Richard Kruml

Richard Kruml

Toyohara KUNICHIKA (1835-1900)

Click here to view image full size. A triptych with the title Mitate haruzumo futatsu chocho, “An Imaginary Spring Sumo Match with two Butterflies.” A parody of the famous Sumoba, “Sumo Scene” in the play Futatsu chocho kuruwa nikki, “A…

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. A poem by the celebrated poet and monk Noin-hoshi from the series Hyakunin isshu no uchi, “One Hundred Poems for One Hundred Poets” which was compiled in 1235 by Fujiwara Teika (1162-1241). A…

Keisai EISEN (1790-1848)

Click here to view image full size. A carp swimming among water-weed. The moon’s reflection in the blue water. There are various editions of this design: without the moon’s reflection; with and without the censor seal; with and without publisher’s…

Suzuki HARUNOBU (1724-1770)

Click here to view image full size. Two volumes complete: Ehon haru no nishiki, “Picture Book: The Brocades of Spring.” Vol. 1: 1 page preface dated Kanoto U (1770); single page and 8 double page colour prints. Vol. 2: 1…

Kawanabe KYOSAI (1831-1889)

Click here to view image full size. A large original painting, full colour on silk, image size 48 x 21.75 in; 122 x 55.25 cms. A draughtsman of great dexterity with a wild, often bizzare , imagination. Loved sake, sometimes…

Katsukawa SHUNJO (?-1787)

Click here to view image full size. An hosoban showing the actor Onoe Matsusuke I in a Shibaraku role holding a lantern. (Possibly as Sakata no Kintoki). Shunjo was a pupil of Katsukawa Shunsho. Published c 1780.   Fine impression.…

Utagawa KUNISADA (1786-1865)

Click here to view image full size. The actor Ichikawa Danjuro VIII as Arajishi Otokonosuke from a set Mitate sanjurokkasen no uchi, “An Imaginary Thirty-six Poets.” A famous early compilation; in this case the image is inspired by a poem…

Utagawa HIROSHIGE II (1829-1869)

Click here to view image full size. Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this…

Totoya HOKKEI (1780-1850)

Click here to view image full size. An original painting by Hokkei, full colour on silk, 41.5 x 19.25 in; 105.5 x 49 cms. Hokkei was one of the earliest and best pupils of Hokusai. Probably best known for his…

Utagawa KUNISADA (1786-1865)

Click here to view image full size. An untitled triptych showing two beauties and a maidservant lighting their way with a lantern and carrying a shamisen box. The beam of light from the lantern illuminates the foreground figures and a…

Katsukawa SHUNSHO (1726-1792)

Click here to view image full size. An hosoban showing the actor Nakamura Utaemon I as a samurai in nagabakama and kamishimo ceremonial dress as worn during the Muromachi period (1336-1392). He holds a fan and a globe. Shunsho was…

Utagawa KUNISADA (1786-1865)

Click here to view image full size. A fine original shunga drawing showing a couple copulating. Probably a preliminary design for an obon illustrated book. Sumi on thin Japanese paper, 7.5 x 10.5 in, 19 x 26.5 cms. A nice…

Utagawa KUNISADA (1786-1865)

Click here to view image full size. An original Kunisada shunga drawing showing a couple having sexual congress. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf,…

Utagawa KUNISADA (1786-1865)

Click here to view image full size. An original Kunisada shunga drawing showing an old man ravishing a young woman. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an…

Utagawa Toyokuni II (1777-1835)

Click here to view image full size. An aizuri-e (blue print) showing the courtesan Utagawa of Tamaya admiring a bowl of carnations. From a set Bijin awase published by Shimizu, c. late 1820s. These blue prints using the imported bero,…

Ichiryusai HIROSHIGE (1797-1858)

Click here to view image full size. Fuchu from The Fifty-three Stations of the Tokaido published by Marusei, Maruya Seijiro, 1847-52. Called the Reisho Tokaido because of the angular style of Kanji used. Travellers coming and going at the entrance…