Richard Kruml

Richard Kruml

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Arashiyama manka, “Cherry Trees in Full Bloom at Arashiyama” from the set of 10 prints Kyoto meisho no uchi, “Famous Views of Kyoto.” Published by Eisendo c 1834. Arashiyama, to the west of…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Tamagawa no shugetsu, “Autumn Moon over the Tama River” from the early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” The set was first privately printed for the Taihaido poetry…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Mariko from Tokaido gojusan tsugi, “The Fifty-three Stations of the Tokaido”. The so-called Reisho Tokaido. Published by Maruya Seijiro, c 1851-2. Although Mariko, it probably shows the mountain village of Utsunoya on the…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Bizen, Yukazan. A figureless snow scene and the best design from the set of twenty prints entitled: Sankai mitate sumo, “Mountains and Sea Contending like Wrestlers”- one of the most poetic of his…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Tsukudajima hatsu hototogitsu, “The First Cuckoo at Tsukudajima Island” from Hiroshige’s first major landscape set of ten prints with title Toto meisho published by Shoeido c 1831-2. Shows a few boats off the…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Autumn moon at Ishiyama, Ishiyama no shugetsu, from the set of eight prints: Eight Views in Omi Province published 1834 by Hoeido. “Eight Views” was borrowed from Chinese poetry and each print conveys,…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Evening Bell at Miidera Temple, Mii no bansho, from the set: Omi hakkei no uchi, “Eight Views in Omi Province.” The series of eight prints was published by Hoeido and Eikyudo, c.1834-5. When…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The Urami Falls, Mt. Nikko, Shimotsuke Province. Shimotsuke, Nikkozan urami no taki. One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” The series published by Koshimuraya…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Amanohashidate in Tango Province. One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” The series published by Koshimuraya Heisuke between 7/1853 and 3/1856 ( this being…

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The Yoro waterfall in Mino Province. Mino Yoro no taki. One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” The series published by Koshimuraya Heisuke between…

Utagawa TOYOKUNI I (1769-1825)

 Click here to view image full size. An extremely rare complete pentatych ( each sheet numbered at the bottom ): Shin Yoshiwara sakura no keshiki, “Cherry Blossom in the Yoshiwara.” A panorama of the main Nakanocho street in early April…

Onishi CHINNEN (1792-1851)

 Click here to view image full size. A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku.…

Ki BAITEI (1774-1810)

 Click here to view image full size. One volume complete: Kyuro gafu, “Kyuro’s Picture Album.” ( Kyuro was one of the art-names of Baitei, a Nanga painter in the Buson manner. ) The first edition of this book is in…

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. Three volumes complete: Ehon kyoka yama-mata-yama, “Kyoka: Range Upon Range of Mountains.” The fanciful title is based on the fact that the views illustrated are located around Yama-no-te, the higher ground situated in…

Aikawa MINWA (? – 1821)

 Click here to view image full size. Korin gashiki, “Drawing Methods of Korin.” One volume complete. Original orange-brown covers with original title slip. Preface dated Bunka 15 ( 1818 ) with 56 pp. of illustrations in light colour. Booksellers: Tsurugaya…

Onishi CHINNEN (1792-1851)

 Click here to view image full size. A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku…

Onishi CHINNEN (1792-1851)

 Click here to view image full size. A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku…

Hirano HAKUHO (1879-1957)

 Click here to view image full size. Wakai onna, Young Girl, published by Watanabe Shozaburo, c. 1936. Illustrated in The Female Image, Abe Publishing Ltd., 2000, no. 211, p. 154. Fine impression and colour. Minor crease bottom right corner, otherwise…

Utagawa HIROSHIGE (1787-1858)

 Click here to view image full size. Hirame, olive halibut ( Paralichthys olivaceus ) and mebaru, black rock-fish ( Sebastes schlegeli ). Together with cherry blossom. Poem by Osaki Koharu. From the second series of nine fish prints published c…

Utagawa HIROSHIGE (1787-1858)

 Click here to view image full size. Shimadai, a grouper ( probably Chilodactylus zonatus ) and ainame, greenling ( Hexagrammus otakii ). Together with red-berried nanten. Poem by Kanshunro Nushibito. From the second series of nine fish prints published c…

Utagawa HIROSHIGE (1787-1858)

 Click here to view image full size. Inada, yellowtail or amberjack ( Seriola quinqueradiata ) and fugu, blowfish or puffer ( Fugu pardalis ). Together with plum blossom. Poem by Suzugaki. From the second series of nine fish prints published…