Utagawa HIROSHIGE (1797-1858)
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An important pair of original paintings, light colour on silk, 35.5 x 12.75 in; 90 x 32.5 cms. The left painting shows Asukayama in the Eastern Capital (Edo). This was one of the top areas to view the abundant cherry trees, the first of which were planted by the Shogun Tokugawa Yoshimune. A fir tree is seen to the left with cherry trees on the lower slope and a majestic Fuji in the distance. A large foreground object, often only partly shown, is a characteristic of many Hiroshige paintings and prints: They lead the eye into a composition and give perspective. The right-hand painting shows the Sumida River in the Eastern Capital (Edo) with a flowering cherry tree in the foreground. (See the comment above.) The sakura flowers from the end of March to early May and the sakura-zensen, blossom forecast, by the weather forecasters is watched assiduously as the blossom is so transient.
Each painting signed Ryusai with Hiroshige seal. Hiroshige produced a number of paintings in this format with this signature and seal, c. early 1850s. In good condition.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Station Suhara from Kisokaido rokujukyu tsugi no uchi, “Sixty-nine Stations of the Kisokaido” published by Kinjudo, 1834-1842. The road known as the Nakasendo, “central mountain route,” as opposed to the Tokaido which was the “eastern sea route” was started with Keisai Eisen and finished by Hiroshige who designed 47 prints. This is one of Hiroshige’s most famous designs. Shows travellers sheltering in a wayside shrine from heavy rain with two figures running for its shelter. In the distance, silhouetted, a figure on horseback, another following on foot. Hiroshige based his design on an illustration in Itcho gafu, “Itcho’s Picturebook” by Suzuki Rinsho, 1770. This station is famous for the number of variant states, some lighter, some darker, and variations in the gradation on the trees as the printers strove to capture this stormy scene. This is an early state.
Fine impression with crisp seals. Fine colour and condition with large margins. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Hida, kago-watashi, “Basket Ropeway in Hida [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Originating in China, Japan and northern India, travellers could cross deep ravines by suspending themselves in a harness which evolved into a basket.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Spring moon at the shore of Tsukudajima . One of a set of chu-tanzaku prints published by Shogendo, c. 1837. Tsukudajima was one of two islands at the mouth of the Sumida River. Originally a sanbar, it was reclaimed with earth and rocks and given its name by the first Tokugawa Shogun, Ieyasu, who invited thirty-three fishermen to live there in 1613 in order to provide fish for the rapidly expanding city of Edo. The fishermen came from Tsukudama near Osaka and it was they who became the proprietors of what would become the Tsukiji fish market. It must have been popular during the late Edo period as a place to visit and view the boats from teahouses on the shore because there are many prints depicting the area, especially under a full moon.
Fine impression, colour and condition. Signed Hiroshige ga. n.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Nihonbashi yukibare, “The Nihon Bridge, Clear Weather After Snow.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Number 1 from the set and a view of the Sumida River with Mt. Fuji in the distance. This is the starting point for the Tokaido Road.
Fine, early impression with gradation on the roofs and on Mt. Fuji. Fine colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge with precipitous cliffs and a fast flowing river. Fantastic crags point upwards into the sky. In the distance is Mount Haruna – a sleeping volcano.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Horikiri no hana shobu, “Iris Garden at Horikiri” from Meisho Edo hyakkei, “Hundred Famous Views of Edo.” Published by Uoya Eikichi, 1856-58 (this being 1857). Horikiri village on the Arakawa River, north of Edo, was famous for growing irises, chrysanthemums, morning glory and azaleas for the Edo market. One of the most popular prints from the set. Provenance: Purchased from me in 2008.
Fine early impression. Fine colour and condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Harima Tatsuyama, “Mount Tatsu [Dragon] in Harima [Province]” from a set of twenty prints Sankai mitate zumo, “Wrestling Matches Between Mountains and Sea.” A fanciful and imaginative title lacking in other Hiroshige sets. Comprises of ten prints of mountains and ten prints of harbours. A fine snow scene. Published by Yamadaya Shojiro, 1858. The title is in a wrestling umpire’s fan (gunbai).
Fine impression of the first edition: Later printings have a solid red in the title cartouche instead of variegated colour and lack other subtleties. Fine colour with oxidation. Very slight discoloration in top right margin and imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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A snow scene: Yushima Tenjin sakaue chobo, “Hilltop View, Yushima Tenjin Shrine.” The shrine is dedicated to scholars and is near Ueno Park. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.
Fine impression, colour and condition. Signed Hiroshige hitsu.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Bingo, Abuto, Kannondo, “Bingo [Province], Abuto Kannon Temple” from Rokujuyoshu meisho zu, “Famous Views of the Sixty-odd Provinces” published by Koshimuraya Heisuke in 1853-56 (this being 1853). The spectacular position of this small Buddhist temple is at the tip of Cape Abusagi overlooking the Seto Island Sea. This is the first edition with the added cloud top left and extra bokashi. The red signature and title labels are double-printed to give a more saturated colour (also found on early impressions of the Thirty-six Views of Fuji set). Provenance: Purchased from me in 1982.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Suruga, Miho no Matsubara, “Pine Beach of Miho in Suruga [Province]” from Fuji sanjurokkei, “Thirty-six Views of Fuji” published by Tsutaya Kichizo, 1858. A striking design with the yellow sky and one of the best prints from the set. The Miho peninsula has a seven-kilometre seashore lined with pine trees.
Fine early impression and colour with the red signature and title labels double-printed to give a more saturated colour. Fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Tango, Ama no hashidate, “Tango [Province], Ama no hashidata” from Rokujuyoshu meisho zu, “Famous Views of the Sixty-odd Provinces” published by Koshimuraya Heisuke in 1853-56 (this being 1853). Shows the “Heaven’s Bridge” peninsula of pine trees extending into Miyazu Bay. One of the Nihon sankei, “Three Famous Views of Japan.”
ga.
Very good impression and colour. (The success of this print depends entirely on the bokashi clouds wiped across the design: Impressions vary depending on the dexterity of the printer.) Margins trimmed, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Tokaido hidari Fuji, “Fuji Seen from the left on the Tokaido [Road]” from Fuji sanjurokkei, “Thirty-six Views of Fuji” published by Tsutaya Kichizo, 1858. Shows travellers on the Tokaido Road at Oiso with workers in rice paddies beyond.
Fine early impression and colour with the red signature and title labels double-printed to give a more saturated colour. Bottom margin trimmed close, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Seki from a Tokaido set published by Maruya Seijiro, 1850-51, hence it is often referred to as the Marusei Tokaido. Also known as the Reisho Tokaido because the title “Tokaido” is written in formal script. Below is the station number 48. Seki was located where the two highways of Tokaido and Ise-ji meet. Seki means “barrier checkpoint.” Figures pass beneath a torii gate on a snowy hillside.
Fine impression and colour. Minor edge soil, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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The Kinuta (or Toi) river in Settsu Province from Shokoku Mu Tamagawa, “Six Crystal Rivers in Various Provinces.” Published by Maruya Kyushiro, 1857. Shows two women fulling cloth beneath a full moon. An autumnal night activity. Kinuta is the name given to the mallet used to beat the cloth.
Fine impression and colour. Small repair top left corner and slight edge soil, otherwise good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Sumidagawa hazakura no kei, “Cherry Trees along the Sumida River” from a Toto meisho “Famous Places in the Eastern Capital” set of ten prints published c 1831-2 by Kawaguchiya Shozo. Hiroshige’s first landscape set. The first editions, as here, have decorative borders adding a western element into the design. These were removed on later editions. There are also variant states with different shading. Rare.
Fine impression and colour. Backed, otherwise very good condition. Prints from this set are often missing or have the publisher’s name and address on the right border trimmed. Signed Ichiyusai Hiroshige ga. (The last set to be signed like this.)
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Kameido Tenmangu keidai no yuki, “The Compound of the Tenman Shrine at Kameido in Snow.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c 1834-5. The series was extended to fifty-five in c 1839-42. One of the most famous places in Edo. Known for its pergola, two drum bridges, koi ponds and the wisteria which flowered in the fifth month. The main shrine is dedicated to the memory of Sugawara no Michizane (Tenjin), the father of Japanese learning and built in 1662. The design comes in various states: Late editions have a black sky and the red publisher’s seal on right margin is replaced with an abbreviated Sanoki seal in black. Even later editions show a slipping plug becoming evident on the edge of the water, centre left.
Fine impression and colour. Probably the earliest printing. Slight trimming on right margin, otherwise very good condition. Signed Hiroshige ga.
Status: Available
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Utagawa HIROSHIGE (1797-1858)
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Mimasaka, Yamabushidani, “Mimasaka [Province], Yamabushi Valley.” Travellers caught in heavy wind and rain in the valley. Hiroshige II also produced an excellent version of this design. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Very fine impression and colour. Light album backing and very small wormhole at extreme edge of margin, top left, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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An original painting, sumi and light colour on silk, 11 x 18 in; 28 x 45.75 cms. Shows the sea off the Miura Peninsula in Sagami Province with Mount Fuji rising above mist in the distance. Hiroshige used the same view for one of his designs for the Thirty-six Views of Fuji set published in 1858. A beautiful painting with a signature dating it to the mid to late 1830s.
Minor creasing and old mount, otherwise good condition. Signed Hiroshige with Hiro seal.
Status: Available
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Utagawa HIROSHIGE (1797-1858)
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An original drawing, sumi and colour on thin paper laid onto Japanese paper. A preliminary design for a fan print, the outline indicated in red. Apparently never published. Shows a woman in the box on the left picking mulberry leaves (?), signed Ryusai. And in the box on the right a woman possibly in the process of spinning silk, signed Hiroshige. Good condition.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Shimotsuke Nikkosan urami no taki, “Back-viewed Waterfall on Mt. Nikko in Shimotsuke [Province].” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Figures gaze up at the back of the waterfall which thunders over the path. It is also known with variant colour schemes. Fine design.
Very fine impression with strong blind-printing on the fall. Fine colour and condition. Full size. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Izumo, taisha Hotohoto no zu, “Izuma [Province], Hotohoto Festival at Izumo Shrine.” Shows pilgrims to the oldest Shinto shrine in Japan. A heavy mist scene with the torii gate seen to the right. Every year from the 11th to the 17th day of the 10th lunar month (usually November) all Shinto’s deities from around Japan supposedly assembled here. It is also the shrine to visit in the hope of finding a partner. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Very fine impression and colour. Light album backing and very small wormhole at extreme edge of margin, top left, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Omi, Biwako Ishiyamadera, “Ishiyama Temple and Lake Biwa in Omi [Province].”From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Moonlight on Lake Biwa is one of the iconic Eight Views of Omi.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Iyo Province, Saijo. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A large furled sail in the foreground with Saiju village on the water’s edge. Beyond is Mt. Ishizuchi.
Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge leading to the Buddhist Haruna shrine. Below is a fast flowing river with precipitous cliffs. Fantastic crags point upwards into the sky and in the distance is the dormant volcano Mount Haruna.
Good impression and colour. Slight soil on bottom left margin, otherwise good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Mimasaka, Yamabushidani, “Mimasaka [Province], Yamabushi Valley.”A high wind and rain in the valley with a man on a raft on the Yoshi River. Other figures in the foreground, one having lost his hat. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Fine, early impression. Fine colour and condition with large margins. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Shinano, Sarashina tagoto no tsuki, Kyodaisan, “Shinano [Province], the Moon Reflected in the Sarashina Paddy-fields, Mount Kyodai.” This was a popular destination for outings to view the multiple reflections. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Fine, early impression. Fine colour and condition with large margins. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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One of a set: Edo Murasaki meisho Genji, “Murasaki’s Genji in Famous Places of Edo.” Mitate Ukifune Sumidagawa no watashi, “A Parody of Ukifune Crossing the Sumida River.” Shows a beauty on a ferry crossing the Sumida River in heavy snow, representing Ukifune, one of the court ladies of the Genji Monogatari. Stylised clouds above and below copying the traditional kiri-gane gold found on Yamato-e scrolls. These Genji pictures were popular at this time to circumvent the reforms of 1842. Published by Kinseido (his seal also appearing on the umbrella bottom right). Rare.
Fine impression. Very good colour. Lower margin trimmed close, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Oki Province, Takuhi Shrine. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The prows of two boats near the island of Nishinoshima. A torii seen at the top of the print indicates the Takuhi Shrine, one of the most important shrines dedicated to the gods of the sea.
Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.
Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Shimadai, grouper (probably Chilodactylus zonatus) and ainame, greenling (Hexagrammus otakii) together with red-berried nanten. Poem by Kanshunro Nushibito. Probably the first edition (Kruml 18a). From the second series of fish published by Yamasho c. 1840-42.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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The extremely rare first, private printing of Bora, the grey mullet (Mugil cephalus) with camellia and Japanese asparagusado. From a set of 10 prints in folding album form, privately commissioned for a poetry club, c 1832-34. Poems by Higaki Kunifune and Toshinoto Haruki. The judges’ names next to the poems. These were removed on the commercial editions. Rare because of the obvious reason that the numbers printed were directly related to the relatively small memberships of poetry groups.
Fine impression and colour of the earliest printing without kiwame seal and publisher’s seal. With judges’ names and without gradation at top. Centre fold (as always), otherwise very good condition. Signed Ichiyusai Hiroshige ga. Unknown collector’s seal au verso.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Inada, yellowtail or amberjack (Seriola quinqueradiata) and fugu, blowfish or puffer (Fugu pardalis). Together with plum blossom. Poem by Suzugaki. From the second set of 9 prints published by Yamasho, c 1840-42. (Some designs on the reprints have the publisher’s mark Marujin.)
Extremely early impression before the block defect below the fugu’s tail is evident. Fine colour with extensive mica on the inada. Some slight creasing, otherwise very good condition. Full size. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Katsuo, bonito (Kasuwonus pelamis). Also called ocean bonito, strip-bellied bonito and striped tuna. Together with three sprigs of cherry (sakura). Poems by Toshinoto Haruki and Toshihiro Machikado. From the first commercial edition of the first series published by Eijudo, c 1832-34.
Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Kochi, bartail flatheads (Platycephalus indictus). Together with a flowering egg-plant, nasu. Poems by Yoshigaki Toshimochi and Magaki Harutomo. From the first commercial edition of the first series published by Eijudo, c 1832-34.
Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A vertical diptych showing a multitude of cranes flying up from a cresting wave to a large red sun. In fact this diptych was used by an Edo publisher as end sheets to albums – usually sets of Hiroshige landscapes. Rare: Invariably it is impossible to match the two sheets as the bottom design is always graded blue at the top. Another matching impression is illustrated pl. 143 in Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, Abby Aldrich Rockefeller Collection Of Japanese Prints, 1990. Another impression is known with a large red seal at a slight angle bottom right. (This may be the first state but rather spoils the design.) Published 5/1858.
Fine impression and colour. Small expertly repaired binding holes, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A pheasant on a snow-covered pine. Published by Kawaguchi Shozo, c. 1830s (seal top left).
Fine impression and colour. Minimal trimming, otherwise very good condition. Signed Hiroshige hitsu.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A chuban print showing two house swallows and wisteria. Although Hiroshige is recognised as one of the pre-eminent landscape artists, many of his most beautiful designs are in the uchiwa-e format and kachoga.
Fine impression and colour. Several expertly repaired wormholes, otherwise very good condition. Signed Hiroshige hitsu.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A medium tanzaku showing a Java sparrow on a magnolia branch. Published by Kawasho (Kawaguchi Shozo) c early 1830s. Another example of this design has an overall light pink ground rather than the light yellow graded up, as here. Another impression is illustrated in Kikuchi , A Treasury of Japanese Wood Block Prints Ukiyo-e, NY, 1968, no. 1477.
Fine impression with blind-printing on the bird’s breast. Very good colour. Minimal soil at bottom, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Kami, crab (Charybois) and saba, mackerel (Scomber Japonicus) together with two flowers of morning glory. Poem by Shichichintei. This is the first edition (Kruml 19a). From the second series of fish published by Yamasho c. 1840-42. Collector’s seal Hayashi bottom right corner.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
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