of Kunisada’s prints in the early 1830s.) Very rare. Fine impression, colour and condition. Signed Kochoro Kunisada ga. Status: Available Price: £3,500
Click here to view image full size. An original drawing showing a beauty with an acolyte. Sumi on thin paper. 14.5 x 10.5 in., 37 x 27.5 cms. Status: Available Price: £800
Click here to view image full size. A large original drawing. Probably for a kakemono-e. Sumi on thin paper. 29.5 x 9.75 in., 73 x 24 cms. Status: Available Price: £800
Click here to view image full size. An original drawing showing a full length study of a woman with details of the pattern on her dress. Sumi and red under-drawing on thin paper. 14.75 x 10.75 in., 37.5 x 27.5 cms. Status: Available Price: £400
Click here to view image full size. An original drawing showing a bust portrait of a Heian beauty holding a fan with a surrounding motif of gourds and leaves. Sumi and red under drawing on thin paper. 18.5 x 12 in., 47 x 31 cms. Status: Available Price: £1,200
Click here to view image full size. An original drawing showing a study of a seated woman holding a rosary in front of an incense burner. Sumi and pentimenti on thin paper. 13 x 9.5 in., 33 x 24.5 cms. Status: Available Price: £1,200
Click here to view image full size. Three New Year drummers; two with lion (shishi) masks. Sumi and colour on paper, lightly laid onto card. 24.2 x 36.2 cms; 9.5 x 14.25 inches. In good condition. Unsigned but from a group, one of which bore full signature. Status: Available Price: £1,400
Click here to view image full size. A fine original sumi drawing (hanshita-e) for an unpublished print for the set Tokaido gojusan tsui, “Fifty-three Parallels for the Tokaido Road.” The set was published by various publishers in 1845-6 and was a collaboration with Kunisada and Hiroshige. Sumi on thin paper. This is a design for the lower half of the oban print, the top half having the title and a panel with the name of the post-station. Shows Yamato Takeru no Mikoto. A legendary prince, son of the Emperor Keiko. Shown here with his retainers. In extremely good condition. Provenance: Purchased from me in 21 Rare. Status: Available
Click here to view image full size. “Looking Weighed-down: The Appearance of a Waitress at Fukagawa in the Tempo Era” ( 1830 – 1844 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The waitress is shown carrying a tray of rice, sashimi and beans. Very fine impression and colour of the first edition. A mulberry fibre towards top edge, otherwise very fine condition with margins intact. ( These thread-like filaments of the tree sometimes survived the pulping process – either minute pieces of the outer or inner bark and are often seen. ) Signed Yoshitoshi ga. Status: Available