Katsushika HOKUSAI (1760-1849)


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The Aoigaoka [waterfall] in Edo: Toto Aoigaoka no taki from a set of eight prints with title, Shokoku taki meguri, “A Journey to the Waterfalls of All the Provinces.” A majestic set with a mostly beautiful unifying colour scheme: There is probably no other Hokusai set that has the same impact when viewed complete. Amongst Hokusai’s finest work and much sought after. There are numerous Hiroshige designs based on the same location but they are prosaic in comparison. Eisen, inspired by Hokusai, also produced a set of waterfalls in 1847 which are themselves fine and rare. This particular fall is in fact a spillway for the Tameike reservoir seen above. Aoi Hill near Toranomon Gate to the left. The set published by Eijudo, c. 1832. Rare.

 

Fine impression. Fine, unfaded colour. Minimal soil and slight trimming on left: These designs are martyrs to trimming and many illustrated examples are trimmed, otherwise very good condition. (This raises an interesting problem because most Hokusai landscapes do not have a black border – contrary to Hiroshige’s – which do, making it easy to judge the trimming on the latter.) Signed Zen Hokusai Iitsu hitsu.

 

Status: Sold

 

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    Keisai EISEN (1790-1848)



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    Warabi, one of the Stations from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the set with the publisher Iseya Rihei ( Kinjudo ). Warabi no eki Todagawa watashi, “Warabi Station, Ferry on the Toda River.” Shows a ferry with a group of travellers: a pair of goze ( blind singers ); three males with hats; a horse and handler, and a porter smoking in the prow. The Station is seen on the far shore.

    Very fine impression of the first edition with signature. Fine colour and condition. Signed Eisen ga.

    Status: Sold

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      Onishi CHINNEN (1792-1851)



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      A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku and is famous for the highly regarded books: Azuma no teburi, 1829 and Sonan gafu, 1834 ( offered elsewhere on this site ). Shows Fuji looming above masts and a bridge. Possibly the Inari Bridge near the harbour ( shrine ) at Teppozu in Edo. See Hiroshige’s design of this view for the 100 Views of Edo, no. 77. A typically spontaneous Shijo painting. Sumi on paper. Image size 41 x 10.5 in; 105 x 27 cms. Blue paper mounting; grey-blue damask ichimonji with bamboo rollers. Light creasing otherwise good condition with box. Signed Chinnen with seal Unka.

      Status: Sold




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        Keisai EISEN (1790-1848)



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        Shiojiri Pass, View of Lake Suwa, from the Sixty-Nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). A view from the pass over the frozen lake towards Takashima Castle, with Mount Fuji in the distance. A short cut over the ice was available in the winter mornings after the ice had frozen during the night. This is the earliest state. Extremely rare.

        Very fine early impression. The first state of a number of variants with Take [ nouchi Magohachi ] on the girth of the horse; signature and seals, and gradation on the banks on the right of the print. Combined Take and kiwame seal in left margin. Signed Eisen ga.

        Status: Sold

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          Keisai EISEN (1790-1848)



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          Kutsukake no eki Hiratsukahara uchu no kei, ” Kutsukake Station, Rain on the Nearby Plain of Hiratsuka” from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). A windy autumnal squall over the Hiratsuka flood plain. One of the best Eisen designs from the set. Known in various states and colour variations. The very rare first edition has the signature lower right corner.

          Very good impression. Fine colour. Very good condition. Unsigned.

          Status: Sold

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            Keisai EISEN (1790-1848)



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            Kuragano Station, Karasu River, Kuragano shuku Karasugawa no zu from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). Situated at the confluence of three rivers, the Tone, Karasu and Kabura. In spring a ferry service was available down to Edo. The station can be seen on the far shore. Small children play in the foreground watched by a lady taking tea at a rest-stop. This appears to be the earliest state known of this design – earlier than the first edition example illustrated in the NHK exhibition catalogue, Hiroshige: Tokaido and Kisokaido, 2006, pl. 14, p. 43, with greater subtlety in the printing and gradation on the river.

            Very fine impression of the first edition. Fine colour. Slight centre fold, otherwise very good condition. Signed Eisen ga.

            Status: Sold

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              Keisai EISEN (1790-1848)



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              Konosu from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). Shows travellers on a zig-zag path that disappears into a range of mountains on the right. To the left, a large Fuji towers over the landscape. The very rare first edition with signature – which is lacking on later states – and differences in colour and gradation. The removal of the signature was presumably because the publishers wanted the public to think the designs were by Hiroshige , the better known landscape artist of the two.

              Very fine impression and colour. Extremely large margins. Fine condition. Signed Eisen ga.

              Status: Sold

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                Keisai EISEN (1790-1848)



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                Itahana from the Sixty-nine Stations of the Kisikaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). Shows the entrance to the village with well-wrapped travelers trudging through the snow along a road edged with pines. The sun has set on the horizon. The rare first edition: Other designs from the set are signed on the first edition, but this is the exception. In later editions the red seal, top left, changes; the water in the stream, left, is graded above, not below; the hand-stamped kiwame/Take seal in left margin is left off, and the blue printed on the first figure’s legs and the legs of the two small figures on the bridge is lacking. ( See Ukiyoe Taikei, vol.15, no.15 for an example of the later edition. )

                Very fine impression and colour. Two small thin areas right margin and several backed pin holes near border, otherwise fine condition. Unsigned.

                Status: Sold

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                  Keisai EISEN (1790-1848)



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                  Magome from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ).

                  Fine impression. A rare variant first edition with signature but without the large central mountain. Not listed by Strange. There are later editions without signature and with and without central mountain. Fine colour and condition. Signed Keisai ga.

                  Status: Sold

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                    Keisai EISEN (1790-1848)



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                    Oiwake from the Sixty-nine Stations of the Kisokaido. The set was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseiri ( Kinjudo ). In the distance is Asama-yama, Mount Asama, a volcano which erupted in 1783. It also emitted debris in 1894 and 1900. This is the extremely rare first edition with signature Keisai and seal bottom left. ( Not in Ukiyo-e Taikei .) Unidentified collector’s seal au verso.

                    Fine impression and colour. Minor edge soil, otherwise very good condition. Signed Keisai ga.

                    Status: Sold

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                      Kobayashi KIYOCHIKA (1847-1915)



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                      Snow at Suidobashi from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                      Fine impression of the first edition. Perfect colour and condition with mica added. Signed Shinseiro Kiyochika ga.

                      Status: sold

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                        Kobayashi KIYOCHIKA (1847-1915)



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                        Kyobashi with Tsukuda-jima in the background from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                        Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                        Status: Sold

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                          Kobayashi KIYOCHIKA (1847-1915)



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                          The lanterns of Hommonji Temple in Ikegami from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                          Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga.

                          Status: Sold

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                            Kobayashi KIYOCHIKA (1847-1915)



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                            Rain over the paulownia plantation at Akasaka from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                            Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga.

                            Status: Sold

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                              Kobayashi KIYOCHIKA (1847-1915)



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                              The Sumida River and Suijin Forest under heavy rain, a moon-lute in the foreground, from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                              Superb impression of the first edition. Perfect colour and condition. Signed Shinseiro Kiyochika ga.

                              Status: Sold

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                                Kobayashi KIYOCHIKA (1847-1915)



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                                Fallen snow at Fukugawa in Benten Province from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                                Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                                Status: Sold

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                                  Kobayashi KIYOCHIKA (1847-1915)



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                                  Snow at Suidobashi from the set Musashi hyakkei no uchi, the ?One Hundred Views of Musashi? ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige?s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                                  Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                                  Status: Sold

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                                    Kobayashi KIYOCHIKA (1847-1915)



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                                    Fishing on Ayase River, Sengenji Temple in the distance from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                                    Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                                    Status: Sold

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                                      Kobayashi KIYOCHIKA (1847-1915)



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                                      Fireworks over Ryogoku from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                                      Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                                      Status: Sold

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                                        Kobayashi KIYOCHIKA (1847-1915)



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                                        Full moon at Tamagawa illuminating dyers at work in the river from the set Musashi hyakkei no uchi, the ‘One Hundred Views of Musashi’ ( Musashi being the plain in which Tokyo lies ). The set was modelled on Hiroshige’s 100 Views of Edo but only 34 prints were ever produced by the publisher Kobayashi Tetsujiro in 1884/5.

                                        Superb impression of the first edition. Perfect colour and condition with extensive mica. Signed Shinseiro Kiyochika ga.

                                        Status: Sold

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                                          Katsushika HOKUSAI (1760-1849)

                                             

                                            Utagawa KUNIYOSHI (1797-1861)



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                                            A complete triptych showing beauties in boats on the Sumida River. Shubi no matsu, “Successful-deal Pine Tree” from a set Edo meisho somoku-zukushi, “Notable Sights Famous for Grass and Trees in Edo.” This famous pine was blown down during the An’ei era (1772-1780); its successor died during the Ansei era (1854-1859); the third died at the end of the Meiji era (c 1910). There is also the Hiroshige view of this subject from the 100 Views of Edo. Published by Ebiya Rinnosuke (Kaijudo), 1845.

                                             

                                            Very good impression. Fine colour and condition. Full size. Another state has darker water and variegated cartouche. Signed Cho-o-ro Kuniyoshi ga.

                                             

                                            Status: Sold

                                             

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                                              Artists

                                              ( A to Z )

                                              Kyogado ASHIKUNI ( Fl. c. 1807 – 1818 )
                                              Gigado ASHIYUKI ( Fl. c. 1814 – 1833 )

                                              Ki BAITEI ( 1734 – 1810 )
                                              Takizawa BAKIN ( 1767 – 1848 )
                                              Ono BAKUFU ( 1888 – 1976 )
                                              Georges BIGOT ( 1860 – 1927 )
                                              Kawamura BUMPO ( 1779 – 1821 )
                                              Ippitsusai BUNCHO ( Fl. c. 1765 – 1792 )

                                              Toyohara CHIKANOBU ( 1838 – 1912 )
                                              Kishi CHIKUDO ( 1826 – 1897 )
                                              Tsubaki CHINZAN ( 1801 – 1854 )
                                              Eishosai CHOKI ( Fl. c. 1756 – 1808 ). See also SHIKO

                                              Rekisentei EIRI ( Fl. c. 1790 – 1800 )
                                              Keisai EISEN ( 1790 – 1848 )
                                              Hosoda EISHI ( 1756 – 1829 )
                                              Hosoda EISHO ( Fl. c. 1780 – 1800 )
                                              Ichirakutei EISUI ( Fl. c. 1790 – 1823 )
                                              Kikugawa EIZAN ( 1787 – 1867 )

                                              Hirano HAKUHO ( 1879 – 1957 )

                                              Elizabeth KEITH ( 1887 – 1956 )
                                              Imao KEINEN ( 1845 – 1924 )

                                              Yashima GAKUTEI ( 1786 – 1868 )
                                              Ogata GEKKO ( 1859 – 1920 )
                                              Adachi GINKO ( Fl. c. 1847 – 1897 )
                                              Matsumura GOSHUN ( 1752 – 1811 )
                                              GYOSAI. See Kawanabe KYOSAI

                                              Hirano HAKUHO ( 1879 – 1957 )
                                              Suzuki HARUNOBU ( 1724 – 1770 )
                                              Kawase HASUI ( 1883 – 1957 )
                                              Kitagawa HIDEMARO ( Fl. c. early 19th century )
                                              Kinoshita HIRONOBU ( Fl. c. 1851 – 1870 )
                                              Gosotei HIROSADA ( Fl. c. 1847 – 1863 )
                                              Ichiryusai HIROSHIGE ( 1797 – 1858 )
                                              Ichiryusai HIROSHIGE II ( 1826 – 1869 )
                                              Ando HIROSHIGE III ( 1843 – 1894 )
                                              Nakamura HOCHU ( Fl. c. late 18th to early 19th century )
                                              Sakai HOITSU ( 1761 – 1828 )
                                              Totoya HOKKEI ( 1780 – 1850 )
                                              Teisai HOKUBA ( 1771 – 1844 )
                                              Shunkosai HOKUEI (Active 1824-1837)
                                              Katsushika HOKUGA ( Fl. c. 1830 )
                                              Shotei HOKUJU ( Fl. c. 1789 – 1818 )
                                              Katsushika HOKUSAI ( 1760 – 1849 ). Also used numerous other names such as: SORI, SHUNRO, SHINSAI
                                              Shokosai HOKUSHU ( Fl. c. 1808 – 1832 )

                                              KEISAI. See Kitao MASAYOSHI
                                              Suzuki KIITSU ( 1796 – 1858 )
                                              Kitagawa KIKUMARO ( Fl. c. ? – 1830 ). See TSUKIMARO
                                              Kobayashi KIYOCHIKA ( 1847 – 1915 )
                                              Torii KIYOHIRO ( Fl. c. 1737 – 1771 )
                                              Torii KIYOMASA ( Fl. c. 1700 – 1722 )
                                              KIYOMINE. See Torii KIYOMITSU II
                                              Torii KIYOMITSU ( 1735 – 1785 )
                                              Torii KIYOMITSU II ( 1787 – 1868 ). See KIYOMINE
                                              Torii KIYONAGA ( 1752 – 1815 )
                                              Torii KIYONOBU ( 1664 – 1729 )
                                              Torii KIYONOBU II ( 1706 – 1763 )
                                              Torii KIYOTSUNE ( Fl. c. 1757 – 1779 )
                                              Isoda KORYUSAI ( Fl. c. 1767 – 1788 )
                                              Ohara KOSON ( 1877 – 1945 ). See SHOSON
                                              Torii KOTONDO ( 1900 – 1976 )
                                              Toyohara KUNICHIKA ( 1835 – 1900 )
                                              Utagawa KUNIHIRO ( Fl. c. 1815 – 1843 )
                                              Ichiunsai KUNIHISA ( 1832 – 1891 )
                                              Utagawa KUNINAO ( 1793 – 1854 )
                                              Utagawa KUNISADA ( 1786 – 1865 )
                                              Utagawa KUNISADA II ( 1823 – 1880 )
                                              Utagawa KUNISATO ( ? – 1858 )
                                              Utagawa KUNITERU ( 1808 – 1876 )
                                              KUNITERU. See Utagawa SADASHIGE
                                              Utagawa KUNITERU II ( 1829 – 1874 )
                                              Utagawa KUNIYASU ( 1794 – 1832 )
                                              Ichiyusai KUNIYOSHI ( 1797 – 1861 )
                                              Santo KYODEN. See Kitao MASANOBU
                                              Kawanabe KYOSAI ( 1831 – 1889 ). See GYOSAI

                                              Okumura MASANOBU ( 1686 – 1764 )
                                              KitaoMASANOBU ( 1761 – 1816 ). See Santo KYODEN
                                              Kitao MASAYOSHI ( 1764 – 1824 ). See KEISAI
                                              Oishi MATORA ( 1794 – 1833 )
                                              Hishikawa MORONOBU ( Fl. c. 1618 – 1694 )

                                              Nishimura NANTEI ( 1775 – 1834 )
                                              Utagawa NOBUKATSU ( Fl. c. 1830 – 1844 )
                                              Watanabe NOBUKAZU ( Fl. c. late 19th century )

                                              Hishikawa RYUKOKU ( Fl. c. 1808 – 1816 )
                                              Jokei RYUKOSAI ( Fl. 1772 – 1816 )

                                              Gokitei SADAFUSA ( Fl. c. 1825 – 1850 )
                                              Hasegawa SADAHARU ( Fl. c. 1830 – 1844 )
                                              Gokotei SADAKAGE ( Fl. c. 1818 – 1844 )
                                              Utagawa SADAHIDE ( 1807 – 1873 )
                                              Hasegawa SADANOBU ( 1809 – 1879 )
                                              Utagawa SADASHIGE ( Fl. c. mid 19th century ). See KUNITERU
                                              Gofutei SADATORA ( Fl. c. 1825 )
                                              Yamaguchi SHIGEHARU ( 1803 – 1853 )
                                              Kitao SHIGEMASA ( 1739 – 1820 )
                                              Nishimura SHIGENAGA ( 1697 ? – 1756 )
                                              Nishimura SHIGENOBU ( Fl. c. 1724 – 1735 )
                                              SHIKO. See Eishosai CHOKI
                                              Ryuryukyo SHINSAI ( 1764 – 1820 )
                                              Ito SHINSUI ( 1898 – 1972 )
                                              Kojima SHOGETSU ( Fl. c. 1880 – 1890 )
                                              SHOSON. See Ohara KOSON
                                              Takahashi SHOTEI ( 1871 – 1945 )
                                              Yamamoto SHOUN ( 1870 – 1965 )
                                              Yamakawa SHUHO ( 1898 – 1944 )
                                              Katsukawa SHUNCHO ( Fl. c. 1780 – 1795 )
                                              Takehara SHUNCHOSAI ( Fl. c. 1772 – 1801 )
                                              Katsukawa SHUN’EI ( 1762 – 1819 )
                                              Katsukawa SHUNKO ( 1743 – 1812 )
                                              Hishikawa SHUNKYO ( Fl. c. early 19th century )
                                              Kubo SHUNMAN ( 1757 – 1820 )
                                              Katsukawa SHUNSEN ( Fl. c. 1762 – 1830 )
                                              Natori SHUNSEN ( 1886 – 1960 )
                                              Gatoken SHUNSHI ( Fl. c. 1820 – 1828 )
                                              Katsukawa SHUNSHO ( 1726 – 1792 )
                                              Katsukawa SHUNTEI ( 1770 – 1820 )
                                              Katsukawa SHUNZAN ( Fl. c. 1782 – 1798 )
                                              Yamaguchi SOKEN ( 1759 – 1834 )

                                              Ikeno TAIGA ( 1723 – 1776 )
                                              Katsukawa TERUSHIGE ( Fl. c. 1715 – 1725 )
                                              Mori TETSUZAN (1775-1841)
                                              Migita TOSHIHIDE ( 1863 – 1925 )
                                              Mizuno TOSHIKATA ( 1866 – 1908 )
                                              Okumura TOSHINOBU ( Fl. c. 1717 – 1750 )
                                              Utagawa TOYOHARU ( 1735 – 1814 )
                                              Utagawa TOYOHIRO ( 1773 – 1828 )
                                              Utagawa TOYOKUNI ( 1769 – 1825 )
                                              Utagawa TOYOKUNI II ( 1777 – 1835 ). See TOYOSHIGE
                                              Yamamura TOYONARI ( 1885 – 1942 )
                                              Ishikawa TOYONOBU ( 1711 – 1785 )
                                              TOYOSHIGE. See Utagawa TOYOKUNI II
                                              TSUKIMARO. See Kitagawa KIKUMARO
                                              Kitano TSUNETOMI ( 1880 – 1947 )

                                              Toyokawa UMEKUNI ( Fl. c. 1816 – 1826 )
                                              Kitagawa UTAMARO ( 1753 – 1806 )
                                              Kitagawa UTAMARO II ( ? – 1831 )

                                              Inoue YASUJI ( 1864 – 1889 )
                                              Hiroshi YOSHIDA ( 1876 – 1950 )
                                              Ipposai YOSHIFUJI ( 1828 – 1887 )
                                              Utagawa YOSHIIKU ( 1833 – 1904 )
                                              Utagawa YOSHIKATA ( Fl. c. 1841 – 1864 )
                                              Utagawa YOSHIKAZU ( Fl. c. 1850 – 1870 )
                                              Toyokawa YOSHIKUNI ( Fl. c. 1803 – 1840 )
                                              Utagawa YOSHIMUNE ( 1817 – 1880 )
                                              Ichiyosai YOSHITAKI ( 1841 – 1899 )
                                              Utagawa YOSHITORA ( Fl. c. 1850 – 1880 )
                                              Taiso YOSHITOSHI ( 1839 – 1892 )
                                              Utagawa YOSHITSURU ( Fl. c. 1840 – 1850 )
                                              Ichieisai YOSHITSUYA ( 1822 – 1866 )
                                              Mori YOSHIYUKI ( 1835 – 1879 )

                                              Shibata ZESHIN ( 1807 – 1891 )

                                                 

                                                Kitagawa KIKUMARO (Fl. c. ? – 1830)



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                                                Ryogoku Bridge from a set: Edo meisho mitate ju kei, “A Parody of Ten Famous Places in Edo.” Shows pleasure boats cooling off between the trestles of the bridge. The Ryogoku was often depicted by Hiroshige and other artists, especially with fireworks over the bridge to celebrate the “Opening of the River” on the 28th day of the 5th month. Published by Yamashiroya Tokei (?), c. 1803. Ex Hayashi collection, sealed bottom right.

                                                Very good impression, colour and condition. Signed Kikumaro hitsu. ( Kikumaro signed thus between 1795 – 1805. )

                                                Status: Sold

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