Richard Kruml

Richard Kruml

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The pine beach at Miho in Suruga Province, Suruga Miho no matsubara from the set Fuji sanjurokkei, the “Thirty-six Views of Mount Fuji.” One of the six best designs from the set. Published…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Bakuro-cho Hatsune no baba, “The Hatsune Riding Grounds at Bakuro-cho.” In the foreground are bolts of drying cloth with a fire watch-tower in the near distance. From Edo hyakkei, the “One Hundred Views…

Keisai EISEN (1790-1848)

 Click here to view image full size. Itahana from the Sixty-nine Stations of the Kisikaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher…

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. Ommayagashi yori Ryogoku-bashi no sekiyo wo miru, “Viewing Sunset over Ryogoku Bridge from the Ommaya Embankment [ Edo ].” From Hokusai’s most famous series: Fugaku sanju-rokkei, the “Thirty-six Views of Mount Fuji.” The…

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. Totomi sanchu, “In the Mountains of Totomi Province.” The location was in what is now the western part of Shizuoka Prefecture and shows a poor logging family, two of whom are sawing planks…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Published by Tsutaya Hare 7, 1855. Very good impression and colour. ( Later editions have a dark sky.…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. A design that hardly needs cataloguing as it is one of Hiroshige’s most famous. Shono – Sudden Rain, Shono-hakuu from The Fifty-three Stations of the Tokaido Road, published by Hoeido, c. 1831-4. Some…

Kochoro KUNISADA (1786-1865)

 Click here to view image full size. The Eitai Bridge ( Eitaibashi ) from a second series of five prints with title: Komo abura-e fu, “Drawings in the Red Hair [ Dutch ] Oil Painting Style.” Shows beauties in a…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Shinmachi kukencho from Naniwa [ Osaka ] meisho zu, “Famous Views of Naniwa.” Shows parading courtesans in the licensed quarter. A set of ten prints published 1834 by Eisendo. Rare. Fine impression. Very…

Aoigaoka HOKKEI (1780-1850)

 Click here to view image full size. A large ( 17.25 x 24.25 inches; 44 x 62 cms. ) aerial view of the Asakusa Kinryu Shrine in the Eastern Capital, Toto Kinryuzan, Asakusa dera no zu. Published c.1830s by Izumiya…

Utagawa KUNIYOSHI (1797-1861)

 Click here to view image full size. Shin Yoshiwara from the set of ten prints: Toto meisho, “Famous Views of the Eastern Capital.” Shows night revellers beneath a moon with an enormous halo. A much admired print with a westernised…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Station 13, Numazu, hikure, “Yellow Dusk” from the Fifty-three Stations of the Tokaido. The set published by Hoeido and Senkakudo in 1834. One of the finest designs from the set showing travellers about…

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. Umezawa Marsh, Sagami Province. The location appears to be present-day Ninomiya, a city near the coast of Kanagawa Prefecture between Kozu and Odawara. Shows a group of cranes in the foreground with two…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Horikiri no hana shobu, “Flowering Irises at Horikiri” from Meisho Edo hyakkei, the “One Hundred Views of Edo” published by Uoei between 1856 and 1858 ( this being 1857 ). The village of…

Ichiyusai HIROSHIGE II (1826-1869)

 Click here to view image full size. Suo Iwakuni Kintaibashi, “The Bridge of the Brocade Sash at Iwakuni in Suo Province.” From an uncompleted set: Shokoku meisho hyakkei, “One Hundred Views of the Provinces.” Published by Uoei between 1859 –…

Keisai EISEN (1790-1848)

 Click here to view image full size. Magome from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Kakuchu Shinonome, “Dawn in the Yoshiwara” from Edo hyakkei, the “One Hundred Views of Edo” published by Uoei between 1856 and 1858 ( this being 1857). One of the best designs from the…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Published by Tsutaya Hare 7, 1855. Very good impression and colour. ( Later editions have a dark sky.…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The second triptych from a set Ise Meisho, Futamigaura no zu. Young girls sightseeing on the beach at Futami. In the background are the “Husband and Wife” rocks. The tasseled ropes indicate this…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Koganegahara, Shimosa Province from the set Fuji sanjurokkei, the “Thirty-six Views of Mount Fuji.” One of the most popular designs from the set. Shows horses in a flower-strewn meadow with a brook and…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Kameyama, yuki-bari, “Clear Weather after Snow” from the Fifty-three Stations of the Tokaido. The set published by Hoeido and Senkakudo in 1834. One of the finest designs from the set showing a daimyo’s…