Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Ueno sannai, Tsuki-no-matsu, ‘Moon Pine, Ueno Temple Precincts’ from Meisho Edo Hyakkei, the ‘One Hundred Views of Edo’ published by Uoei between 1856 and 1858 ( this being 1857 ). One of the best designs from the set. Fine impression of the first edition. Fine colour. Slight toning, otherwise very good condition. Signed Hiroshige ga. Status: Sold

Aoigaoka HOKKEI (1780-1850)

 Click here to view image full size. Izu, Goseiki no Mida, A boat navigating a rocky promentary from Hokkei’s most famous series: Shokoku meisho, ‘Famous Views of the Provinces’ ( here Izu Province ) published by Eijudo and Nakamuraya Katsugoro, c 1830’s. This set of long, narrow, large-tanzaku format prints is one of the finest landscape series by any artist and is extremely rare. The complete set of thirteen prints is listed in Images from the Floating World, Richard Lane, 1978, p. 254. I have located images of 7 from this set but am unable to find the others at the moment. ( Images found for: Lane 3; 4; 5; 6; 8; 9; & 13. ) Very good impression and colour. Minor soil and small expert repairs at top two corners, otherwise good condition. Signed Hokkei ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Hira bosetsu, ‘Evening Snow at Mount Hira’ from the vertical Omi Hakkei set, ‘Eight Views of Omi [ Lake Biwa ]’, published by Uoya Eikichi, Snake 7, 1857. Superb impression of the first edition. Fine colour. Several minor marks and lower margin trimmed slightly, otherwise fine. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Karasaki yayu ‘Evening Rain at Karasaki Pine Tree’ from the vertical Omi Hakkei set, ‘Eight Views of Omi [ Lake Biwa ]’, published by Uoya Eikichi, Snake 7, 1857. Superb impression of the first edition. Fine colour. Slight trimming of margin, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Yabase kihan, ‘Fishing Boats Returning to Yabase’ from the vertical Omi Hakkei set, ‘Eight Views of Omi [ Lake Biwa ]’, published by Uoya Eikichi, Snake 7, 1857. Superb impression of the first edition. Fine colour. Slight trimming of margins, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Shotei HOKUJU (active 1787-1818)

 Click here to view image full size. Kai no kuni Saruhashi no shinsha no zu, ‘A True View of the Monkey Bridge in the Province of Kai’. An impressive wooden bridge spans a deep chasm. It was called the ‘Monkey Bridge’ because the original rickety, plank structure was so precarious that only an agile monkey could cross it. Hokuju produced a number of these westernised landscapes and this design is one of the very best. First edition published by Nishimuraya Yohachi, c 1815. It is also known with a variant colour scheme. Fine impression, colour and condition. Extremely full size with extra paper around. Signed Shotei Hokuju ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Wada from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). Wada is the highest point on the Kisokaido and Hiroshige shows travellers traversing the snow covered pass. One of the major designs from the set. Very fine early impression. Fine colour. Slight moisture blemish at top edge and slight soil top right margin. Imperceptible centre fold and slight trimming of margins at left and right, otherwise a fine example of this design. Signed Hiroshige ga. Status: Sold

Ichiyusai HIROSHIGE II (1826-1869)

 Click here to view image full size. Tsukudajima gyoshu, ‘Fishing Boats at Tsukuda Island’ from Toto sanjurokkei, the ‘Thirty-six Views of the Eastern Capital’ published by Se-To between 1859-1862. Shows tall vessels in the foreground and cormorant fishermen in the distance. Very fine impression of the first edition. Fine colour. Minimal wormage in right margin, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Ichiyusai HIROSHIGE II (1826-1869)

 Click here to view image full size. Shitaya, Hiroko-ji ‘Hirokoji Avenue, Shitaya’ from Toto sanjurokkei, the ‘Thirty-six Views of the Eastern Capital’ published by Se-To between 1859-1862. Shows figures struggling in a blustery shower. Very fine impression of the first edition. Fine colour. Minimal wormage in right margin, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. A masterly design showing a view of Matsuchi Hill and the Taiko Bridge in winter, looking across the Sumida River with a ferry-boat in the foreground. Published Meiji 29 ( 1896 ). Fine impression, colour and condition. Signed Kiyochika. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size. An excessively rare original sketch-book with MS. Diary at the end recording the last part of a trip Hiroshige started April 2nd 1841 from Edo to Kofu, this covering Nov. 13th ? Nov. 22nd 1841. Sumi on paper vigorously drawn and annotated with names and memoranda in Hiroshige?s writing. 7.75 x 5 inches containing 38 pages, two blank, with inscription on cover: ?Memories of Travel?.In slip-case inscribed HIROSHIGE ( presumably the owner after Dr. J. Hutchinson ). Ex collections Mr Wilson Crewdson and then Dr. Jonathan Hutchinson FRCS ( vice-president Council of the Japan Society, London ). This diary is fully discussed and catalogued in The Colour-Prints of Hiroshige, Edward F. Strange, Cassell & Co. Ltd., 1925, pps 71-82 and 122-123 and illustrates two double pages. Contents are as follows: Page(s): 1. Title. Memories of Travel. 2. ( Blank ). 3. Taiko Iwa. Rock called Drum Rock. 4, 5. Mitake Michi, Gedo-no-hara, Koshu. Devil?s Plain on the way to Mount Mitake, Koshu or Kai Province. The rock on the summit of the mountain is called Katana nuki-ishi. ( 2-page. ) 6, 7. The view continued from No. 2 ( 2-page. ) 8, 9. Kurakake Iwa. Saddle Rock ( 2-page ). 10, 11. Zo-ga-hana. Cliff called Elephant Trunk ( 2-page. ) 12. Mitake Omon. Great Gate, Mitake.…

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Kyobashi with Tsukuda-jima in the background from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. The lanterns of Hommonji Temple in Ikegami from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Rain over the paulownia plantation at Akasaka from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. The Sumida River and Suijin Forest under heavy rain, a moon-lute in the foreground, from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Fallen snow at Fukugawa in Benten Province from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Snow at Suidobashi from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Fishing on Ayase River, Sengenji Temple in the distance from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Fireworks over Ryogoku from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Kobayashi KIYOCHIKA (1847-1915)

 Click here to view image full size. Full moon at Tamagawa illuminating dyers at work in the river from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884 Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga. Status: Sold

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. Fuji from the Tea Plantation of Katakura in Suruga Province from Hokusai’s most famous series: Fugaku Sanji-rokkei, the ‘Thirty-six Views of Mount Fuji’. The set of 46 prints published by Eijudo c 1830-32. This design comes from the ten supplementary prints added, the so-called ura-Fuji ( ‘Fuji from the other side’ ). Extremely good, early impression. Black outline as always. ( Only the first 36 have dark blue outlines in early states. ) Very good colour. One or two minor marks. Slight trimming and slight centre fold, otherwise a very nice example of this design. Signed Zen Hokusai Iitsu hitsu. ( There is no known impression with publisher’s mark or censor’s seal. ) Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. A night view of Monkey Street, Saruwaka-cho, from The Hundred Views of Edo published Dragon 9, 1856, by Uoya Eikichi. This was the theatre district and the perspective and shadows makes this one of the most striking images from the set. Very fine impression, colour and condition. The first edition. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Tsukudajima hatsu kakko, ‘The First Cuckoo at Tsukudajima Island’ from Hiroshige?s first major landscape set of 10 prints with title Toto Meisho published by Shoeido c 1831-2. This is the rare first state: with ochre border; graded blue on water; and with the publisher’s name and address in right margin. Fine impression and colour. Extremely light centre fold. Very full margins. ( The publisher’ name and address is often trimmed on right, eg even the Pulverer impression pl 6, Hiroshige, Matthi Forrer, 1997. ) Very good condition. Signed Ichiryusai Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Numazu from the Fifty-Three Stations of the Tokaido. The set published by Hoeido and Senkakudo c1833-4. One of the finest designs from the set and the only moon scene. Shows Buddhist pilgrims entering the village. This area was famous for its Forest of a Thousand Pines which stretched along the seashore. Fine impression. Fine colour. Fine, impeccable condition. Signed Hiroshige ga. Status: Sold

Ichiyusai KUNIYOSHI (1797-1861)

 Click here to view image full size. An extremely rare chuban triptych from a set of the Four Seasons, this being ‘Autumn’. See Kuniyoshi, Juzo Suzuki, Tokyo, 1992, which shows all four from the set, nos 233-236. Published by Arita-ya Kiyoyemon, c1845. Extremely fine impression, colour and condition. Signed Cho-o-ro Kuniyoshi ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. A rare triptych showing three bijin on the beach at Enoshima with title: Enoshima Benzaiten kaicho nagisa, which implies they are there to venerate Benten ( one of the Seven Lucky Gods ) whose shrine is at Enoshima. Published by Yamadaya Shobei, c1849. Very good impression and colour. Slight creases. Small edge repair, otherwise good condition. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Night snow at Kambara from the Fifty-Three Stations of the Tokaido. The set published by Hoeido and Senkakudo c1833-4. Together with Shono, the masterpice from the set and widely reproduced. Good to very good impression with the red seals still crisp. Very good colour. Very slight centre fold only perceptible top and bottom otherwise very good condition. Signed Hiroshige ga. Status: Sold

Ichiyusai HIROSHIGE II (1829-1869)

 Click here to view image full size. Heavy rain and wind at Tatsuguchi in Bizen Province from Shokoku meisho hyakkei, the ‘One Hundred Views of Famous Places in the Provinces’. Published by Uoei, Monkey 2 ( 1860 ). The first edition and the only example I have ever seen of this fine design. Another example illustrated in Ukiyo-e Art, Number Eighteen, The Memorial Exhibition Of Hiroshige, The Japan Ukiyo-e Society, 1968, no. 23. Superb impression of first edition. Perfect colour. Light album backing and two small blue spots, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Saijo in Iyo Province from the Famous Places in the Sixty-Odd Provinces. Published by Koshimuraya Heisuke, Hare 9 ( 1855 ). First edition. Superb impression of first edition. Perfect colour. Light album backing and two small blue spots, otherwise fine condition. Signed Hiroshige ga. Status: Sold

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Kwannon Temple, Abumon in Bingo Province from the Famous Places in the Sixty-Odd Provinces. Published by Koshimuraya Heisuke, Ox 12 ( 1853 ). A variant first edition to Pulverer copy. One of the most beautiful designs from the set. Superb impression. Fine colour and condition. Signed Hiroshige ga. Status: Sold