Ichiryusai HIROSHIGE (1797-1858)
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An original painting, sumi and very light blue on silk, 40 x 15.25 in; 101.6 x 38.7 cms. Shows the moon reflected in the Tama river with spring ayu (sweet water fish) swimming beneath Japanese papyrus growing in the water.
A beautiful painting. One small foxing mark, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An important original Hiroshige painting. Sumi and colour on grey silk, 22.5 x 13.75 inches, 57 x 35 cms. An atmospheric scene showing an evening view at Tamegawa. Villagers hurrying home across a bridge to avoid an approaching thunderstorm. Lightning flashing above. This is a well known painting and has been illustrated in a number of books, including Ukiyo-e Art, Number 18, Memorial Exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968, pl.20. Very good condition; fully mounted with double box and ivory ends. Signed Hiroshige fude with Ichiryusai seal. Hiroshige signature c. 1848- 52.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An original painting, sumi and light colour on paper, image size 13.5 x 20 in; 34.3 x 50.8 cms. Shows the Shiraito no Taki waterfall at Hakone. The water, originating from Mount Fuji, flows over the edge of a 20 meter high cliff in thin white streams reminiscent of silk threads (hence the name Shiraito). Sold with the lid of a previous box which has a guarantee by Kazuo Inoue (a well known expert on Ukiyo-e [1889-1946] dated 1943 which gives the painting as having been done 1845-1848). In very good condition. Signed Hiroshige with Ichiryusai seal.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An original painting, sumi and light colour on silk, 13.5 x 20.5 in; 34.5 x 52 cms. Shows the renowned Husband and Wife rocks, Meoto Iwa, “Married Couple Stones,” off Futami, Mie, Japan. At this time – c. late 1840s – many thin ropes were used to tie the couple together. They are now joined by a single large shimenawa – a rope of rice straw. The larger (male) rock called Izanagi has a small torii at the top. The smaller (female) rock is called Izanami. They are sacred to the Shinto religion and worshippers flock to the neighbouring Futami Okitama Shrine, which is dedicated to the food goddess Miketsu. The ancient Shinto custom of worshipping stones is called Iwakura. A fine Hiroshige painting.
Signed Hiroshige ga with large Ichiryusai seal. In good condition with interesting old mount.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A charming small painting in shijo style obviously from a gajo of such sketches. Shows a flowering plum branch loosely tied to another branch. Sumi and light colour on paper, 5.5 x 8 in; 14 x 20.25 cms. Signed Hiroshige ga with Ichiryusai seal. Slight centre fold (of course) otherwise good condition. Old mount with bamboo ends.
Status: Sold
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Utgawa HIROSHIGE (1797-1858)
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An original drawing, being a preparatory sketch for a painting, sumi and red under-drawing on paper, mounted as a kakemono. Image size 10.5 x 13 in; 26.5 x 33 cms. An unusual view of the Husband and Wife rocks, Meoto Iwa, “Married Couple Stones,” off Futami, Mie, Japan. They are sacred to the Shinto religion and worshippers flock to the neighbouring Futami Okitama Shrine, which is dedicated to the food goddess Miketsu. In this drawing the emphasis is on the worshippers and travellers seen here in the centre and right.
In very good condition. A spurious signature and seal bottom right. There are others drawings with the same signature and seal on otherwise perfectly genuine works.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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A fine original painting by Hiroshige I, sumi on silk, image size 38 x 12.5 in; 96.5 x 31.75 cms. Shows an avenue of trees leading to a small bridge beneath a torii; bands of mist, and, in the distance, another torii and a lake or open sea with sails. A beautiful composition. I have not been able to identify the location: It was not unknown for Hiroshige to paint imaginary landscapes or use poetic license.
Signed Hiroshige ga with Ichiryusai seal. In very good condition having been recently remounted.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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An original painting, sumi and light colour on silk, 14.5 x 22 in; 36.8 x 55.9 cms. Labelled on the right Hakone no kosui, “The Lake of Hakone.” Shows the reflection of Fuji in Lake Kawaguchi with the Misaka mountain range. A similar view could be seen from Lake Ashi. Hokusai produced a version for for the Thirty-six Views of Fuji set and this area was the subject of a number of Hiroshige prints. Signed Hiroshige with Ichiryusai seal. In very good condition.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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An original fan painting mounted as a scroll. Shows a gorge with the fast flowing Nagatoro River in Musashi Province. (An area in western Saitama Prefecture northwest of Tokyo.) Sumi and light blue on paper, 7 x 20.5 in; 17.75 x 52 cms. Comes with a certificate from Aoki Shinzaburo (who had a large collection of Hiroshige drawings and paintings). In good condition. Signed Hiroshige with Ryusai seal.
Status: Sold
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Ichiryusai HIROSHIGE (1797-1858)
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An extremely rare aiban print showing a shimadai, grouper, (probably Chilodactylus zonatus) and an aji, horse-mackerel, (Caranx trachurus). From a set of eight prints of various fish published c. late 1830s.
Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Koi, carp (Cyprinus carpio) from the second series of ten fish prints published by Yamasho, c 1840-42. The first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. Poem above by Makuzu. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned. The best design from the second set. Other examples: Vignier and Inada, Vol. VI, pl. LXIX, no. 265 and Tamba, no. 424.
Very good impression. Early state: See Andon 49, Hiroshige: A shoal of red herrings, number 12. This is Kruml c with the b Ichiryusai seal. Fine colour. Slight trimming left and top, otherwise very good condition. Signed Hiroshige hitsu.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Mii no bansho, “Evening Bell at Miidera Temple” from a set Omi hakkei no uchi, “Eight Views in Omi [Province].” Shows the temple hidden amongst hills on the southern side of Lake Biwa. Miidera is the common name for the Onjoji, a temple of the Tendai sect founded in 858. Published by Hoeido and Eikyudo in c. 1834-5. The “Eight Views” theme was derived (as so much else in Japanese art) from China and based on the Eight Views of Xiaoxiang paintings of the 11th century. The subject was transposed to Omi and then taken up by such artists as Harunobu, and later Hiroshige. It was often playfully alluded to in sets of eight prints in mitate-e style.
Very good impression, colour and condition, Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A newly discovered painting of a three-clawed Kano-style dragon amongst clouds. Although a subject popular with Japanese artists (and especially Chinese artists where the subject derives from), this appears to be the only such painting by Hiroshige extant. He did, however, produce two prints of the subject – a surimono and a large panel, both of around the same date. The signature indicates a date after 1840 and it was most likely painted for the Dragon Year 1844. Blue and brown ink on paper with extensive splashed ink. Image size 34.5 x 10.5 in; 87.7 x 26.7 cm. The mount uses a ryu-mon (dragon pattern) motif to match the subject. Very good condition. Signed Ichiryusai Hiroshige hitsu with Ichiryusai seal.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Nihonbashi no hakuu, “Light Rain on Nihon Bridge.” From a Toto meisho set of 21 designs published between c. 1832 and 1839 by Kikakudo. The set was subsequently enlarged. Shows figures crossing Nihonbashi in rain, one figure carries an umbrella with the publisher’s name. Warehouses in the background and a distant view of Fuji. A beautiful print and very difficult to find in early impression: The title cartouche had a plug inserted beside the bottom three characters of the title on the left. This damage seems to have occurred when the block was cut and over time the spigot gradually slipped out leaving an unprinted area (which is sometimes painted in). In the earliest impressions the plug is hardly visible (as here). Also, the publisher’s seal at the bottom right should be in red, later editions having it in black. There was also an early variant edition with a yellow sky.
Fine impression and colour. Imperceptible centre fold, also near the right edge, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Station Fukushima from Kisokaido rokujukyutsugi no uchi, “Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Fukushima was one of the four most important checkpoints in the country and travellers had to have their documents inspected and approved before they could continue.
Superb impression. Very fine colour. Fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Kameido Tenmangu keidai no yuki, “The Compound of the Tenman Shrine at Kameido in Snow.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c 1834-5. The series was extended to fifty-five in c 1839-42. One of the most famous places in Edo. Known for its pergola, two drum bridges, koi ponds and the wisteria which flowered in the fifth month. The main shrine is dedicated to the memory of Sugawara no Michizane (Tenjin), the father of Japanese learning and built in 1662. The design comes in various states: Late editions have a black sky and the red publisher’s seal on right margin is replaced with an abbreviated Sanoki seal in black. Even later editions show a slipping plug becoming evident on the edge of the water, centre left.
Fine, very early impression with the double-printing on the cloak of the figure on the bridge. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Nihonbashi no hakuu, “Light Rain on Nihon Bridge.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c 1834-5. The series was extended to fifty-five in c 1839-42. Shows figures crossing Nihonbashi in rain, one figure carries an umbrella with the publisher’s name. Warehouses in the background and a distant view of Fuji. A beautiful print and difficult to find in early state: The title cartouche had a plug inserted beside the bottom three characters of the title. This damage seems to have occurred when the block was cut and over time the spigot gradually slipped out leaving an unprinted area (which is sometimes painted in). In the earliest impressions the plug is not visible, as here. Also, the publisher’s seal at the bottom right should be red, later editions having it in black.
Fine, very early impression with a pale yellow sky. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A procession at the Shiba Shinmei keidai, “Precincts [of the] Shiba Shinmei [Shrine].” The shrine with the distinctive chigi protruding roof beams can be seen on the right. A popular area with the Zozoji Temple, tea stalls and where the Shoga Matsuri Festival was held. From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c 1834-5. The series was extended to fifty-five in c 1839-42.
Fine, very early impression. The publisher’s seal at the bottom right should be red, later editions having it in black. Fine colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Tobiuo, flying fish (probably Prognichthys) and ishimochi also called guchi or shiroguchi, white croaker, (probably Argyrosomus argenatus). Together with a single lily. Poem by Toshigaki Maharu. From the second series of ten fish prints published by Yamasho, c1840-42.The first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned.
Fine, early impression with mica on the flying fish. Fine colour and condition. Full size and no centre fold. Signed Hiroshige ga in blue (which I have never seen).
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travelers coming and going at the edge of the village. Published by Tsutaya, Hare 7, 1855.
Very good impression with wood-grain evident in the sky. Very good colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Iki Shisaku, “Shisaku in Iki [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1856. A heavy snowfall over Iki island which lies to the northeast of the Kyushu coast in southern Japan.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Kai, Saruhashi, “Kai [Province], Monkey Bridge” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The bridge spans the Katsura River and is an example of the hanebashi method of construction whereby cantilever beams are set in the opposing cliff faces. Called the Monkey Bridge because monkeys are originally supposed to have strung themselves across the gorge.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Mino, Yoro no taki, “Mino [Province], Yoro Waterfall” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The 32 metre fall is 4 metres wide and is located in Yoro Park, near Nagoya.
Very fine impression and colour with blind-printing on the fall. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Awa, Naruto no fuha, Naruto Whirlpools, Awa [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. The finest print from the set and one of Hiroshige’s most important designs. The phenomenon is caused by the tides that move large amounts of water through the Naruto Strait into and out of the Inland Sea.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Station Annaka from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” Published by Kinjudo, the set was started by Eisen in 1835 who designed twenty-four prints before Hiroshige replaced him and completed the set before 1843. Shows the entourage of a feudal lord progressing along the road between rest houses.
Very fine impression of the earliest printing. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A snow scene from a set Edo komei kaitei zukushi, “Famous Teahouses of Edo,” Kameido uramon, Tamaya, “Back Gate of the Shrine at Kameido: The Tamaya Teahouse.” The set published by Shogendo, 1838-40.
Very fine impression. Fine colour. Slight centre fold (strengthened au verso), otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
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Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
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Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei. “Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860).
Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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The lumberyard, Fukugawa, from the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Shows snow falling on the timber yards lining a river. An umbrella in the foreground is inscribed Uo, “Fish” – a reference to the publisher Uoya Eikichi. A large supply of timber was needed for the world’s largest wooden city. However, in 1641 a fire destroyed not only houses but the lumber which was then stored in a central area forcing the government to move the yards to Fukugawa.
Very good, early impression. Very good colour. Trimmed close at bottom. Otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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The great Sanjo Bridge, Kyoto. Number 55 from the Tokaido: Gojusantsugi published by Marusei, c 1848-49. Also known as the Reisho Tokaido. Shows figures on the bridge including Oharame carrying firewood and ladies with katsugi garments. In the distance is Higashiyama and Mt. Hiei.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1829-1869)
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A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [Edo] Capital.” The set published by Ai-To between 1861-1862 (this being 1862). Hiroshige I also designed a number of prints of the same area. The bridge goes over the Sanya Canal.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1829-1869)
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Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.
Fine impression of first edition. Fine colour and condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Kai Otsuki no hara, “Otsuki [“Great Moon”] Plain in Kai Province.” The most popular print from Fuji sanjurokkei, “The Thirty-six Views of Fuji.”Published by Tsutaya Kichizo, 4/1858. A distant view of Fuji with a stream meandering amongst wild flowers. Some of them are from the Seven Herbs (Nanakusa) of Autumn, being: pampas grass, susuki, yellow patrinia, ominaeshi, bellflowers, kikyo, and wild carnations, tokonatsu.
Fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Fujieda from Tokaido gojusan tsugi, “The Fifty-three Stations of the Tokaido.” The set of fifty-five prints was published jointly by Hoeido and Senkakdo in 1834. Shows porters unpacking at the relay station. It was here that fresh horses could be obtained, luggage weighed, labour arranged, and payments made. Hiroshige’s most famous set that was reprinted many times.
Fine early impression: The porter just off-centre rubbing his back with a towel has a small area on his head that does not print on the earliest impressions, which was later corrected. Fine colour. Very slight centre fold, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Hara from The Fifty-three Stations of the Tokaido published by Marusei, Maruya Seijiro, 1847-52. Called the Reisho Tokaido because of the angular style of Kanji used. Shows Fuji towering over the landscape with miniscule figures on the road at the bottom. One of the best designs from the set.
Fine impression and colour. Very slight centre fold, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Fujieda from The Fifty-three Stations of the Tokaido published by Marusei, Maruya Seijiro, 1847-52. Called the Reisho Tokaido because of the angular style of Kanji used. Travellers huddled against the rain on a narrow path. One of the best designs from the set.
Fine impression and colour. Very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)
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A triptych from a set: Furyu Genji: Akashi. An evening scene showing Genji’s secret lover Lady Fujitsubo and an attendant watching the departing Prince Genji walking through the reeds of Akashi Bay. Based on the famous Genji monogatari written by the 11th century noblewoman and lady-in-waiting Murasaki Shikibu. Published by Iseya Kanekichi 1853.
Fine impression. This is the early state with gradation over the moon. Fine colour. Very slight trimming and retains album backing, otherwise very good condition. Signed Hiroshige ga and Toyokuni ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Wakasa, Gyosen karei-ami, “Fishing Boats and Flounder Nets in Wakasa [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Fishing in Wakasa Bay. The highway between the Wakasa ports and Kyoto was nicknamed the “Mackerel Highway” because of the quantity of fish that was transported.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Oji Shozoku enoki, Omisoka no kitsunebi, “Foxfires on New Year’s Eve at the Shozoku Hackberry Tree, Oji,” from Meisho Edo hyakkei, “The One Hundred Famous Views of Edo,” published by Uoya Eikichi 1856-58 (this being 1857). This is the only design from the set where Hiroshige uses historical fantasy: Every New Year’s Eve foxes gathered at the ancient enoki tree to pay their respects to their fox patron in the nearby Inari shrine at Oji, in northern Edo. The shrine was dedicated to the god of the harvests and farmers would predict the outcome of a harvest by the amount of kitsunebi (fox flames) they saw emitted by the foxes. A popular print from the set.
Very good impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Ishiyakushi from an aiban set Tokaido gojusantsugi no uchi, commonly called the Gyosho Tokaido because of the cursive script on title. Shows travellers entering and leaving the village in heavy snow. Published by Ezakiya Kichibei/Yamadaya, c. 1841-2. There are variant states: later editions lack the gradation on the horizon. The first state may have a Hiroshige seal after the signature.
Very good impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.
Status: Sold