Utagawa KUNIYOSHI (1797-1861)
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The faithful wife of Mama walking on a hillside with falling maple leaves. A chu-tanzaku set of eight prints: Kenjo hakkei, “Eight Views of Accomplished Women.” The set published by Ibaya Sensaburo, c 1843-5. Based on the famous Chinese Eight Views, Japanese artists designed many sets using the Eight Views of Omi as their starting point. Here, Clearing Weather at Mama [Awazu].
Very good impression and colour. Minor trimming (usual, as they were printed two-to-a-sheet), otherwise very good condition. Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing beauties carrying brine in yoked buckets to be made into salt. From a set Mu Tamagawa, Mutsu no kuni chidori no Tamagawa, “Six Jewel Rivers, Plover Jewel River in Mutsu Province.” Also known as the Noda Jewel River. Above, a flock of chidori. The Mu Tamagawa theme was popular in Japanese art. Published by Sanoya Kihei, 1847-8.
Very good impression. Slight fading, otherwise good colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A vertical oban diptych showing the poetess Kagano Chiyo (1703-1775). The story relates how Chiyo goes to her well to draw water only to find that a morning-glory vine has overgrown her bucket. Rather than disturb it, she goes to a neighbour for water. This is the subject of a famous poem by Chiyo. Published by Izumiya Ichibei mid 1840s.
Very good impression and colour. Paper slightly toned and one light crease. Ample room for joining. Signed Chooro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing three women washing clothes in a stream from a set Six Tama [Jewel or Crystal] Rivers, this being the Chofu Crystal River (in fact the Tamagawa that flowed into Edo Bay). Musashi no kuni Chofu no Tamagawa. The set published by Sanoya Kihei, c 1847. The complete set is illustrated in The Baur Collection, Matthi Forrer, vol. II, 1994, nos G396-G401 (this being G397).
Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A complete triptych showing beauties in boats on the Sumida River. Shubi no matsu, “Successful-deal Pine Tree” from a set Edo meisho somoku-zukushi, “Notable Sights Famous for Grass and Trees in Edo.” This famous pine was blown down during the An’ei era (1772-1780); its successor died during the Ansei era (1854-1859); the third died at the end of the Meiji era (c 1910). There is also the Hiroshige view of this subject from the 100 Views of Edo. Published by Ebiya Rinnosuke (Kaijudo), 1845.
Very good impression. Fine colour and condition. Full size. Another state has darker water and variegated cartouche. Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows dyer beetles being collected in Yamashiro Province. Yamashiro ebizuru mushi. The set published 1852 by Sano-ya Kihei.
Superb impression, very fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows the making of tie-dyed cloth in Bungo Province. Bungo shiborizome. The set published 1852 by Sano-ya Kihei.
Superb impression, very fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows crabs being caught in Nagato Province. Nagato kani. The set published 1852 by Sano-ya Kihei.
Superb impression, very fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797 – 1861)
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Saito Toshimoto and a Chinese general struggling underwater. The second best design from Taiheiki yeiyu den, “Heroic Stories of the Taiheiki.” Published by Yamamoto-ya Heikichi, 1848-9. Robinson S62.31.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797 – 1861)
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Sasai Kyuzo Masayasu enveloped in smoke and avoiding musketry at the battle of Anegawa ( 1570 ). The best design from Taiheiki yeiyu den, “Heroic Stories of the Taiheiki.” Published by Yamamoto-ya Heikichi, 1848-9. Robinson S62.36.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797 – 1861)
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The battle of Miidera Temple. An early triptych, c. 1820-25. The temple became very prosperous but was at constant war with its rival, the Hieizan. Both temples kept armies of mercenaries. Published by Yamamoto-ya Heikichi. A later edition is illustrated in Utagawa Kuniyoshi, Exhibition to Commemorate the 200th Anniversary of Utagawa Kuniyoshi’s Birth, Nagoya City Museum et al, 1996, no. 5, p. 36. Probably Robinson T6.
Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Takatsuna’s greatest exploit: Shown here ( centre ) swimming with his horse across the swollen Uji River to attack Kiso no Yoshinaka. His rival Kagesuye ( left ) and Shigetada further off to the right. Published by Yenshu-ya Hikobei 1849. A wonderful design. Robinson T217.
Superb impression. Very fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797 – 1861)
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Shoki, “The Demon Quellor.” The ghostly Chinese protector of the Emperor Ming Hwang. A favourite subject for the Japanese, he is usually shown beating off annoying oni. He is always depicted dressed in Chinese military attire with the characteristic Chinese hat with side streamers and holding a two-edged sword. Illustrated on the cover of Utagawa Kuniyoshi. An exhibition of the work of Utagawa Kuniyoshi based on the Bidwell Collection, Springfield Museum of Fine Arts, 1980, no. 164. Kuniyoshi designed two other Shoki oban prints. All are rare. Published by Kinshodo, c. 1848 – 53. Ex collection Felix Fricke, seal au verso.
Very good condition. The background is blind printed to imitate partially creped paper. Signed Ichiyusai Kuniyoshi.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Yoshitsune with the beautiful fifteen year old Joruri-hime against a misty back-drop. From the set: “Biography of Yoshitsune” published by Iba-ya Kyubei c 1848-53. Robinson S65.6.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Yamamoto Kansuke overcoming a giant boar in the snow from the set “Stories of Remarkable Persons of Loyalty and High Reputation”. The set published by Ise-Ichi and Yenshu-ya Matabei c 1845. Robinson S35.16. A fine design.
Fine impression and colour; minor edge damage otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Asahina Yoshihide’s fight with two crocodiles in the sea off Kamakura, watched by the Shogun Yoriiye and his nobles in boats. Published by Soshu-ya Yohei c 1842-3. Robinson T119. One of Kuniyoshi’s best designs.
Fine impression and colour; very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Benkei and a leaping magic fox in the snow from a rare set; “Sixteen Stories of Musashi-bo Benkei”. Published by Joshu-ya Kinzo and Daikoku-ya Heikichi c 1848-50. Robinson S68.5
Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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The fight on Gojo Bridge showing Yoshitsune with open fan and Benkei behind. From the set: “Biography of Yoshitsune” published by Iba-ya Kyubei c 1848-53. Robinson S65.10.
Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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The flight of Tokiwa-gozen through the snow with her three children, Imawaka, Otowaka, and Ushiwaka. From the set: “Biography of Yoshitsune” published by Iba-ya Kyubei c 1848-53. Robinson S65.1.
Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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The poet Dainagon Tsunenobu ( 1016-97 ) visited by a ghost reciting a Chinese poem by Hakuraten from the set “One Hundred Poems for One Hundred Poets”. The uncompleted set published by Ebine c 1840-42. Robinson S19.71
Very good impression and colour. Light album backing, otherwise very good condition. Signed Chooro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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The highly skilled archer Yorimasa shooting the Nue. This event took place in 1153 when the young Emperor Konoe was suffering from sleep deprivation brought on by hideous shrieks emanating from the roof of the Shishinden Palace. Yorimasa successfully killed the beast ( a composite animal as big as a horse with monkey’s head, back of badger, claws of tiger, scales of dragon and tail of snake ). Published by Soshu-ya Yohei c 1842-3. One of Kuniyoshi’s great designs and rare. Robinson T112.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1798 – 1861)
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Tametomo sinking the foremost ship of Mochimitsu’s fleet with a single arrow. The islanders look on in amazement. Published 1844. Robinson T140.
Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797 – 1861)
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Makibashira. Sagi-no-ike Heikuro wrestling a giant python in the mountains from the set: Japanese and Chinese Comparisons for the Chapters of Genji. Robinson S88.31. Published by Ise-Yoshi, 1855-56. One of Kuniyoshi’s finest designs.
Very fine impression of the first edition. Mica on the python. Perfect colour. Margins slightly trimmed but otherwise fine. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty leaning on a cloth from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows mackerel being caught in Noto Province. The set published 1852 by Sano-ya Kihei.
Very fine impression and colour. Fine condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows oyster collecting in Aki Province. The set published 1852 by Sano-ya Kihei.
Superb impression, very fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. The inset view here shows sap collecting for making lacquer in Koshu Province. The set published 1852 by Sano-ya Kihei.
Superb impression, very fine colour and condition with strong burnishing on collar. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI ( 1797-1861 )
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An original shita-e drawing illustrating the play Sumidagawa Tsui no Kagamon performed at the Ichimura-za from the 3rd of the 3rd month, 1852. The drawing has the date seal for the 2nd month, 1852. From the right it shows Sawamura Chojuro V as Suzuki Mondo; Bando Shuka I as Shiraito of the Hashimoto-ya; an unidentified actor as the clerk Zenroku; an unidentified child actor as the daughter Oyone; and Onoe Kikujiro II as Mondo’s wife Oyaso. There is also a diagonal inscription on centre and right sheets that does not seem to have any bearing on the design. Publisher’s seal Iseya Chu…, of Shiba, Shimmeimaye. Centre sheet also has Kuniyoshi’s red Kiri seal. Laid onto Japanese paper. In good condition. Sold “as is.” Rare: I am not sure if this was ever made into a print. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
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Utagawa KUNIYOSHI (1797-1861)
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A beauty having taken a bath wears a loose fitting yukata with a tenugui slung over one shoulder. She is about to brush her teeth. From Kuniyoshi’s finest set of fan prints. An untitled series of at least six designs showing young women in a state of dishabille at their toilette in front of mirrors, the corners partly concealed with cloth covers. Published c 1843-5 by Ibaya Sensaburo. For obvious reasons, uncut uchiwa-e are scarce. Indeed, this example might be unique. The other known prints from this rare set are: 1) A beauty powdering her face; 2) A beauty shaving her forehead; 3) A beauty suckling a child; 4) A beauty adjusting her hair with scissors; 5) A beauty playing with a cat.
Very good impression and colour. Slight soil top and bottom right corners, otherwise good condition. Uncut. The rich blue grounds on this series have added mica. Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A vertical diptych of a salt-water gatherer. These girls are often depicted in ukiyoe and seem to have held a fascination with the public akin to that for ama divers. Published by Jimpachi, c 1840.
Very good impression and colour. Sheets separated. Minor signs of being mounted around edge, otherwise good condition. ( These vertical diptychs of this date and earlier were usually mounted onto inexpensive paper mounts. A poor man’s version of kakemono paintings. ) Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 3, Tamba, and shows men fishing at night with the aid of flares. The set published 1852 by Sano-ya Kihei.
Very fine impression and colour with strong burnishing on collar. Fine condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A beauty reading a program while a cat dozes beside her. From a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 19. Catching octopuses, Takasago in Banshu [Harima] Province. The set published 1852 by Sano-ya Kihei.
Very good impression and colour. The cat’s fur blind-printed. Light album backing, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Token Gonbei using a mirror to pluck his forehead (hitai). The style became known as Token hitai. From a set: Kuniyoshi moyo shofuda tsuki genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Style.” These otokodates (a word that is difficult to translate but was a chivalrous commoner, a fashionable man-about-town, street-wise and ready to assist the oppressed). Gonbei is said to have beaten a barking token (Dutch hunting dog) to death with his bare hands – thus he got his name. Published c 1845 by Iba-ya Kyubei.
Very fine impression. Fine colour. Light album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Sasai Kyuzo Masayasu (Sakai Kyuzo Narashige) enveloped in smoke and disintegrating before a volley of musketry at the battle of the Anegawa (1570). From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this being 12, but not numbered) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.36. The best design from the set.
Fine early impression. Fine colour. Slight nibbling to left edge, otherwise very good condition. Fine impression. Fine colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI ( 1797-1861 )
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One print from a set of four with title Miburi juni omoi gatsu, “Gestures for the Twelve Months.” Each “gesture” or “caricature” is being performed by a Kabuki actor: So here the 6th month is Nakamura Tsuruzo imitating the serpent of Mt Fuji ( upper right ); 7th month is Otani Tomoemon IV as the gargoyle Onigawara ( lower left ); 8th month is Ichikawa Kuzo II as the turtle-like water sprite Enko ( lower right ); 9th month is Onoe Kikujiro II as the chrysanthemum butterfly. Published c 1847-48 by Ebisuya Shoshichi. Rare.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi giga, “Drawn for fun.”
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A poem by the Heian waka poet Fujiwara no Okikaze , one of the Thirty-Six Immortals of poetry. Shows the poet with a lantern walking along the shore of Takasago Bay past one of the famous pines, all in heavy rain. His famous poem refers to the pine. From a set Hyaku-nin isshu, “The Hundred Poets.” The series published by Yebi-Ne, 1840-2.
Fine impression. (This appears to be the first edition with the pine printed lightly in two tones.) Fine colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold