Yashima GAKUTEI (1786-1868)

 Click here to view image full size. A surimono showing two dancers performing the Sparrow dance, Suzume odori. From a set of six prints forming a hexaptych (this being the top left sheet) for the Katsushika Poetry Club, Katsushika rokubantsuzuki, c 1827-8. The vertical gold bands suggest a birdcage.Illustrated in Surimono, in the Rijksmuseum, Amsterdam, Matthi Forrer, 2013, no. 455.   Fine impression and colour. Minor soil, otherwise good condition.   Status: Sold  

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. A surimono, Watakuri uma, from a series Uma tsukushi, “Horse Series.” The set of at least thirty surimono was issued by the Yomo-gawa Poetry Club for the Horse Year, 1822. The title alludes to the appearance of the watakuri, “cotton gin” usually seen atop a wooden sawhorse-like stand. Also shown is a wooden saddle on a leather base, a smoking set and branches of white plum. Poems by Matsuchi, Kagetsudo and Matsunoya Sononari. Rare.   Fine impression and colour with silver, gold and blind-printing. Very good condition. Signed Fusenkyo Iitsu hitsu.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Fulling cloth beneath a full moon. Toi Tama-qawa in Settsu Province from the set Six Tama Rivers. One of the two best designs from the set. Published circa early 1830s. Fine impression and colour. Minor repair extreme top edge, otherwise fine condition. Signed Hiroshige ga. A beautiful print. Status: Sold

Utagawa KUNISADA (1786 – 1865)

 Click here to view image full size. The actor Ichikawa Danjuro VII as the medicine peddler in the play Uiro-uri and Ichikawa Danjuro IV in the votive panel above as Kagekiyo in the play of the same name. Both these plays are included in the Kabuki Juhachiban ” Eighteen Favourite Plays” chosen to illustrate the special art of the Danjuro line of actors. The lower half of Kagekiyo’s costume includes the characters “Dragon King” “Ryu-o” suggesting the date 1820. The upper half has the Gogawa hour-glass poetry club symbol. Very fine impression. Fine colour with gold and silver. Fine condition. Signed Kunisada ga. Status: Sold

Totoya HOKKEI (1780-1850)

Click here to view image full size. A surimono showing the god Sarutahiko with a rooster and hen. The second sheet from a 5-sheet set: Haru no iwato, “The Boulder of Spring” referring to the rock placed by the sun goddess over the entrance to the cave she hid in thereby depriving the world of light. Sarutahiko accompanied Uzume in her dancing to try to lure Amaterasu from the cave. He is shown with his extra high geta (wooden shoes) which enabled him to look taller at crossroads (being the god of travel and pathways). Issued by the Drum Club, Taiko-ren, their symbol above title top right. Poems by Saiseitei Nanao and Sekigentei Namio. Issued for Rooster year 1825. Provenance: Ex collection Kunsthalle Bremen.   Fine impression, colour and condition. Extensive gold and silver with blind-printing on the rooster and hen. Signed Hokkei.   Status: Sold  

Tomikichiro TOKURIKI (1902-2000)

 Click here to view image full size. The original keyblock woodblock for print 20, Distant View of Fuji from Ise Asama Mountain from The Thirty-six Views of Fuji, published by Uchida Bijutsu Shoten, 1939-40. Sold together with the annotated finished print. The reverse of the block has another unidentified image. Block size 11.5 x 16.75 in; 29 x 42.8 cms. Block sold “as is” and the print has some minor damage. Status: Sold  Click here to view image full size.

Tomikichiro TOKURIKI (1902-2000)

 Click here to view image full size. A complete set of 5 double-sided original woodblocks comprising the keyblock and 9 colour blocks. Sold together with the finished print. Although late, it’s very rare to find complete sets of blocks and shows clearly how the prints were produced. Some of the blocks retain the keyblock proofs glued to them. For print 11, Kameyama Shrine in Kishu from a set of 50 prints of scenes of sacred places and historic landmarks. Published by Uchida Bijutsu Shoten, 1941. The average size of blocks is 11.75 x 17 in; 30 x 43 cms. All blocks sold “as is.” The print is in good condition. Status: Sold  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.  Click here to view image full size.

Yashima GAKUTEI (1786?-1868)

Click here to view image full size. A sailing junk caught in stormy seas, driving rain, and under a threatening sky. The masterpiece from a set of six prints issued in album form with title Naniwa meisho, Tempozan shokei ichiran, “A Famous Place in Osaka, Selected Views of Mount Tempo.” Published in Osaka, 1834, by Shioya Kisuke. In the circular cartouche: Osaka Tempozan yudachi no kei, “View of a Storm at Tempozan, Osaka.”Gakutei is best known for his many surimono. He was also a kyoka poet and painter. Unfortunately he produced few landscapes. Other impressions illustrated in Michener, Japanese Prints, no. 198; Mellor sale catalogue, Sotheby, July 1963, pl. XXXI; and Grabhorn, Landscape Prints of Old Japan, pl. 30. SC I One of the great 19th century landscapes.     Fine impression. Very good colour. Slight trimming at bottom and backed centre fold (as usual as it was published in folding album form), otherwise good condition. Signed Gogaku with seal Go.     Status: Sold    

Katsushika HOKUSAI (1760-1849)

 Click here to view image full size. A koban surimono from a kyoka set ( of one hundred ? ) published c. 1805. Shows a kyoka poet with poem by Mikumi Himemari. Seemingly the only large group illustrated is in the Katsushika Hokusai Exhibition from The Peter Morse Collection, Ukiyo-e Ota Memorial Museum of Art, 1988, no . 167 ( this design on page 106 ). Rare. Ex collection Tony Strauss-Negbaur ( seal au verso ). Fine impression, colour and condition. Signed Hokusai ga. Status: Sold

Utagawa KUNIYOSHI (1797-1861)

 Click here to view image full size. Kido Maru learning magic from the forest tengu. Possibly Kuniyoshi’s greatest design in this genre. He is shown, cross-legged,atop a giant python, two wrapped pine sprigs (aomatsuba) in his mouth. A long dagger is driven into the python’s head and snakes curl around its blade. Robinson SIF.1. Illustrated in colour , pl. 12, and also used on the front cover of B. W. Robinson, Kuniyoshi: The Warrior-Prints, Phaidon, 1982. This is the rare first edition published by Tsutaya Kichizo, c 1840 with the kiwame seal above publisher.   Very fine impression with fine gradation (missing later on). Fine colour. Imperceptible fold, otherwise fine condition. Full size. Signed Ichiyusai Kuniyoshi ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. A vertical diptych showing the famous poet and court noble, Ariwara no Narihira (825-880), on horseback with his attendant before Mt. Fuji on their way to the east. The eastern journey was one of the main parts of the Ise Monogatari. Published by Marukyu, c 1845-6.   Fine impression, colour and condition. Full size with ample room for joining. This is the best copy of this design I have seen. Signed Hiroshige ga.   Status: Sold  

Utagawa KUNIYOSHI (1797-1861)

 Click here to view image full size. A rare vertical diptych showing the famous Daimyo Uesugi Kenshin (1530-1578). He ruled Echigo Province and was known as a skillful administrator as well as warlord; also for his rivalry with Takeda Shingen who he fought at the fourth battle of Kawanakajima. Published by Jubei Yorozuya, 1846.   Fine impression and colour. Extensive mica applied to the headgear. Yellow ground. Very slight trimmimg at bottom, otherwise full size with ample room for joining. Signed Ichiyusai Kuniyoshi ga.   Status: Sold  

Toyohara CHIKANOBU (1838-1912)

 Click here to view image full size. A triptych showing the Shinto Storm God Susanoo about to slay the eight-headed dragon, Yamata no Orochi, at the head of the Hi river in pouring rain. The dragon devoured virgins and had eaten the seven daughters of two earthly deities, seen top right. The eighth, Kushi-inada-hime, also on right, is saved by Susanoo who encourages the dragon to drink eight times brewed sake from eight vats which intoxicates it enough to be killed. Rare: Chikanobu is not known for this type of subject. Published c 1870s.   Very good impression, colour and condition. Mica applied to sky, rain printed in silver. Full size. Signed Yoshu Chikanobu hitsu.   Status: Sold  

Tsukioka YOSHITOSHI (1839-1892)

 Click here to view image full size. A triptych showing a scene during the siege of Nagashino Castle by Takeda Katsuyori. Torii Suneemon Katsutaka was sent to get help and managed to evade the guards. He insists on returning to his comrades but meanwhile Takeda has fastened bells to the cables on the castle’s exit which gave the alarm and frightens a flock of herons. Katsutaka was captured and died a samurai’s death shouting hold fast to his comrades. Takeda’s troops were subsequently massacred. Published by Kinseido, 1868. From a series Bidan musha hakkei, “Eight Views from Fine Tales of Warriors.”   Very fine impression, the rain beautifully burnished; blind-printing and mica applied. Fine colour and condition. Full size. A fine copy. Signed Tsukioka Yoshitoshi hitsu.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The brothers Goro and Juro battling Kikko Kojiro and Aiko Saburo in the pouring rain. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Hakomaru (Soga no Goro) stands on top of a steep cliff holding a huge boulder. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Asahina Saburo tugging on Goro Tokimune’s armour. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. A noblewoman is directed to the Soga shrine by a wood-gatherer. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Goro Tokimune comes across the wrestler Goromaru. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Onio and Dozaburo, the retainers of the Soga Brothers. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man called Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt. Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.   Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.   Status: Sold  

Katsukawa SHUNTEI (1770-1820)

 Click here to view image full size. Yamamoto Kansuke (Haruyuki) (1501-1561) overpowering a gigantic boar. Takeda Shingen’s most valuable general and one of the Takeda nijushi-sho, “Takeda’s Twenty-four [most trusted] Generals.” Kansuke was involved in a lengthy feud with Kenshin Tora and is killed in one of their skirmishes at Kawanakajima on 12 Oct. 1561.   Very good impression, colour and condition. Signed Shuntei ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on horizon.   Fine impression, very good colour and condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. Tadasugawara no yudachi, “Evening Shower on the Bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.   Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in the left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold and trimmed close at top, otherwise very good condition. Signed Hiroshige ga.   Status: Sold  

Ichiryusai HIROSHIGE (1797-1858)

 Click here to view image full size. The cantilevered Monkey Bridge from Rokujuyoshu meisho zue, “Famous Views in the Sixty-odd Provinces.” Published by Koshimuraya Heisuke 1853-6 (this being 1853). This bridge – one of the three most famous bridges in Japan – is situated in Otsuki and purports to be 1300 years old (albeit rebuilt many times).   Fine impression of the first edition. Fine colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.   Status: Sold  

Utagawa HIROSHIGE II (1826-1869)

 Click here to view image full size. Yoroi no watashi, “Yoroi Ferry” from the set Toto sanjurokkei, “Thirty-six Views of Edo.” Published by Ai-To, 1862. Shows the laden ferry crossing in heavy snow. The Koami-cho warehouses on the right.   Fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.   Status: Sold  

Utagawa KUNISADA (1786-1865)

 Click here to view image full size. Taira no Tadamori (1096-1153) grappling with the oil thief from a set: Honcho komei kagami, “A Mirror of our Country’s Renowned Heroes.” Published by Joshuya Kinzi, c 1835. The story relates how the Emperor Shirakawa was perturbed by a monster in the precincts of the Mido Temple at night. The samurai Taira no Tadamori was ordered to kill the beast only to discover a harmless old monk who steals a little oil from the stone lanterns. Kunisada designed a number of sets like this around this date.   Fine impression and colour. Very slightly trimmed, otherwise very good condition. Signed Kochoro Kunisada ga.   Status: Sold  

Yashima GAKUTEI (1786-1868)

 Click here to view image full size. A surimono from a fine set of eight prints: Ichiyoren bunbo shiyu, “Four Companions of the Writing Studio for the Ichiyo Circle.” Issued c 1827 for the Ichiyoren poetry club. The set alternates Chinese and Japanese subjects with the literati tradition of brush, ink, inkstone and paper. In this case: Sumo Komachi, “Ink and Komachi.” Ono no Komachi being the famous mid-ninth century poet and it shows her washing a poetry anthology which included a poem plagiarized by another poet who accused her of stealing it. The ink ran proving her innocence. Poems by Karakutei Kobun and Karindo.   Very fine impression with blind-printing, gold and silver. Fine colour. Slight crease, otherwise fine condition. Signed Gakutei.   Status: Sold  

Ichieisai YOSHITSUYA ( 1822-1866 )

 Click here to view image full size. Takamatsu Naizen and Tateshina Danjo Masatada grappling during the Battle of Kawanakajima in the mid 16th century. They are heavily entwined in the red ribbons of the standards. Published by Tsujiokaya Bunsuke in 1857. Fine impression and colour. Light album backing, otherwise very good condition. Signed Ichieisai Yoshitsuya. Status: Sold

Mori YOSHIYUKI ( 1835-1879 )

 Click here to view image full size. Shows Hido Hachiro holding the decapitated head of an enemy from Honcho buyu kagami, “Mirror of our Country’s Military Elegance.” Yoshiyuki was a pupil of Yoshiume and designed the set A Hundred Views of Osaka. He moved to Tokyo in 1868. Published by Tsutaya, c 1868. Rare: The first time I have catalogued this set. Fine impression, colour and condition. Signed Yoshiyuki ga. Status: Sold