Utagawa KUNISADA (1786-1865)

Click here to view image full size. An original Kunisada shunga drawing showing an old man ravishing a young woman. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf, 5.25 x 7.25 in, 13.5 x 18.5 cms. Probably intended to be printed four-to-a-sheet. A very good quality drawing, unlike the many poor unattributed examples available.     Status: Available Price:  £380

Ikeda EISEN (1790-1848)

Click here to view image full size. Two beauties in front of a mirror, Ada ni torikumite, “Grudge Match” from a set Ukiyo shiju hatte, “Forty-eight Habits of the Floating World.” This was a popular title for sets of prints – especially during the next thirty years. The sub-titles are quite obtuse, whereas in later series – for example Kuniyoshi’s set of c 1846 – the meanings are self-evident. A fine double okubi-e set published by Matsumura Tatsuemon, c 1821-22. Eisen was a prolific and repetitive artist but produced some fine landscapes and okubi-e sets. Rare.   Fine impression. Slight fading and minor soil, otherwise very good condition. Signed Keisai Eisen ga.   Status: Available Price:  £4,800  

Uragami GYOKUDO (1745-1820)

Click here to view image full size. An original painting, sumi with light touches of pink on paper. Image size 10.4 x 14.2 in; 26 x 36 cms. Shows a hilly landscape with a small figure crossing a bridge bottom left. Gyokudo is now considered the leading exponent of Nanga painting. An artist whose spontaneous paintings often appear as though executed under deep emotion or when partially intoxicated. Now greatly admired in Japan and the West with many fakes. His father was of samurai rank and Gyokudo initially served a nobleman, Ikeda Masake, in Bizen. However, his passion for music, painting and verse composition caused him to become a wanderer in 1794. His bohemian life eventually leading him to Kyoto where he joined the literati circles of Mokubei and Chikuden. Most paintings done after 1794 and this example probably dates to around 1800-1810.   Signed Gyokudo with two indistinct seals. Good condition.   Status: Available Price:  £3,800   Click here to view image full size.

Oda KAISEN (1785-1862)

Click here to view image full size. A concertina painting album, full colour on paper, 11 x 6.5 in; 28 x 16.5 cms folding out to 11 x 13 in; 28 x 33 cms. Twenty six paintings in the Shijo manner. Kaisen moved to Kyoto when he was 22 years old and studied under Matsumura Goshun but later switched from the Maruyama Shijo school to study Nanga painting with Rai San’yo.   Minor wormage, otherwise good condition. Complete with original covers and wooden box. seal.   Status: Available Price:  £680   Click here to view image full size. Click here to view image full size. Click here to view image full size. here to view image full size.

Utagawa HIROSHIGE (1797-1858)

Click here to view image full size. Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge leading to the Buddhist Haruna shrine. Below is a fast flowing river with precipitous cliffs. Fantastic crags point upwards into the sky and in the distance is the dormant volcano Mount Haruna.   Good impression and colour. Slight soil on bottom left margin, otherwise good condition. Signed Hiroshige ga.   Status: Available Price:  £1,800  

Utagawa YOSHITORA (Fl. c 1850-1880)

Click here to view image full size. An okubi-e of the onnagata actor Bando Mitsugoro V in the role of Shindo Saemon’s daughter Yushide. From a set of large heads of actors past and present which were to be the pinnacle of Kunisada’s career. The set was intended to have one hundred and fifty prints but only seventy-two were completed (with Yoshitora designing twelve). Only the most expensive materials and the finest printers and engravers were employed. Shows Yushide in the play Karukaya doshin tsukushi no iezuto who, in a fit of remorse, stabs herself in the throat with an arrow (seen here used as a hair pin). Published by Ebisuya Shoshichi, 1862.   Very fine impression and colour. Fine condition. Signed Yoshitora ga.   Status: Available Price:  £2,000  

Kawamata TSUNEYUKI (1677-c 1744)

Click here to view image full size. An original painting, full colour on paper, 13 x 19 in; 33 x 48.3 cms. Shows a reclining beauty playing a shamisen. The subtle outline of her body can be seen through her yukata. A tasseled pillow behind her and a fan lying on the floor. Tsuneyuki was the founder of the Kawamata School. (A pupil was Kawamata Tsunemasa.) Little is known of his life and there are few paintings: A group were in Christies NY, 27/10/1998, lots 40, 42, 44, 45; and there are examples in the BM, reg. no 1931,1116,0.2, the Met, acc. no 36.100.90, and the National Museum of Asian Art, Smithsonian, acc. no. F1898.118. Two small areas of restoration only visible obliquely, otherwise good condition for its period. Presented in double box. Signed Tsuneyuki hitsu with one seal Tsuneyuki, the other unread.   Status: Available Price:  £2,500   Click here to view image full size.

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. A large original drawing, sumi on thin paper, 12 x 20.5 in; 30.5 x 52 cms. Shows a battle between two armies. Provenance: Ex collection Dr. Julius Kurth (1870-1949), an eminent scholar who wrote extensively on Japanese and Chinese art. Sold “as is” with all imperfections.   Status: Available Price:  £1,400  

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. A large original drawing, sumi on thin paper, 15 x 20 in; 38 x 51 cms. Shows a large group of actors in front of a theatre. Most likely two sheets for an intended triptych. There appears to be the publisher’s seal Kiya Sojuro brushed-in at the bottom who was active c 1851-1904. Provenance: Ex collection Dr. Julius Kurth (1870-1949), an eminent scholar who wrote extensively on Japanese and Chinese art. Sold “as is” with all imperfections.   Status: Available Price:  £1,400  

Kitagawa UTAMARO (1753-1806)

Click here to view image full size. Presumably the last sheet of a triptych (I cannot locate the complete design at the moment). Shows three geisha representing three of the Seven Lucky Gods: Benzaiten, Fukurokuji, Ebisu. The other sheets would show the other four. They are depicted on the Takarabune, ” Treasure Ship” which has been constructed on a stage with artificial water. Probably an event that occurred during the first three days of the New Year.. Published by Tsuruya Kinsuke, c 1802.   Fine impression. Extremely good colour. Fine condition. Signed Utamaro ga.   Status: Available Price:  £3,800  

Kitagawa TSUKIMARO (Active c 1804-1836)

Click here to view image full size. An original painting, full colour on dark silk, 33.5 x 11.5 in; 85 x 29 cms. Shows a Chinese beauty – possibly Yang Guikei – collecting medicinal leaves from a Japanese spice bush. An intriguing painting with Ukiyo-e elements fused with both Chinese and Western styles. Tsukimaro was Utamaro’s best pupil and his paintings are rare. Painted c 1818.    Some loss of gofun but generally good condition. Newly mounted with new box. Signed Bokutei Tsukimaro hitsu with two unidentified seals.    Status: Available Price:  £3,800 Click here to view image full size. Click here to view image full size.

Yamamoto SHOUN (1870-1965)

Click here to view image full size. A large original painting , full colour with gold on silk, image size 50.5 x 19.75 in; 128.25 x 50 cms. Shows Shoki, the Demon Quellor, with sword drawn watching an oni escaping on a cloud, upper left. Various Chinese legends exist regarding the origins of Shoki but the gist of them all is that Emperor Xuanzong canonized Shoki, a physician, and in gratitude Shoki vowed to protect the ruler and his heirs from demons and illness. Shoun is best known for his series of woodblocks of beautiful women, Ima Sugata, published 1906-9.   In fine condition. Signed Shoun hitsu with two seals, one reading Shoun.   Status: Available Price:  £1,850   Click here to view image full size. Click here to view image full size.

Suzuki HARUTSUGI (HARUJI) (Active 1760-1770)

Click here to view image full size. A large koban print, 8.75 x 6 in; 22.25 x 15.25 cms, showing a samurai with two attendants. Aki, “Autumn” from a set of the four seasons, Shiki. A rare artist and most likely a follower of Harunobu. Produced a number of pillar prints. Provenance: Ex Javal, sold 3/3/1926, lot 50.   Very good impression, colour and condition. Signed Harutsugi ga.   Status: Available Price:  £2,200  

Utagawa HIROSHIGE II (1826-1869)

Click here to view image full size. The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchiyama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces” published by Uoya Eikichi between 1859 and 1861 (this being 1860). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.   Fine impression, colour and condition. Signed Hiroshige ga.   Status: Available Price: £3,800  

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. A rare early Kuniyoshi triptych, Minamoto no Yorimitsu no Shitenno tsuchigumo taiji no dzu, showing Minamoto no Yorimitsu (Raiko) and his loyal retainers: Watanabe no Tsuna, Usui no Sadamitsu, Sakata no Kintoki and Urabe no Suetake killing the giant “Earth Spider.” Numerous versions exist of this story but basically Raiko and his followers have to tackle various horrendous apparitions in a cave within the hill Kagura ga oka near Kyoto, eventually to be faced by a beautiful woman who envelops Raiko in cobwebs. He slays her and her body turns into a spider, the head being twenty-five feet long and eyes shining like the sun and moon. He cuts off the beast’s head and the carcase reveals the many bodies devoured by it. Published by Maru-ya Seijiro, c 1838. Robinson T46 and illustrated in colour, Kuniyoshi, B.W.Robinson, Phaidon 1982, plate 37.   Very good impression and colour. Minor creasing, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.Very good impression. Slight fading, otherwise good colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.   Status: Available Price:  £5,800  

Utagawa TOYOKUNI I (1769-1825)

Click here to view image full size. An original painting, sumi and colour on silk, 10.5 x 8.75 in; 26.7 x 22.2 cms. A beauty after a bath. Signed Toyokuni ga with his kakihan. In very good condition.   Status: Available Price: £2,200   Click here to view image full size.

Tsubaki CHINZAN (1801-1854)

Click here to view image full size. An original painting album, 11 x 13 in; 28 x 33 cms (folded out). Chinzan, a Nanga painter, was Watanabe Kazan’s best pupil. The sketchbook has 25 extremely abbreviated sketches using minimal brushstrokes.   Status: Available Price:  £800   Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size.

Katsukawa SHUNKO (1743-1812)

Click here to view image full size. The actor Matsumoto Koshiro II, arms crossed, in a defiant stance. Shunko had a minor stroke at the age of 45 and subsequently had to work with his left hand using the go of Sahitsusai, “Studio of the Left-handed Brush.” Published c 1771-1772.   Very good impression, colour and condition. Signed Shunko ga.   Status: Available Price: £2,800  

Toyohara KUNICHIKA (1835-1900)

Click here to view image full size. The actor Seki Sanjuro III as Saruta Hiko in the play Yoinakatomi Kiyome no mikagura staged at the Ichimura-za Theatre 8 From a set of at least 22 prints published by Gusokuya Kahei, 1869. Kunichika was a hack artist who nevertheless produced some fine triptychs (horizontal and vertical) and this fine set of actor bust portaits.   Fine impression with extensive blind-printing on the beard and hair. Fine colour. Slight foxing and crease in left margin, otherwise very good condition. Signed Kunichika hitsu.   Status: Available Price:  £1,300  

Utagawa KUNIYOSHI (1797-1861)

Click here to view image full size. An original fan painting, 6.5 x 17.5 in; 16.5 x 44.5 cms. Sumi and colour on treated paper. Shows a kappa appearing from the Sumidagawa and terrifying a man who runs for his life. Kappa were amphibious creatures found in rivers and ponds. Their bodies were covered with a horny carapace like a tortoise, with scaly legs and four frog-like webbed feet. They loved to wrestle and were known to attack humans – especially children, and horses. However, they could be tricked as they were very polite. If you bowed to a kappa he invariably bowed back, and as their source of power lay in a pool of water contained in a depression in the head, this would be spilt and they became immobilized. Laid around the edge onto Japanese board with the ribmarks evident as it has been dismounted from an ogi or folding fan. Signed Ichiyusai Kuniyoshi ga with hand-painted toshidama seal. Good condition.     Status: Available Price: £1.800    

Kawamata TSUNEYUKI (1677-c1744)

Click here to view image full size. An original painting, full colour on paper, 14.5 x 21 in; 35.5 x 53.5 cms. The founder of the Kawamata School. (A pupil was Kawamata Tsunemasa.) Little is known of his life and there are few paintings: A group were in Christies NY, 27/10/1998, lots 40, 42, 44, 45; and there are examples in the BM, reg. no 1931,1116,0.2, the MET, acc. no 36.100.90, and the National Museum of Asian Art, Smithsonian, acc. no. F1898.118. Shows a courtesan with her attendants outside a teahouse being admired by a passing samurai. Areas of careful restoration, but in generally good condition. Sealed Tsuneyuki.   Status: Available Price:  £3,200   Click here to view image full size.

Nagasawa ROSETSU (1754-1799)

Click here to view image full size. An original fan painting, sumi on treated paper, 17 x 6.25 in; 43 x 16 cms. Shows two needlefish (family Belonidae).Rosetsu is considered one of the most important artists of the late Edo period but little is known of his short life – he died at forty-five, apart from the fact that he studied and was one of the top disciples of Maruyama Okyo. He is labelled an “eccentric” painter as he defies easy classification. His brushwork is a tour de force and he is known for his expressive depictions of animals. Signed Rosetsu with his Gyo (fish) seal. Framed and glazed with the fan mounted onto Japanese paper. Good condition, apart from the obvious fan folds.     Status: Available    

Kawanabe KYOSAI (1831-1889)

Click here to view image full size. An important collection of original drawings by Kyosai laid into two accordion albums, opening horizontally, 13.5 x 10 inches. Approx 157 drawings ( one signed and sealed; one signed and dated [ 6th October Meiji 3,1870 ]; and one signed ). After the date is the place: Shinobazu keidai Mikawatei, the garden of a temple ( Bentendo Hall ( ?) at Shinobazu pond, Ueno Park; Mikawatei being a restaurant. And the signature: Seisei Kyosai sui butsu rei hitsu, the drawing of Amida painted when drunk. Some drawings are from life, others seem to be memory drawings of his work, but most are preliminary ideas for books, prints or paintings. Many of Kyosai’s favourite subjects are represented including: skeletons, onis and cats. Drawings on this scale, spontaneous and with no need to impress, give a better insight into the mind of an artist, and on almost every page Kyosai’s humour shines through. Of particular delight are a group of drawings showing men on horseback playing some Japanese variation of polo, and a sheet recording new-born, still blind rats.     Status: Available     Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image…

Ichiunsai KUNIHISA (1832-1891)

Click here to view image full size. An original painting, full colour on paper with the black waistband heavily lacquered, image size 48 x 11 in; 122 x 28 cms. Shows a young beauty carrying a box. She wears an apron and has a towel slung over her shoulder, so is presumably an assistant in a kitchen or bathhouse or similar establishment. The narrow format enhances her natural elegance. Kunihisa was the pupil and son-in-law of Kunisada. Some repaired wormage, otherwise good condition. Signed Kunihisa ga with two indistinct seals.     Status: Available Price:  £1,500     Click here to view image full size.

Kawamura BUMPO (1779-1821)

Click here to view image full size. I volume complete Bumpo gafu (Sampen), “Album of Drawings by Bumpo” (3rd Series”). Original light grey covers with burnished pattern. Original title slip. Preface 3 pp., with 18 double-page and 32 single-page illustrations in sumi and light colour numbered 1 – 35. Colophon dated Bunka 10 (1813).(First edition.) Signed Bumpo with publishers Kawachiya Kihei and Yoshidaya Shimbei. Fine impressions. Very good condition with no thumbing to corners.     Status: Available Price:  £600     Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size. Click here to view image full size.

Hosoda EISHI (1736-1829)

Click here to view image full size. An original painting, sumi and colour on silk, 33.25 x 12 in; 84.5 x 30.5 cms. Shows a parading oiran, a high class courtesan, beneath falling cherry blossom. A parade was held every April in the Yoshiwara under the spring cherry blossom. Her costume is decorated with a large golden koi swimming amongst water weeds. An elegant and refined painting of great delicacy typical of this painter who was of unusually high rank for an Ukiyo-e artist. His prints – usually of beauties – are equally elegant. He also had a considerable number of pupils, including Eisho, Eiri and Eisui who produced some exceptional compositions. Probably painted around 1795-1804.     Mount with some minor damage; painted area in very good condition. Signed Chobunsai Eishi hitsu with Eishi seal.     Status: Available Price:  £1,800     Click here to view image full size.

Utagawa KUNISADA (1786-1864)

Click here to view image full size. An original hanshita-e (preparatory drawing) for a published diptych showing, on the left, the actor Onoe Kikujiro II as Tatsuhime – in reality Yawata, the younger sister of Kotoda. On the right is Iwai Kumesaburo III as Kudo Kanaishimaru. The play is Matsu icho Tsurukame Soga performed at the Nakamura-ya theatre, 1 The publisher of the print was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red. Signed Toyokuni ga on both sheets. Sold “as is” with all imperfections.     Status: Available Price:  £1,200    

Matsumura KEIBUN (1779-1843)

Click here to view image full size. A shijo brush drawing of a seabream and a lumpfish (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10 x 14.75 in; 25.4 x 37.4 cms.     In good condition. Signed and sealed Keibun.     Status: Available Price:  £390    

Matsumura KEIBUN (1779-1843)

Click here to view image full size. A shijo brush drawing of a white horsehead and an acropomatidae (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 15 in; 26.7 x 38.1 cms.     In good condition. Signed and sealed Keibun.     Status: Available Price:  £390    

Matsumura KEIBUN (1779-1843)

Click here to view image full size. A shijo brush drawing of a red seabream. One of Kyoto’s leading artists. Noted for his paintings from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 17 in; 26.7 x 43.2 cms.     In good condition. Signed and sealed Keibun.     Status: Available Price: £390