Ichieisai YOSHITSUYA (1822-1866)
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Minamoto no Yoshitsune, on the right holding a large bow, and Benkei, in the centre, face a large white dragon which emerges amongst lightning bolts from the Koromo River at the battle of Takadachi in 1187. Bunji sannen Oshu Takadachi kassen Koromogawa yori hakuryu ten e noboru. Published by Tsujiokaya Bunsuke (Kinshodo), 1857. A fine design.
Fine impression and colour with mica applied to the dragon and silver rain. Very slight trimming, otherwise fine condition. Signed Ichieisai Yoshitsuya ga.
Status: Sold
Ichieisai YOSHITSUYA (1822-1866)
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Higuchi no Jiro Kanemitsu, a retainer of Kiso no Yoshinaka, in the Kiso Mountains encounters a giant white baboon (ohishi) which has been terrorising the countryside and attacks it with a long bamboo spear. The creature hangs from a tree with one of Kanemitsu’s followers in its mouth. Published by Tsujiokaya Bunsuke (Kinshodo), 1858.
Very fine impression and colour. Fine condition. Signed Ichieisai Yoshitsuya ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing Ban Danemon Naoyuki exorcising the Bakemono in Masanori Fukushima’s mansion. A badger ghost rears up surrounded by other goblins, one of whom attempts to appease him with tea. Fukushima no yakata ni oite Naoyuki kori o taiji no zu. Published by Tsujibun, 1866.
Fine impression, colour and condition. Signed Kaisai Yoshitoshi hitsu and Ikkaisai Yoshitoshi hitsu.
Status: Sold
Katsushika HOKUSAI (1760-1849)
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Koishikawa yuki no ashita, “Snowy Morning at Koishikawa” from Hokusai’s most celebrated set: Fugaku sanjurokkei, the “Thirty-six Views of Mount Fuji.” The set of 46 prints published by Eijudo, c. 1830-32. Shows a party at a teahouse, at left, admiring the view of Fuji. The only snow scene from the set. Provenance: Ex Le Veel collection, sold by Ader Picard Tajan, Paris, 2nd sale, 24/10/1980, lot 76, p. 36.
Exceptionally early impression (blue outline). Fine colour and, apart from slight vertical crease, fine condition. Very full size with extra paper top and right. This design usually has a clear sky with blue gradation at top and horizon. This state with a subtly graded blue sky appears to be the earliest version (with other similar impressions in the BM [1927.0613.0.13] and MET [JP1330]). Not only does it better convey the wintry conditions but Eijudo was probably also conscious of saving money on this expensive pigment on later editions. The finest example to come onto the market for many years. Signed Zen Hokusai Iitsu hitsu.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Boar from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Yuryaku Tenno, the 21st Emperor (457-480) by a waterfall killing a huge boar. Said to have occurred at Mount Katsuragi in 461. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Asakusa Kinryuzan, “Kinryuzan Temple at Asakusa” Meisho Edo hyakkei, “The Hundred Views of Famous Places in Edo.” The view shown by Hiroshige is through the Kaminarimon gateway with the large hanging lantern after a heavy snowfall. The great temple, which still stands, was in the northern part of Edo, not far from the Yoshiwara. Published by Uoya Eikichi who published the set between 1856 – 1858 (this being 1856). There are 118 prints in the set plus a replacement design by Hiroshige II. This is one of Hiroshige’s best known designs.
Very good impression, colour and condition. Grain showing on the red wooden post at left and the lines still crisp. On later editions the red and green pigment gets cruder and the sky darker. And even later a slipping plug becomes evident in the blue area at bottom, below the black line at left. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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The Lumberyard, Fukagawa, from Meisho Edo hyakkei, “The Hundred Views of Famous Places in Edo.” Shows snow falling on the timber yards lining a river. An umbrella in the foreground is inscribed Uo, “Fish” – a reference to the publisher Uoya Eikichi who published the set between 1856 – 1858 (this being 1856). There are 118 prints in the set plus a replacement design by Hiroshige II. A large supply of timber was needed for the world’s largest wooden city. However, in 1641 a fire destroyed not only houses but the lumber which was then stored in a central area causing the government to move the yards to Fukagawa.
Very good impression, still with the lighter sky: Late editions have a black sky. Very good colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Dog from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Hata Rokurozayemon, a follower of Nitta Yoshisada, with an array of weapons and accompanied by his dog. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Cock from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Kwaido Maru, the boy Kintoki, umpiring a match between a cock and a young tengu. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Snake from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Nitta Shiro (Tadatsune) inside Mount Fuji during Yoritomo’s hunting party (1193) encountering snakes and a vision of the goddess of the mountain. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Asakusa Imado from a Toto meisho set of ten prints published c. 1834. Shows three men stoking the ceramic tile kilns at Imado on the bank of the Sumida river. Mount Tsukuba can be seen in the distance. The kilns were fuelled by pine needles, a stack of which can be seen on the left. This set, and other landscapes by Kuniyoshi, are characterised by strong western-style elements – shadows and clouds derived from viewing imported prints and books from Europe. Published by Kagaya Kichibei, c. 1834. Provenance: Ex B.W.Robinson collection (purchased privately). Very rare.
Fine impression, colour and condition. The green bamboo border intact. The set is well known for having this border trimmed off, partially or completely. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Tiger from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Kashiwade no Omi Hatebe (sic, usually Hadesu) engaging with a tiger that had killed his daughter. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Dragon from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Susa-no-o-no-Mikoto standing on a rock and observing a dragon under the waves. (Probably the eight-headed dragon he slew in Idzumo.) Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Hare from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Iga Jutaro, the elderly retainer of Soma Yoshikado, sacrificing a hare in a Buddhist temple. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Kobayashi KIYOCHIKA (1847-1915)
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A triptych, Ujigawa Kajiwara Kagesue, Sasaki Takatsuna, miju uma. Yoshitsune is informed that Kiso no Yoshinaka is entrenched behind the natural defence of the Uji river, then in full flood. Yoshitsune calls on Kajiwara Kagesue and Sayemon-no-jo Sasaki Shiro Takatsuna to make an attempt at fording the river. He gives them his best horses: Surusumi to Kagesue and Iketsuki to Takatsuna. They plunge into the river with Takatsuna, dodging the hail of arrows, arriving first. One of Kiyochika’s best designs. Published 1899.
Fine impression and colour. Album backing and slight vertical fold on centre panel. Signed Kiyochika.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Monkey from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows the Monkey King, Songoku (Sun Wu K’ung) conjuring up an army of monkeys to attack his enemy the pig. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Ox from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows the robber Kidomaru under a buffalo hide looking at his reflection in water while attempting to ambush and kill Raiko. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Horse from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Soga Goro (Tokimune) galloping from Hakone to Mount Fuji to meet his brother Juro and fulfill their revenge in the course of Yoritomo’s great hunting party in 1193. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Goat from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows the Chinese hero Kwanu (Kuan Yu) seated drinking under a pine tree with a goat. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Rat from a chu-tanzaku set of twelve prints Buyu mitate junishi, “Chosen Heroes for the Twelve Signs.” Based on the Chinese zodiac system of twelve animals. Shows Raigo Ajari at the Onjoji monastery, Miidera, turning the Buddhist scriptures into rats. Oye no Masafusa looks on in dismay. Published by Minatoya Kohei, c. 1840.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Shows Tametomo’s faithful retainer Kiheiji who is left behind by mistake when Tametomo sails for Japan from the Ryukyu Islands. He throws a weighted rope the immense distance to the ship and is hauled in. The best design from Tametomo homare no jikketsu, “Ten Famous Excellences of Tametomo.” A set of ten prints published by Aritaya Seiyemon, c. 1848-51.
Fine impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
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Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860). A fascinating print.
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Tominomori Sukeemon Masakata, one of the famed Forty-seven Ronin, sword drawn, during the famous night attack on the house of Kono Moronao. The hanging bell, above, was an early intruder alarm system. (Interestingly, it’s also said that squeaks were deliberately incorporated into wooden floors for the same reason.) This unusual western-style set is also rare in having the printer’s name, Ohisa Daiihitsu, on five (including this) of the twelve prints in the set. Published by Sumiyoshiya Masagoro, 1852.
Fine impression and colour. Slight trimming, otherwise very good condition. Signed Kuniyoshi ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An extremely rare chu-tanzaku, Fuyu Sumidagawa no yuki, “Winter Snow on the Sumida River.” From a set Shiki Edo meisho, “Famous Places in Edo in the Four Seasons.” A lone figure in straw cape and large hat poles a log raft down the Sumida river in heavy snow. Published by Kawasho c. 1834. There are a number of states of this design known: As here (probably the earliest) with publisher’s seal and kiwame seal; with kiwame only; and without either. There are also extremely deceiving copies of this print. Provenance: Ex Le Veel collection, sold by Ader Picard Tajan, Paris, 2nd sale, 24/10/1980, lot 114, p. 50.
Very good impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE ( 1797-1858 )
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“Evening Snow at Uchikawa”, Uchikawa bosetsu from the early set Kanazawa hakkei, “Eight Views in Kanazawa” published by Koshimuraya Heisuke, c 1835-6. This is an extremely rare and fine set and examples in good condition are very difficult to find. Each print contains a classical 31-syllable waka poem above. Kanazawa sits on the Sea of Japan bordered by the Japan Alps. One of Hiroshige’s finest compositions.
Fine impression and colour. Small restored wormhole bottom edge left, otherwise very good condition.Large margins. Signed Hiroshige ga.
Status: Sold
Utagawa SADAHIDE (1807-1873)
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Iwanari Chikara no Suke and Shimozu Gonnai struggling in the water from Eimei kumiuchi soroi, “A Series of Famous Fighting Warriors.” Published by Moriya Jihei, 1865.
Fine impression, colour and condition. Signed Gountei Sadahide ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Sagaminokami Hojo Takatoki warding off a group of tengu with his fan. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).
Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Sano Genzaemon cutting his potted trees to warn Hojo Tokiyori. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).
Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Danjo Matsunaga Hisahide preparing to commit suicide. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).
Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Kuro Hangan Yoshitsune and Notonokami Noritsune fighting on a ship’s prow. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1886).
Fine impression and colour. Light toning, otherwise fine condition. Early edition. There are a number of later states and the set was republished by Tsunajima in 1886.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A chuban print from a set Wakan goki zoroi, “Valour in China and Japan.” Shows Kintaro about to deliver a blow to the Thunder God Raijin (the God of thunder and lightning – a Japanese Thor). Published by Daisada, 1868. A rare set.
Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Hishikawa SORI (Active 1797-c.1813)
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A samurai helmet maker (kabuto) from a series of surimono Shokunin sanjurokuban, “Thirty-six Poets as Craftsmen.” Issued for the Asakusagawa Club in 1802. Hand-stamped series title top right. Sori was a pupil of Hokusai originally called Soji with Hokusai passing on the name to him. Shows a beauty leaning on a cabinet that holds armour. On the right the craftsman holding a helmet. The set was reissued in a slightly different format in 1803.
Fine impression, colour and condition with touches of gold. Signed Sori ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Wada Heita Tanenaga (1182-1213), short sword in hand, struggling with a giant python. He was a renowned archer and retainer of Minamoto no Yoriie. Various stories tell of how he came across the python in a cave or saved a village from its carnivorous attacks. From an untitled early set published by Yamashiroya Heisuke, c. 1845. Robinson S1f.8. A striking design and rare.
Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Kamada Matahachi of Matsusaka in Ise Province killing a monstrous cat. These mountain cats – nekomata – were reputed to eat humans. Published by Tsutaya Kichizo, c. 1840. Robinson S1e.3. A wonderful and rare design.
Very good impression and colour. Repair bottom right corner and slight trimming, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The apparition of the Sea Monk, Umibozu, looming above the sailor Kawanaya Tokuzo. The best design from Tokaido gojusan tsui, Station 41, Kuwana. The legend has it that Tokuzo, against the advice of his peers, went to sea on the last day of the year. He subsequently experienced huge seas and the monster who demanded to know what was the most horrible thing he knew. He replied that his profession was the most horrid. Satisfied, the creature descended into the Stygian gloom and the storm abated. Published by Kojimaya Jubei, c. 1845. Illustrated in Robinson, Kuniyoshi, HMSO, 1961, no. 49.
Fine early impression with the light blue on the sea. Very good colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNISADA (1786-1864)
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A vertical diptych showing the famous waka poet Ono no Komachi (c. 1825-c. 900) being sheltered by attendants from an upcoming storm. She is famous for composing a poem and praying for rain at the behest of the Emperor Junna during a period of drought across Japan. The poem she composed, shown above, she threw into the pond of the Shinsen-en Garden. It started raining after three days . The poem reads: Though it is called the “land beneath the sun [Japan]” surely it must rain here. Published by Kikakudo, c. 1833-35. Rare.
Fine impression, colour and condition. Signed Kochoro Kunisada ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)
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A triptych Shinshu Sarashina tagoro no tsuki, “The Moon Reflected in the Rice Fields at Sarashina, Shinano Province.” Shows Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”), admiring the multiple views of the moon reflected in the paddy-fields and about to compose a poem. On the left, Mount Kyodai. This phenomenon was greatly admired and pilgrimages were made to view it. There was a plethora of these Genji parody prints in the 1850s following two popular Kabuki plays and Hiroshige and Kunisada collaborated on a number of such triptychs. Interestingly, this design has a date seal for 3/1861 making it probably the last and based on an existing collaborative hanshita-e. Published by Moriya Jihei. Rare.
Superb impression and colour. Slightly trimmed round; sheets connected and album backing, otherwise very good condition. Signed Hiroshige ga and Toyokuni ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing Miyamoto Mushashi (c. 1584-1645) fighting a pack of wolves in the mountains of Hakone watched by Sekiguchi Yataro seated beside a fire. Musashi was a renowned double-bladed swordsman (as seen here) and is considered the sword-saint of Japan. Published by Kiya Sojiro, 4/1861 and is probably Kuniyoshi’s last print.
Very good impression and colour. Slight creasing, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Yashima GAKUTEI (1786 ?-1868)
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Best known for his surimono although he produced fine paintings, some good landscapes and was also known as a poet. A surimono, one of a set of two on the martial arts of Japan and China, this obviously being Japan: Wakan butoku no uchi. Shows a helmet with a demon’s head and a red-lacquered baton with leather strips. These are usually the accoutrements of the famous general Kato Kiyomasa (1562-1611). Two poems by Shusetsutei Kuranushi and Shuchodo Monoyana. Issued c. 1820. Three collector’s seals au verso including Kunsthalle Bremen. Rare.
Very fine impression and colour with extensive gold, silver and bronze. Light edge tape on back, otherwise very good condition. Signed Gakutei.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A complete hexaptych (six-sheet) design comprising two triptychs: Kawanakajima okassen no zu, “The Great Battle of Kawanakajima,” published by Tsujibun, 6/1866 and Takeda yusho kessen no zu, “The Bloody Battle of the Brave Generals of the Takeda Clan,” published by Tsujibun, 6/1867. The great battles of Kawanakajima took place between 1553 and 1564 between the daimyos Takeda Shingen (1521-1573) and Uesugi Kenshin (1530-1578). Starting as more skirmishes than all out warfare they ended up with a fourth battle where Kenshin is estimated to have had 72% casualties and Shingen 62%. Rare complete.
Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold