Ichiryusai HIROSHIGE (1797-1858)
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A triptych showing a comical battle between women in old-fashioned dress with various household utensils. Published 1852 by Muraya Seijiro. Rare.
Very good impression, colour and condition. Signed Hiroshige hitsu.
Status: Sold
Ichiryusai HIROSHIGE II ( 1829-1869 )
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The foremost pupil of Hiroshige. Formerly called Shigenobu, he assumed the name Hiroshige II on Hiroshige’s death and married his daughter. Shows Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set ( of which only 80 are known ) was published by Uoya Eikichi 1859-61 ( this being 1859 ).
Very good impression and colour. Margins trimmed close, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE ( 1797-1858 )
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Shionata from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei ( Kinjudo ). Shows the eastern shore of the broad Chikuma River. Three boatmen walk towards porters resting in a hut. Travellers could hire a boat or engage porters to bear them across the river on platforms held above the water. There are numerous triptychs showing this by Hiroshige and other artists.
Very good impression, colour and condition. Signed Ichiryusai Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE ( 1797-1858 )
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Nihonbashi Edobashi “The Nihon and Edo Bridges from Edo meisho hyakkei, “The Hundred Famous Views of Edo.” The wooden Nihonbashi ( literally Japan Bridge ) was completed in 1603. The current stone bridge dates to 1911. A classic Hiroshige composition using a large foreground object to give depth to the view, further complicated by the insertion of part of a basket of tuna being carried by a porter. Published by Uoya Eikichi between Ansei 3 and 5 ( 1856-58 ). This design dated Snake 12 ( 1857 ).
Very fine impression of the first edition. ( Apart from the three-colour variegated cartouche, only the first edition has gradation on the lower part of the bridge and gradation above and below the boat passing under the bridge. ) Fine colour. Left margin trimmed, otherwise very good condition. Signed Ichiryusai Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE ( 1797-1858 )
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A snowy view: Meguro taikobashi yuhi no oka, “Drum Bridge and Sunset Hill, Meguro” from Edo meisho hyakkei, “The Hundred Famous Views of Edo.” Shows the valley of the Meguro River with Sunset Hill to the left. Stone bridges were uncommon in Edo because of the risk from earthquakes. Published by Uoya Eikichi between Ansei 3 and 5 ( 1856-58 ). This design dated Snake 4 ( 1857 ).
Very good impression and colour. Very slight vertical crease, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A fine original Hiroshige painting showing ayu or ai, river trout, swimming in a stream or lake. The rocky bank overhangs and is reflected in the water. The ayu ( Plecoglossus altivelis ), or Japanese sweet fish, is synonymous with Gunma Prefecture. Although Hiroshige made other paintings of ayu, this is a rare subject. Also the subject of the best print from the first fish series published by Eijudo c 1832-4. Sumi and light colour on the ubiquitous grey silk Hiroshige liked to use, 15.25 x 21 in; 38.75 x 53.25 cms. Signed Hiroshige ga with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An important and fine original Hiroshige painting showing a view of Mount Fuji from Kisarazu in Chiba Prefecture. Minimalist and very subtle, this is one of the best Hiroshige paintings I have had. The near trees float above bands of mist and clouds hang at the base of Fuji. This is the same view that he used for the design Kazusa Kuroto no ura from the Thirty-Six Views of Fuji published 1858. There is also a drawing in a Hiroshige sketch book in the British Museum. Sumi and very light colour on paper, 49 x 17.75 in; 124.5 x 45 cms. Newly remounted and in fine condition. New box and futo-maki ( thick wooden roll to preserve the painting from damage ). Signed: Kamiusa Kurotonoura no zu Hiroshige ga with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Yoshitsune and Joruri-hime from a set of ten prints: Yoshitsune ichi dai zue, “Illustrated Biography of Yoshitsune.” Shows Yoshitsune inspecting the great book of war strategy ( Rikuto Sanryaku ) belonging to Ki-ichi Hogan. Some stories give Katsura-hime as the one to reveal the hiding place of the book. This set is extremely rare. There was a complete set in the Happer sale, Sotheby Wilkinson & Hodge, 26/4/1909, lot 202. Published by Senkakudo, c 1834.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A woman ( Tomoe Gozen ? ) being poled down a river. From an extremely rare and early set of prints published by Marusei, c 1832-34. For three other designs from this set see Tamba, The Art of Hiroshige, nos. 131, 137, 138.
Fine impression and colour. Minor creasing, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Soto Sakurada Benkeibori sakura no i, “ The Cherry Tree Well in Snow at Benkei Moat, Sakurada” from a Toto meisho set published by Maruya Seijiro c 1843-45. The outer moat of Edo castle is named after Benkei Shozaeman who undertook the construction during the Kan’ei period ( 1624-1643 ).
Fine impression of the first edition with the Watari censor seal bottom left overprinted in blue and careful gradation above and below on the moat. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a beauty with an acolyte. Sumi on thin paper. 14.5 x 10.5 in., 37 x 27.5 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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A large original drawing. Probably for a kakemono-e. Sumi on thin paper. 29.5 x 9.75 in., 73 x 24 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman with details of the pattern on her dress. Sumi and red under-drawing on thin paper. 14.75 x 10.75 in., 37.5 x 27.5 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a bust portrait of a Heian beauty holding a fan with a surrounding motif of gourds and leaves. Sumi and red under drawing on thin paper. 18.5 x 12 in., 47 x 31 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a peasant carrying a box on her head. A small vignette of a samisen player at the bottom left. Sumi on thin paper. 12.75 x 9.5 in., 33 x 24 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a study of a seated woman holding a rosary in front of an incense burner. Sumi and pentimenti on thin paper. 13 x 9.5 in., 33 x 24.5 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a village scene with a man bending to speak with a woman in a kago. Most likely a design for one sheet of a triptych. Sumi on thin paper. 14 x 9.5 in., 35.5 x 24.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman. Sumi on thin paper. 19.5 x 10.5 in., 50 x 27 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing two full length female studies. Sumi on thin paper. 14.5 x 10 in., 36.5 x 25.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman surrounded with various vignettes of the same model. Sumi and pentimenti on thin paper. 14.5 x 10.5 in., 37 x 26.5 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a seated woman offering sushi on a platter. Sumi and pentimenti on thin paper. 12 x 9 in., 30 x 23 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A rare complete triptych hanshita-e (original drawing for a print). Presumably never published. A procession at Akasaka (?).
Signed Hiroshige ga on first sheet.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An important original drawing by Hiroshige being an hanshita-e (preparatory sketch) for an unpublished series Toto meisho gojusan tsugi, “Fifty-Three Views of Edo.” Shows Nihonbashi with a daimyo’s cortege crossing. Warehouses in the background and a distant Fuji.
Probably executed c. early 1850s. Sumi on thin paper, 9.5 x 13.5 in; 24 x 34 cms. Extensive pentimenti. Sold “as is” with imperfections but in good condition. Provenance: Ex Huguette Beres collection, sold Sothebys, Paris, 27/11/2002, lot 177.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An important original drawing by Hiroshige being an hanshita-e (preparatory sketch) for an unpublished series Toto Fujimi junigatsu, “Mount Fuji Viewed from Edo in the Twelve Months.” This is February showing the Inari Bridge and the Minato Temple; boats in the foreground and Fuji in the distance.
Probably drawn c. early 1850s. Sumi on thin paper. Sold “as is” with imperfections but in good condition. Provenance: Ex Huguette Beres collection, sold Sothebys, Paris, 27/11/2002, lot 179.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
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An original drawing, sumi on paper, 9 x 12 in; 23 x 30.5 cms. Neko ni kamibukuro, “cat in a paper bag.” A proverb: “to back away from something.”
Slight foxing, otherwise good condition. Sealed Ichiryusai.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An original oban (14 x 9.5 in; 35.5 x 24 cms) hanshita-e drawing, sumi on thin paper, for an unpublished set Rokkasen kiri etoki, “Picture Storytelling of Climatic Scenes of the Six Immortal Poets.” In this case the poet Fun’ya no Yasuhide and depicts his most famous poem, no. 22 in the Hyakunin Isshu, which describes the autumn gales bending the trees and grasses. Shows the poet caught in a gale. In fact this is the same subject as a published design in a chu-tanzaku set by Hiroshige published by Shogendo in c 1835-39 (see MFA, Boston, acc. no. 21.7035): Possibly the publisher changed his mind about the format to use. Signed Hiroshige ga. Sold “as is” but in good condition.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An original harimaze-e drawing (two or more images on a single page originally intended to be cut apart). Sumi on paper. Intended for a set of such prints of the complete Tokaido. This sheet shows five stations: Shono (horse); Ishiyakushi (cherry blossom); Kuwana (oysters and cockles); Asakusa (the tori of a temple and visitor); Yokkaichi (boats in the bay). Provenance: Ex H. Beres collection, sold Sothebys, Paris, 25/11/2003, lot 168. Minor faults, but all congruent with an original drawing that has survived. Signed Hiroshige bottom right.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing two beauties: One drying her hair, the other about to enter a mosquito net. Sumi on thin paper. 13 x 15.5 in., 33 x 40 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A large original drawing showing a beauty on a balcony. In the distance another figure on another balcony. Possibly a study for a painting. Sumi and red under-drawing on thin paper. 15.25 x 25.5 in., 38.5 x 65 cms.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Awabe or tokobushi, abalone or “sea-ear” ( Haliotus tuberculata ) and sayori, Japanese half-beak or snioe-fish ( Hemirhamphus sayori ), Together with peach blossom. Poems by Kumogaki Fujimi and Miwagaki Mimiki. From the first series of ten plus one prints published by Eijudo c. 1832-34. The set was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Extremely rare early state before the kiwame and large Eijudo seal. Kruml a/b
Fine impression, colour and condition. Signed Ichiyusai Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Kurodai, black sea bream ( Acantho pagus schlegeli ) and akadai, red bream ( Pagus tumifrons ) together with bamboo shoots and Japanese pepper. Poems by Tomigaki Uchiyasu and Kaoan Hoshi.. From the first series of ten plus one prints published by Eijudo c. 1832-34. The set was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market.
Fine, early impression before the grey block defect on the tail of the black sea bream. Full size. Kruml 10b. Signed Ichiyusai Hiroshige.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Ise-ebi, spiny lobster or crawfish ( family Panulirus ) and shiba-ebi, shrimps. Poems by Ryokujuen Motoari and Toshihiro Machikado. From the first series of ten plus one prints published by Eijudo c. 1832-34. The set was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market.
Very good impression and colour. Full size. Kruml 4c. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A large and important painting showing a view of the Sumida River through the piles of the Ryogoku Bridge. In the distance the ofunagura, “boat houses,” boats on the river and the Shogun’s official horses – goyouba – being taken out by samurai to the shoal outside the ofunagura-mae, the Shogun’s dock, to be cooled off. This masterpiece appears to be from a series of views of the Sumida as there is another – a view of Mimeguri, Sumida river bank in snow – in the Bato Hiroshige Museum of Art. The size, signature and seal is the same. Sumi and light colour on paper, 21.25 in; 54 cms. x 37 in; 94 cms. In very good condition. Old mount and box. Signed Hiroshige ga with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE II (1826-1869)
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A free-style painting showing a basket with vegetables and a kasago, spotted rock fish or scorpion fish ( Sebasticus marmoratus ); a Japanese half-beak or snipe fish ( Hemirhamphus sayori ); shiba-ebi, shrimp, and a fugu or pufferfish ( Sphoeroides ). Hiroshige II ( Shigenobu ) was the adopted son of Hiroshige. On his death he married his daughter. Full colour on paper, image size 14 x 23 in ; 35.5 x 58.5 cms, c early1860s. Very good condition. Mounted and with box. Signed Hiroshige with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A triptych showing a comic battle between wives and the second wife ( concubine ). An ancient custom: Oko uwanari uchi no. The two groups attack each other using kitchen utensils and other paraphernalia. Published by Maruya Seijiro, 8/1852.
Fine impression, colour and condition. Full size. Yellow ground. This is the first edition with three cartouches. ( For the other version, see my catalogue: 19Th Century Triptychs, Catalogue 18, 1977, no. 12. ) Signed Hiroshige fude with Hiro seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Koi, carp ( Cyprinus carpio ), swimming amongst reeds. Poem by Makuzu. From the second series of ten fish prints published by Yamasho, c 1840-42. The first series was issued privately for a poetry group ( probably the Shingyoku Cicle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Cirle were made and they never come onto the market. Due to their popularity this second set was commissioned.This is the very rare first edition with the reeds printed. Block defect showing but with gradation still on belly. One of the finest designs from the two series. Very rare. Kruml 12a/b.
Fine impression. Very slight fading and thinning, oltherwise very good condition. Full size and without centre fold ( in itself rare as they invariably have them ). Signed Hiroshige hitsu.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Bora, the grey mullet ( Mugil cephalus ). Together with camellia and Japanese asparagusudo. Poems by Higaki Kunifune and Toshinoto Haruki. From the first series of ten plus one prints published by Eijudo c 1832-34. The set was issued privately for a poetry group ( probably the Shingyoku Cicle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Cirle were made and they never come onto the market. This is the very rare first edition with gradation on the asparagus and mica on the mullet. Kruml 9b.
Fine impression, colour and condition. Full size and without centre fold ( in itself rare as they invariably have them ). Signed Ichiryusai Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Kani, crab, Charybois and saba, mackerel ( Scomber Japonicus ) together with morning glory. Poem by Shichichintei Mampo. From the second series of ten fish prints published by Yamasho, c1840-42.The first series was issued privately for a poetry group ( probably the Shingyoku Cicle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Cirle were made and they never come onto the market. Due to their popularity this second set was commissioned.This is the very rare first edition with Ichiryusai seal printed over the ground colour and the names of the crab and mackerel crisp. Kruml 19a.
Very fine impression and colour. Slight soil top left corner, otherwise very good condition. Full size and without centre fold ( in itself rare as they invariably have them ). Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A fascinating specially commissioned painting by Hiroshige showing a large carp windsock ( koinoburi ) and Boys’ Day banners. Fuji is seen in the distance. The centre banner shows Shoki, the Demon Quellor, exorcising an oni. Shoki images were popular in houses to ward off evil during the Boys’ Day Festival, Tango no sekku, held on the 5th May. The carp was displayed outside homes of families with boys and their strength and character was symbolised by the determination of the carp swimming upstream. See also the print Suido-bashi, Surugadai from the Meisho Edo hyakkei, “One Hundred Famous Views of Edo,” published 1857 where Hiroshige uses the same large carp windsock. Sumi and full colour on silk. Extensive use of gold on the banners, the clouds below and the carp. The eye of the carp lacquered. 28.25 x 11.62 in x 72 x 29.5 cms. Original mount removed. The painting can either be framed and glazed or remounted. Very good condition. Signed Ojyu ( “commissioned” work ) Hiroshige fude. Seal Ichiryusai.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A pair of narrow paintings showing fringed pinks on one side and a hanging basket with ferns on the other. Sumi and colour on paper. 35.5 x 5.62 in; 90 x 14.2 cms each. Painted in semi-Shijo style. Fine condition. Framed and glazed. Signed Ryusai and sealed Ichiryusai on each.
Status: Sold
