Utagawa KUNIYOSHI (1797-1861)
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A fine original sumi drawing (hanshita-e) for an unpublished print for the set Tokaido gojusan tsui, “Fifty-three Parallels for the Tokaido Road.” The set was published by various publishers in 1845-6 and was a collaboration with Kunisada and Hiroshige. Sumi on thin paper. This is a design for the lower half of the oban print, the top half having the title and a panel with the name of the post-station. Shows Yamato Takeru no Mikoto. A legendary prince, son of the Emperor Keiko. Shown here with his retainers.
In extremely good condition. Provenance: Purchased from me in 21/11/1975. Rare.
Status: Available
Toyohara KUNICHIKA (1835-1900)
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An original hanshita-e drawing probably showing Benkei and Yoshitsune on Gojo Bridge. Sumi on thin paper, image size 14.5 x 6.25 in, 37 x 16 cms. For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). Some creasing.
Status: Sold
Shibata ZESHIN (1807-1891)
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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows a group of Japanese poppies. On thin paper laid onto Japanese paper, 7.5 x 10 in; 19 x 25.5 cms.
Status: Available
Shibata ZESHIN (1807-1891)
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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows a group of daffodills. On thin paper laid onto Japanese paper, 7.5 x 10.5 in; 19 x 26.5 cms.
Status: Available
Shibata ZESHIN (1807-1891)
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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows the entrance to a shrine with numerous ema hanging under cover and two figures entering. On thin paper laid onto Japanese paper, 7.25 x 9.75 in; 18.5 x 24.5 cms.
Status: Available
Shibata ZESHIN (1807-1891)
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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows an unidentified plant with purple-black berries – possibly a variety of elderberry. On thin paper 7.25 x 10.5 in; 18.5 x 26.5 cms. Signed Zeshin and an indication for where the Shin seal should go. Sold together with the published print. Backed and with centre fold. Signed Zeshin and Shin seal.
Status: Available
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Toyohara KUNICHIKA (1835-1900)
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An original hanshita-e drawing showing an actor in an onnagata role. Sumi on thin paper. Image size 12.5 x 6 in, 31.5 x 15 cms. . For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). Numerous indications for the printer on the colours to be used. Good condition.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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An original hanshita-e drawing showing three actors in various roles. Sumi on thin paper. Image size 12.5 x 6 in, 31.5 x 15 cms. For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). Paper separated at top, otherwise good condition.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A fine hanshita-e triptych drawing by Kuniyoshi showing the actors Arashi Kichisaburo, Ichikawa Kuzo and Ogami Eisaburo, probably in the play Hiragawa seisuiki. Sumi and light colour, 14.5 x 30 in, 37 x 76.5 cma. Each sheet fully signed Ichiyusai Kuniyoshi ga with hand-stamped red Kiri seal. Some pentimenti. Laid down onto a larger sheet of paper. Light staining, otherwise good condition.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A fine hanshita-e triptych drawing by Kuniyoshi showing the strong woman Kaneko Kugutsune ( also called O Kane or Omi no O Kane ). She is normally depicted – as here – holding down the sacred white temple horse with her geta. These appear to be lifelike dolls: There seems to have been a craze for such figures in the 1850s. Other materials used to make such figures and animals were shells, cane and flowers. Sumi and light colour, 14.5 x 30 in, 37 x 76.5 cms. Each sheet fully signed Ichiyusai Kuniyoshi ga. Unidentified publisher’s seal, c 1855. Some pentimenti. Laid down onto a larger sheet of paper. Light staining, otherwise good condition. Kuniyoshi appears to have liked this subject and designed a number of prints including a famous horizontal landscape in western style.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A fine hanshita-e triptych drawing by Kuniyoshi showing a general ( possibly Kato Kiyomasa ) on a horse far left and surrounded by his soldiers. He is viewing flotillas of boats laden with more troops. Sumi and light touches of red, 14.5 x 30 in, 37 x 76.5 cms. Each sheet fully signed Ichiyusai Kuniyoshi ga with censor seal pasted on for 9/1860. The publisher’s seal Yamamotoya Heikichi and hand-stamped red Kiri seal on each sheet. Extensive pentimenti. Laid down onto a larger sheet of paper. Light staining, otherwise good condition.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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Two original sumi drawings mounted onto board. One shows a seated beauty, 3.25 x 2.5 in, 8 x 6.5 cms; the other shows musicians with long noses, 5.75 x 3.75 in, 14.5 x 9.5 cms.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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An original drawing, sumi on thin paper, 7.25 x 5 in, 18 x 12.5 cms. The original design for the Master of Papier Mache from a Hundred Pictures by Kyosai published 1863-6. Shows Dharma dolls coming to life and terrifying their makers. The print illustrated in Kawanabe Kyosai, The Tokyo Shimbun, 1996, no. 122-5, p. 213. Good condition.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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An original drawing, sumi on thin paper, 10.5 x 24.25 in, 26.5 x 61.5 cms showing Emma the King of Hell being held back by three girls while another pulls his tongue with iron tongs. A fine large drawing. Kyosai seal at right. Good condition.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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An original hanshita-e drawing showing actors in different roles; the one above as a warrior, and beneath as a commoner. Sumi and touches of red on thin paper. Image size 14 x 6 in, 35.5 x 15 cms. . For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). Good condition.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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An original hanshita-e drawing showing an actor with sword raised and voluminous red hair. Sumi and red on thin paper, image size 11.5 x 5.75 in, 30 x 14.5 cms. For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). Numerous indications for the printer on the colours to be used. In good condition.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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An original hanshita-e drawing presumably showing Kintaro with a monkey, pheasant and dog. A lovely preparatory sketch in sumi and pink on thin paper, image size 13 x 6.25 in, 33 x 16 cms. For a series of designs contained within a hagoita ( wooden paddles used to play the New Year hanetsuki game ). In good condition.
Status: Sold
Katsukawa SHUN’EI (1762-1819)
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An original Shun’ei brush drawing showing the Soga brothers revenge on Suketsune in his tent. This appears to be a preliminary design for a print illustrated in Ukiyoe meihan, 500 Ukiyoe Masterpieces, no. 85, p. 39 but with the figures facing the other way. The print published by Nishimuraya Yohachi, c. 1798. On thin Japanese paper, 14.75 x 10.5 in, 37.5 x 26.5 cms. Fully signed Shun’ei ga. Sold “as is” with all imperfections. Drawings of this period are rare.
Status: Sold
Utagawa HIROSHIGE (1787-1858)
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An original Hiroshige brush drawing of an aji ( also muroaji ), horse-mackerel; awabi, abalone, and two ginger roots. On thin Japanese paper, 9 x 6.75 in, 22.9 x 17 cms. Beautifully signed Hiroshige hitsu. Probably a small present for a friend. Ex collections Hayashi ( seal bottom right ) and Oeder. Very good condition.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An excessively rare original sketch-book with MS. Diary at the end recording the last part of a trip Hiroshige started April 2nd 1841 from Edo to Kofu, this covering Nov. 13th ? Nov. 22nd 1841. Sumi on paper vigorously drawn and annotated with names and memoranda in Hiroshige?s writing. 7.75 x 5 inches containing 38 pages, two blank, with inscription on cover: ?Memories of Travel?.In slip-case inscribed HIROSHIGE/K.M.C. ( presumably the owner after Dr. J. Hutchinson ). Ex collections Mr Wilson Crewdson and then Dr. Jonathan Hutchinson FRCS ( vice-president Council of the Japan Society, London ). This diary is fully discussed and catalogued in The Colour-Prints of Hiroshige, Edward F. Strange, Cassell & Co. Ltd., 1925, pps 71-82 and 122-123 and illustrates two double pages. Contents are as follows:
Page(s):
1. Title. Memories of Travel.
2. ( Blank ).
3. Taiko Iwa. Rock called Drum Rock.
4, 5. Mitake Michi, Gedo-no-hara, Koshu. Devil?s Plain on the way to Mount Mitake, Koshu or Kai Province. The rock on the summit of the mountain is called Katana nuki-ishi. ( 2-page. )
6, 7. The view continued from No. 2 ( 2-page. )
8, 9. Kurakake Iwa. Saddle Rock ( 2-page ).
10, 11. Zo-ga-hana. Cliff called Elephant Trunk ( 2-page. )
12. Mitake Omon. Great Gate, Mitake.
13. ( Blank ).
14, 15. Place called Kajikazawa on the bank of the River Fuji, on the way to Mount Minobu. Two houses on the hill are tea-houses. There is an inn in the town. The whole way from this town to Mount Minobu has most beautiful scenery. Both banks are mountains and hills and the River Fuji flows between the mountains. ( 2-page. )
16, 17. Sentaku Ishi. Large flat rock of that name, near Kiri-ishi town, the size of the stone is 4 to 5 Ken ( 1 Ken = 6 feet ) square. ( 2-page. )
18, 19. Biobu Iwa. Screen Rock. ( 2-page. )
20, 21. Kananashi-gawa. The River Kananashi. There are many large willow trees growing on the bank, the scenery is very beautiful. ( 2-page. )
22, 23. Hayakawa. The river of that name. There is a ferry-boat on the main river, but travellers must wade the small branches running on both sides of the main river. ( 2-page. )
24, 25. Ura Fuji. The back of Fuji as seen from Koshu Province. ( Written on this page are poems on Fuji. ) The Dream Mountain is like a dream; it is much more beautiful than I thought. Though people say the ?back of Fuji? yet it is very beautiful as seen from that side, and I regret very much they use the term ?Ura-Fuji?. ( 2-page. )
26, 27. Place called Fujimaki; a fountain fed by a spring. ( Manuscript on the left is a poem. ( 2-page. )
28, 29. ( A steep road winding up the hill, with the back of Fuji seen over peaks of other mountains. ( 2-page. )
30, 31. General view of Takaozan Temple ( Shinto and Buddhist combined ). The details are named:
A) The main shrine, copper roof; the building is painted with cinnabar. B) The Cakudo, Picture Hall. C) Fence painted with cinnabar. D) Shoro; Bell Tower. E) Kagurado; Sacred Dancing Hall. F) Niomon; large Gate with Nio Images. G) Stone Pagoda. ( 2-page. )
32, 33. General view of Kashiozan Daizenji Temple ( Buddhist ).
A) Yakushido; Hall of Yakushi Niorai. B) Highway leading to Enoshima. C) Hojo; Chief Priest?s residence. D) Omon; Gate. ( 2-page. )
34, 35. Sakaori-no Miya ( Shinto Temple ) where the flint stone of Yamatodake-no Mikoto is in existence. ( 2-page. )
36. Zenkoji ( Temple ) Shinano Province. A) Hondo or principal hall. B) Large Bronze Buddha. C) Monasteries ( on the right side are the same ). D) Main Gate. E) Ordinary house. F) Stone pavement about 3 Cho long ( about 648 feet ).
37, 38. MS. Diary. [The translation of which was collated by Strange from versions by Mr Hogitaro Inada; Mr Shozo Kato and Mr Matsuki and follows here ]:
Nov. 13th: Fine weather. Made sumigaki ( black and white design ) for curtain. Was invited by Tsujiya for evening. The fish was good but sake and soba were bad, so speedily left at 10 o?clock. Wrote letter to Yedo.
( 14th. Fine weather. Began to paint curtain, lonesome evening, was invited to Narumiya, the guest was the widow of Yeirakuya of Yokaichi. )
( Above was obtained from other manuscript. )
Nov. 15th: Fine weather. The curtain design was done. Took rest from noon. In evening had sake at Yorozuya?s. Just after Yotsu ( 4 P.M. ) begun to stretch another curtain on frame ready for painting, and then again sake feast.
Nov. 16th: Fine weather, then half cloudy. During morning worked a little on curtain. Had sake feast at Noumiya?s. With some company went to an eel restaurant with Mansada and Genyemon. In evening all went to theatre and saw two acts of play. This was day of great booze.
Nov. 17th: Fine weather. Commenced to paint theatre?s signboard. The screen for Narumiya was done. Worked a little at night. From late evening begun to stretch curtain. Sake feast continued till daybreak, and stayed at his house. During the night, Yeihach?s wife had a child. [ Yeihachi was a friend of Hiroshige.]
Nov. 18th: Fine weather. The signboard for theatre was finished with colouring. There was a great feast in evening.
Nov. 19th: Fine weather. In morning finished all painting work. Wrote bill for the curtain. In afternoon had the parting feast with all our circle of friends. After the baggage was sent out from Narumiya?s and the Yorozuya [ inn ] in the evening drank sake was drunk till late night.
Nov. 20th: Cloudy, snowed little. Left Iseya at about 7 A.M., accompanied Matsumi but parted on outskirts of Kofu, hurried on alone and at evening at 6 reached Kamihanasaki where stopped for night. This lodging was very good. A man from Shinano was companion for the night.
Nov. 21st: Fine weather. Started about same hour as yesterday. Passed Inume and Shigaraki and rested. Sake and soup was poor. At Uyenohara took rest again, and took lunch. At Yose stopped for night at the Inariya Inn. Had to sleep with two other people as aiyado. One was an actor, Tsujiya Hyosuke. Heard the story of Ozawa who attempted a great crime at Uenohara.
Nov. 22nd: Fine weather. Left Yose in morning at 8 o?clock with company of one aiyado of the night before. Took rest several times, drinking sake each time but all were bad. By dusk stopped at Matsumotoya front of Myojin shrine of Fuchu. Sake was very bad.
This may be the last such item to come onto the market.
Status: Sold
Katsukawa SHUNKO (1743-1812)
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An original drawing showing the actor Ichikawa Danjuro V in an unidentified role. Drawn c mid 1780s. Such drawings from this period are very rare. Indeed, any prior to the 1810s are rare. Ex collection Tanizaki Junichiro ( the major Japanese writer: Tade kuu mushi, “Some Prefer Nettles,” etc ). And sold by the Kabutoya Gallery, San Francisco, c 1976. Guaranteed by Suzuki Juzo of the National Diet Library. Laid around edges, 9.5 x 6.5 in; 24 x 16.5 cms. Sold as is with some wormage etc.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An extremely large and important drawing showing beauties on a restaurant verandah overlooking the Sumida river. A preparatory study for a painting which was either not executed or has been lost. Although an abbreviated version is illustrated in Ukiyoe Taikei, vol 11, no 67 which gives the location as the Kawaguchi-ro restaurant. Sumi and pentimenti on thin paper. 19 x 37 in., 48 x 94 cms.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A large and extremely important drawing. A detailed preparatory design for a well know painting. Shows a party beside a lake. This drawing also shows a back view of Hiroshige ( the seated figure with shaved head beneath the tree on the right ). Hiroshige is known to have shaved his head to become a Buddhist monk in 1856, so this study must date from that time. It’s interesting to compare with the finished painting which Hiroshige simplified, leaving out figures and the dog at bottom right. Sumi and pentimenti with annotations on thin paper. 40 x 17.5 in., 101 x 44 cms. The painting is illustrated in the “200th Anniversary of the Birth of Hiroshige” exhibition catalogue, Tokyo Odakyu Museum, 1996, no. 316, supervised by Prof. Kobayashi Tadashi.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A large and important preparatory drawing for a well know painting showing a full length beauty in a garden with autumn grasses. The finished painting is illustrated in Juzo Suzuki, Utagawa Hiroshige, 1970, no. 70 ( where it is dated to c.early 1850s ) and was exhibited in the “Masterworks of Ukiyo-e Paintings ” exhibition at the Itabashi Art Museum, 1989. Sumi and red under-drawing with pentimenti on thin paper. 34.5 x 11 in., 88 x 27.5 cms ( the finished painting measures 91 x 32.3 cms ).
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A large and beautiful original drawing showing a full length beauty holding a fan. Sumi and red under-drawing on thin paper. 2 6.5 x 12 in., 68 x 31 cms. One of Hiroshige’s finest drawings.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A large original drawing most probably for a lost painting. Shows beauties in a boat with a ferry full of passengers behind. Annotations for colour, etc. Sumi and red under-drawing on thin paper. 14 .5 x 22 in., 37.5 x 56 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original preparatory sketch for a design from the set: Fifty-three Paired Stations on the Tokaido Highway A joint publication with Kunisada and Kuniyoshi published c 1845. This being Eijiri ( Station 19 ) and shows the pine Hagoromo-no Matsu on which an angel left her feather coat. It was taken by a peasant and in order to retrieve it the angel married the peasant until such time as she could get it back and fly away. Fuji in the distance. Sumi on thin paper. 14 x 10 in., 36 x 25.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An important large study for a well known painting. Shows a full length beauty on a bridge. The finished painting has a moon above and is illustrated in Ukiyo-e Nenkan, published 1973, p. 286. From the collection of Aoki Shinzaburo. Sumi and red under-drawing with pentimenti on thin paper. 22 x 18.25 in., 56 x 46.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A preparatory design for an unpublished ( ? ) triptych. Shows Genji ( ? ) watching figures on the bank of a river under a large willow tree. Other individuals in a boat. Some annotations for colour, etc. Sumi on thin paper. 14.25 x 30 in., 36 x 76 cms. Fully signed and sealed far right.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A large and important preparatory study for a well known painting showing Murasaki Shikibu at Ishiyama Temple looking out to sea. The painting was in the Azabu Museum but was sold at Christies, NY, 27/10/1998, lot 110. It was illustrated in “Ukiyo-e Paintings in Japanese Collections, Azabu Museum, ” supervised by Kobayashi Tadashi, Kodansha, 1995. Sumi and extensive sumi wash with pentimenti on thin paper. 19.25 x 26 in., 49 x 67 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original preparatory drawing for a published print for the set: Kokon joruri zukushi, “Collected Stories Past and Present.” Published by Sanoki, 1849-50. Shows the Barrier-Guardian Sekimori Sekibei and the Spirit of the Cherry Tree. Illustrated in Tsuneo Tamba, The Art of Hiroshige, 1965, no. 457. Sumi on thin paper with touches of red and blue. 13 x 8.75 in., 33.5 x 22 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing two beauties, one holding an umbrella, beside a river. This appears to be the first draft for the centre sheet of the famous snow scene: Beauties and Snow at the Sumida River, published by Marujin, 1848-9. Illustrated in Tsuneo Tamba, The Art of Hiroshige, 1965, no. 17. Sumi on thin paper. 14.5 x 10.5 in., 37 x 27 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Two original chuban drawings for an unpublished ( ? ) set showing beauties in interiors Sumi and pentimenti on thin paper. 13 x 9 in., 33.5 x 23 cms. Bottom design fully signed.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a beauty with umbrella on the banks of a river. Most likely a sketch for one sheet of a triptych. Sumi on thin paper. 13 x 8.5 in., 33 x 22 cms. Fully signed Hiroshige hitsu and sealed three times bottom right.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a party coming over the summit of a ridge with hills in the distance. Most likely a design for one sheet of a triptych. ( It is very similar to the centre sheet of a triptych Bushu Sugita-no ume bayashi published by Sanoki, c 1847-53 and may be a preliminary sketch. ) Sumi on thin paper. 13 x 9.75 in., 33.5 x 25 cms. Fully signed ( twice ) bottom right.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing numerous female figures and children playing and collecting shellfish in an estuary. Most likely a design for a triptych. Sumi and pentimenti on thin paper. 14 x 12 in., 35 x 30 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original preparatory drawing for a print. Possibly an unused design for the set: Fifty-three Paired Stations on the Tokaido Highway. ( There is another study for the set in the collection. ) A joint set together with Kunisada and Kuniyoshi published c 1845. Shows porters and below two female travellers. Sumi and pentimenti on thin paper. 9.5 x 9.75 in., 24.5 x 25 cms. Fully signed Hiroshige hitsu.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman reading a letter. This is a copy by Hiroshige of a study by another artist. Sumi on thin paper. 14 x 7.5 in., 36 x 19 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman having just taken a bath. Sumi on thin paper with annotations for colour. 12.5 x 9.25 in., 31.5 x 23.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A large original drawing showing beauties in a boat. The river flowing away to mountains in the distance. Two other boats in background. Three small studies at top. Sumi and light red under-drawing with pentimenti on thin paper. 26 x 19 in., 66 x 47 cms. Probably a preliminary study for a painting. Indication for Hiroshige’s signature and seal at left.
Status: Sold