Utagawa HIROSHIGE II (1829-1869)
Click here to view image full size.
Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.
Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
A view of a smoking Mt Asama, Shinano Province, from Shokoku meisho hyakkei, the “One Hundred Views of Famous Places in the Provinces.” Mt Asama is an active volcano which violently erupted in 1108. Subsequently there was another eruption in 1783 and since then there have been minor tremors. Published by Uoya Eikichi between 1859 and 1861 (this being 1859).
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchiyama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces” published by Uoya Eikichi between 1859 and 1861 (this being 1860). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE II (1829-1869)
Click here to view image full size.
An original painting, full colour on silk, 37 x 14 in; 94 x 35.5 cms. The pupil of Hiroshige I who gave him the name Shigenobu. Adopted by Hiroshige in 1845 and married his daughter, Otatsu, on Hiroshige’s death. (Later divorcing her around 1865.) Shows a beauty cooling off on the prow of a boat beneath a full moon and the trestles of a bridge. (Probably the Ohashi over the Sumida River.)
In very good condition and possibly his best painting. Signed Hiroshige ga, seal unread.
Status: Available
Click here to view image full size.
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei. “Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860).
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1829-1869)
Click here to view image full size.
A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [Edo] Capital.” The set published by Ai-To between 1861-1862 (this being 1862). Hiroshige I also designed a number of prints of the same area. The bridge goes over the Sanya Canal.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1829-1869)
Click here to view image full size.
Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.
Fine impression of first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
A snow scene showing Muro Harbour in Harima Province, Banshu Muro-tsu shinkei, “Actual View of Muro Harbour Banshu [Harima] Province.” From Shokoku meisho hyakkei, “One Hundred Famous Views in the Various Provinces.” The set published by Uoya Eikichi, 1859-61 (this being 1859). An uncompleted set with only 81 prints known. Beyond the harbour can be seen the Inland Sea, the Seto Inland Sea aka Setouchi.
Superb impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Bikunibashi setchu, “Bikuni Bridge in Snow.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1858). Bikuni Bridge was known for its cheap restaurants. On the right is a sign advertising that imo are roasted whole. (Yakimono were roasted sweet potatoes.) On the left is another sign advertising yama kujiri, “mountain whale.” (In fact wild boar meat. Whale was considered a fish and therefore not forbidden.)
Superb impression of the rare first edition.Very fine colour. Imperceptible centre fold, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Akasaka kiribatake uchi yukei, “Evening View of the Paulownia Plantation at Akasaka under rain.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1859: a replacement print for Hiroshige’s for which the blocks were probably damaged).
Very good impression with mica sprinkled across the top. Very good colour. Trimmed close at bottom, otherwise very good condition. Signed Nisei “second” Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchiyama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces” published by Uoya Eikichi between 1859 and 1861 (this being 1861). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.
Superb impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
A view of Ama-no-hashidate, Tango Province, from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 10/1859). The place name can be translated as “Bridge to Heaven” and it’s considered to be one of the most beautiful areas in Japan. Seen here under a full moon.
Superb impression of the first edition: One of the earliest pulls from the blocks. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchi yama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoya Eikichi between 1859 and 1861 (this being 1860). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.
Superb impression and colour. The extremely rare first edition with gradation on the figure’s straw cape and bokashi clouds. The best quality red pigment is used and double-printed in the cartouches. Fine condition. A masterpiece in this state. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Yoroi no watashi, “Yoroi Ferry” from the set Toto sanjurokkei, “Thirty-six Views of Edo.” Published by Ai-To, 1862. Shows the laden ferry crossing in heavy snow. The Koami-cho warehouses on the right.
Fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860). A fascinating print.
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Shinshu Asama-yama shinkei, “A True View of Mount Asama in Shinano Province.” From Shokoku meisho hyakkei, “One Hundred Famous Views in the Various Provinces.” The set published by Uoya Eikichi, 1859-61 (this being 1859). Shows the volcano emitting a huge plume of smoke. (This is termed an active complex volcano with major eruptions in 1108 and 1783 and many minor eruptions and tremors since.)
Superb impression and colour of the first edition. Repaired binding holes in left margin, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
A true view of Muro Harbour in Harima Province, Banshu Muro-no-tsu, from Shokoku meisho hyakkei, “One Hundred Famous Views in the Various Provinces.” The set published by Uoya Eikichi, 1859-61 (this being 1859).
Superb impression of the first edition. Fine colour. Small backed binding holes in right margin, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Akasaka kiribatake uchu sekikei, “Evening View of the Paulownia Grove at Akasaka in the Rain.” The replacement print for the Meisho Edo hyakkei “The Hundred Views of Famous Places in Edo” after 1858 probably because the blocks were damaged, and a superior design to Hiroshige’s. Published by Uoya Eikichi, 1859.
Very good impression. (The same impression as is illustrated in Ukiyo-e Taikei, XVI, 48-2.) Fine colour. Very small binding holes in margin, otherwise fine condition. Signed Nisei (the second) Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.
Fine impression of the first edition. Fine colour. Very slight edge soil, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Kashu Kanazawa Daijo-ji. Kashu (Kaga) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows the famous Zen temple. The mountains behind shrouded in mist, beautifully conveyed by expert wiping of the blocks in Shijo-style. One of my favourite landscape prints.
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II ( 1826-1869 )
Click here to view image full size.
Hiroshige II’s best print. Suo Iwakuni no Kintaibashi, “The Kintai Bridge, Iwakuni in Suo Province.” From Shokoku meisho hyakkei, “One Hundred Views of Famous Places in Various Provinces.” Published by Uoya Heikichi 11/1859.
The rare first edition has a variegated sub-cartouche but this is still an extremely early impression with the green on the banks top right ( missing on later editions ); light blue on the water, and gradation and mica on the roofs at bottom. Fine colour. Small repaired binding holes in left margin, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II ( SHIGENOBU ) (1826-1869)
Click here to view image full size.
A quarter-block, 6.5 x 4.25 in; 16.5 x 11 cms, print showing two tree sparrows flying in snow over snow-covered bushes. Published by Yamashiroya Kambei (?) c late 1840s. Ex collection Paul-Louis de la Noe, 1879-1919, ( an acquaintance of the Goncourt brothers, Bing and Hayashi ). Possibly unique.
Very good impression, colour and condition. Signed Hiroshige hitsu.
Status: Sold
Utagawa HIROSHIGE II ( SHIGENOBU ) (1826-1869)
Click here to view image full size.
A half block, 8.5 x 6.5 in; 22 x 16 cms, print showing a tree sparrow and hibiscus. From a series of prints by the same publisher, Yamashiroya Kambei (?) published 1851-53 ( Kunugasa and Murata seals ). Probably Hiroshige IIs best set in this genre. Ex collection Paul-Louis de la Noe, 1879-1919, ( an acquaintance of the Goncourt brothers, Bing and Hayashi ).
Very good impression and colour. Very minor soil. Signed Shigenobu hitsu.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
Click here to view image full size.
Akasaka kiribatake uchu sekikei, “Evening View of the Paulownia Plantation at Akasaka Under Rain.” This is the replacement design for Hiroshige I’s version Akasaka kiribatake for the Meisho Edo hyakkei, “One Hindred Views of Edo” published by Uoya Eikichi between 1856 and 1858. This design dated 1859. Presumably the blocks were damaged for the first composition. A fine design and superior to Hiroshige I’s.
Fine early impression with mica to sky. There is an extremely rare first edition of this print with an added gradation of yellow to square cartouche and gradation on the yellow fence at left and roofs at right. Otherwise, the impressions are the same. The gradation in the background is particularly fine here. Fine colour. Slight soil to margin, otherwise very good condition. Signed Nisei Hiroshige ga.
Status: Sold